The Well-Tempered Ear

Classical music: The eclectic fusion group Mr. Chair plays music by Stravinsky, Satie and others on Monday night in Spring Green

August 17, 2019
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By Jacob Stockinger

The Ear has received the following announcement from the Rural Musicians Forum:

Mr. Chair looks like a jazz quartet, sounds sometimes like a rock band, but in actuality is a contemporary classical music group in the guise of a modern band.

Classically trained musicians who are well versed in jazz, the players in Mr. Chair create a new sound using both acoustic and electric instruments.(You can hear Mr. Chair perform the original composition “Freed” in the the YouTube video at the bottom.)

The Rural Musicians Forum audience will have the chance to enjoy the soundscapes of this fascinating eclectic fusion group on this coming Monday night, Aug. 19, at 7:30 p.m. at Taliesin’s Hillside Theater (below) in Spring Green.

Members of Mr. Chair (below) are Professor Mark Hetzler, trombone and electronics; Jason Kutz, piano and keyboards; Ben Ferris, acoustic and electric bass; and Mike Koszewski, drums and percussion. All have close ties to the University of Wisconsin-Madison’s Mead Witter School of Music, where they also perform as an ensemble.

Mr. Chair’s compositions are long-form journeys, telling stories through sound by using and exploring the three pillars of music: melody, harmony and rhythm. Think cinematic, orchestral, surreal, romantic, emotional and gripping, and always equal parts dissonant and consonant. Their influences are far-reaching from classical, blues and rock to soul, funk, jazz and beyond.

For this concert, Mr. Chair will perform re-imagined excerpts from Igor Stravinsky’s Neo-Classical ballet masterpiece Pulcinella as well as music by Erik Satie and selections from their debut album, NEBULEBULA, which will be released on Thursday, Sept. 5, on vinyl, CD and digital streaming platforms.

The genre-bending quartet will perform in the beautiful Hillside Theater designed by Frank Lloyd Wright as part of his Taliesin compound. It is located at 6604 State Highway 23, about five miles south of Spring Green.

Admission is by free will offering, with a suggested donation of $15.


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Classical music: UW trombonist Mark Hetzler explores Stravinsky with new music and alumni musicians in a FREE concert on FRIDAY night. Plus, you can hear FREE Brahms at noon this Friday

October 12, 2017
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ALERT: The music of Johannes Brahms will be featured at this Friday’s FREE Noon Musicale at the First Unitarian Society of Madison, 900 University Bay Drive. Performers are Wes Luke and Valerie Sanders, violin; Ina Georgieva and Marie Pauls, viola; and Rachel Bottner, cello. (No word on specific works, but it sure sounds like a string quintet is on the program.) The concert runs from 12:15 to 1 p.m.

And more Brahms (below) fits into the question The Ear recently posted about what explains why we are hearing more music by Brahms these days. Here is a link to that post:

https://welltempered.wordpress.com/2017/10/07/classical-music-are-we-hearing-more-brahms-if-so-why/

By Jacob Stockinger

The always adventurous and inventive UW-Madison trombone professor Mark Hetzler (below) will once again perform an experimental and innovative FREE concert this FRIDAY night (NOT Saturday night, as incorrectly listed on here before) at 8 p.m. in Mills Hall.

“Solitude and Stravinsky“ is an exploration of social isolation and a reimagining of Igor Stravinsky’s popular Neo-Classical “Pulcinella” Suite (which you can hear in the YouTube video at the bottom).

According to the website at the UW-Madison’s Mead Witter School of Music: “This concert will showcase landmark works by contemporary composers and an experimental performance by the quartet combo Mr. Chair, with special guests and alumni Jason Kutz (piano, below top), Ben Ferris (double bass, below bottom) and Mike Koszewski (drums).”

Here is the full eclectic program:

Allemande, Suite No. 2 in D Major for Solo Cello……J.S. Bach

Brass Atmosphere…..Matthew Burtner

Disegno…….Anders Eliasson

Caravaggio….John Stevens (below)

  1. Realism; 2. Shadow;  3. Vulgarity;  4. Light

Luminous….Mark Engebretson

Onyzx Quartet…..Jason Kutz

PULCINELLA RE-IMAGINED……Igor Stravinsky (below)

Introduzione (Domenico Gallo)

Scherzino (Giovanni Battista Pergolesi)

Serenata (Pergolesi)

Allegro assai (Gallo)

Allegro alla breve (Pergolesi)

Largo (Pergolesi)

Tarantella (Count Unico Wilhelm Wasserader/Fortunato Chelleri)

