The Well-Tempered Ear

Classical music: As superstar Itzhak Perlman turns 75, a critic assesses his virtues and shortcomings in playing both the violin and his audiences

September 6, 2020
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By Jacob Stockinger

Last Monday, Aug. 31, superstar violin virtuoso Itzhak Perlman (below, in a photo by Yael Malka of The New York Times) turned 75.

To celebrate, Sony Classical released a boxed set of 18 CDs (below) with many performances by Perlman – solo, chamber music and concertos – recorded over many years.

On the occasion of Perlman’s birthday, critic Corinna da Fonseca-Wollheim of The New York Times wrote a retrospective review of Perlman’s long career. (You can hear his most popular performance ever — with more than 6 million hits — in the YouTube video at the bottom.)

The Ear finds the opinion piece both brave and truthful, pointing out Perlman’s mastery of the Romantic repertory but also criticizing his stodgy treatment of Vivaldi and other Baroque music that has benefitted from the period-instrument movement and historically informed performance practices

Yet the essay, which also touches on ups and down of Perlman’s career, always remains respectful and appreciative even when discussing Perlman’s shortcomings.

Offering many historical details and photos as well as sample videos, the critical assessment of Perlman seems perfectly timed.

The Ear hopes you enjoy it as much as he did. Here is a link: https://www.nytimes.com/2020/08/26/arts/music/itzhak-perlman-violin.html

If you have heard Itzhak Perlman either on recordings or live – at the Wisconsin Union Theater, the old Civic Center or Overture Hall — let us know what you think.

The Ear wants to hear.


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Classical music: On Wednesday at noon, Just Bach turns to C.P.E. Bach. At night, the Middleton Community Orchestra, with soloist Paran Amirinazari, plays