Gavotta (Carlo Monza)

Andantino (Alessandro Parisotti)

Minuetto (Pergolesi)

Finale (Gallo)

For a biography of Mark Hetzler and his previous projects, including his many recordings, prizes and guest appearances, go to:

http://www.music.wisc.edu/faculty/mark-hetzler/


Classical music: The Wisconsin State Capitol will mark Earth Day this Saturday and next Wednesday with music by Wisconsin composer John Harmon plus words by Wisconsin figures responsible for the environmental tribute. Plus, the Edgewood College Chamber Orchestra performs Mozart, Debussy and Stravinsky this Sunday afternoon. And don’t forget about WYSO’s “Art of Note” fundraiser Saturday night and two performances on Friday night and Sunday afternoon of Rameau’s opera-ballet “Pygmalion” by the Madison Bach Musicians.

April 17, 2015
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REMINDERS: This Saturday night from 6 to 10 p.m., the Wisconsin Youth Symphony Orchestras (WYSO) will hold its annual “Art of Note” fundraiser at CUNA Mutual. Auctions, fine food and live music will be featured.

For more information visit: http://wyso.music.wisc.edu/artofnote/ and https://welltempered.wordpress.com/2015/03/24/classical-music-education-wysos-art-of-note-benefit-on-april-18-seeks-to-raise-50000-to-benefit-music-education-in-greater-madison-area/

Art of Note logo copy

Also: The Madison Bach Musicians presents two performances of “Pygmalion” by Jean-Philippe Rameau It’s a 1784 Baroque opera-ballet done in the Atrium Auditorium (below, in a photo by Zane Williams) of the First Unitarian Society of Madison.

The first performance is tonight with a 6:45 p.m. lecture and 7:30 p.m. concert. The second is on Sunday afternoon with a lecture at 2:45 p.m.  and a 3:30 p.m. concert.

Internationally recognized UW-Madison early-music specialist Marc Vallon will direct a full baroque orchestra, dancers and an outstanding vocal cast as they tell the tale of a sculptor who falls in love with his beautiful creation—and then, through the power of Venus, the statue comes to life. Tickets are $25 in advance, $30 at the door.

For more information, go to: http://madisonbachmusicians.org/concerts/current-concert-season/

FUS Atrium, Auditorium Zane Williams

ALERT: At 2:30 p.m. this Sunday afternoon, in the St. Joseph Chapel, 1000 Edgewood College Drive, the Edgewood Chamber Orchestra will give its Spring Concert.

Admission for the public is $5 and will benefit music scholarships. Admission is FREE with an Edgewood College ID.

The Edgewood Chamber Orchestra will play under the director of Blake Walter (below, in a photo by John Maniaci). Included on the program are the Symphony No. 32 in G by Wolfgang Amadeus Mozart; the “Prelude to the Afternoon of a Faun” by Claude Debussy and the Pulcinella Suite by Igor Stravinsky.

blake walter john maniaci

Also being performed is the first movement of Mozart’s Piano Concerto No. 19, K. 459, featuring pianist Stephanie Crescio (below), the winner of the Edgewood College Music Department Student Concerto Competition.

Stephanie Crescio

By Jacob Stockinger

Madison-based music publicist and activist Jon Becker writes:

Wisconsin’s Earth Day Heritage will be celebrated in music and words this Saturday, April 18, and on next Wednesday, April 22. (You can hear a short history of Earth Day in a YouTube video at the bottom.)

Music broadcasts will feature the voices of the descendants of
John Muir, Aldo Leopold, and Earth Day Founder U.S. Senator and former state Governor Gaylord Nelson, set to the symphonic music of Wisconsin composer John Harmon.

There will be several opportunities to hear a “sneak preview” of Earth Day Portrait, music celebrating Earth Day values, before its international release on CD later this year.

For the third year, the music will be “broadcast” in the Rotunda of Wisconsin’s State Capitol building (below). Listeners should gather at the bust of “Fighting Bob” La Follette (the East Gallery entry is closest).

Wisconsin Capitol

Wisconsin Capitol Rotunda

On Saturday, April 18, the music will be broadcast 10 times on the half hour, starting at 9 a.m. and ending at 2 p.m.

On Wednesday,  April 22 — which is Earth Day — there will be broadcasts at 4:30 p.m. and 5 p.m.

Earth Day 2015

Earth Day Portrait is a symphonic setting of eco-moral texts of John Muir, Aldo Leopold and Earth Day founder, former Wisconsin Gov. and U.S. Sen. Gaylord Nelson (below). For the CD recording, the words of these environmental legends were read by their descendants: William (Muir) Hanna, great-grandson; Nina Leopold Bradley, daughter; Gaylord Nelson Jr., son; and Kiva Nelson, grand-daughter.

Gaylord Nelson

Patty Loew, an enrolled member of the Bad River Band of Lake Superior Ojibwe, narrated connecting texts that paint intimate, personal portraits of Muir, Leopold, and Nelson, while recalling their unique mutual connection to Madison, Wisconsin.

All this is woven together by the story of the passenger pigeon’s extinction. Members of the Madison Youth Choirs (below, in a photo by Karen Holland) recorded a call-and-response part that -– at concert performances -– is spoken by audience members.

Madison Youth Choirs boychoirs Purcell, Britten and Holst CR Karen Holland

Earth Day Portrait was composed in 2001 by John Harmon (below), who graduated from Lawrence University in Appleton, Wis., and who makes his home on the Wolf River, near Winneconne.

Harmon’s music was recorded in Glasgow by the Royal Scottish National Orchestra, led by conductor Marin Alsop, the first conductor to win a MacArthur “genius” Fellowship. London’s EMI-Abbey Road Studios produced the master recording. Voiceovers were recorded at Audio for the Arts in Madison and at Umbrella Studios in Los Angeles.

John Harmon

For the forthcoming Earth Day CD, Harmon’s composition will be paired with Hymn to the Earth, by American composer Edward Joseph Collins (1886-1951, below). Composed in Door County, and inspired by Wisconsin’s seasons and landscapes, Collins’s ode to nature also may well be the first Western classical composition to refer to our home planet as “Mother Earth.”

Edward Joseph Collins

 

 

 


Classical music: The 24th annual Bard Music Festival finishes its look at the modernist titan composer Igor Stravinsky with an exploration of his late work. Here is a report by The New York Times critic Steve Smith.

August 25, 2013
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By Jacob Stockinger

As I promised last weekend, here is the update on the conclusion of the 24th annual Bard Music Festival held at Bard College in the Hudson River Valley.

Much or even most of the festival is directed by Bard College president Leon Bostein. Concerts are held in the Richard B. Fisher Center for the Performing Arts (below) that was designed by the noted architect Frank Gerhy.

Bard Music Festival Frank Gehry Richard B. Fisher Center for the Performing Arts hall

This year’s theme was Igor Stravinsky, and the first weekend of the festival examined his Russian roots and his earlier work. Last weekend I offered the insightful account and assessment by The New York Times critic Zachary Woolfe, who has been named by some sources — including famed critic Norman Lebrecht — as the designated successor to senior music critic Anthony Tommasini.

Here is a link to that posting:

https://welltempered.wordpress.com/2013/08/17/classical-music-this-weekend-will-bring-the-conclusion-of-the-exciting-and-intriguing-bard-music-festival-that-this-year-is-exploring-the-music-and-world-of-igor-stravinsky/

Lass weekend saw the conclusion of “Stravinsky and His World.”  It examined later works, with an emphasis on his neo-Classical works (listen to the tuneful clarity of the YouTube video of Stravinsky’s “Pulchinella” Suite at the bottom performed by Sir Simon Rattle and the Berlin Philharmonic); the composer’s and culture’s reaction against Richard Wagner and the lushness of late Romanticism as well; and the general career and music of Stravinsky (below, in a  photo by Richard Avedon) while he was in exile in France and the U.S.

Igor Stravinsky old 2

The activities included a performance of “Perspehone” with Jean Stillwell as the narrator (below in a photo by Cory Weaver of the New York Times).

Bard Music Festival 2013 Stravinsky's %22Persephone%22 with Jean Stilwell as narrator and the American Symphony Orchestra CR Cory Weaver NYT

Also performing was the American Symphony Orchestra conducted by Leon Botstein (below).

Leon Botstein Bard Music Festival

Here is a link to another perceptive assessment by another critic for The New York Times, Steve Smith (below):

http://www.nytimes.com/2013/08/20/arts/music/bard-music-festival-focuses-on-works-in-france-and-us.html?pagewanted=all&_r=0

Steve Smith New York TImes

I’m sure the festival was filled with great music, great performances and rare insights.

For that reason as I wrote last time, the Bard Music Festival is one that really tempts me. What other festival would treat music more as philosophy and history and less as entertainment? What other festival would devote itself, for example, to Camille Saint-Saens or Jean Sibelius?


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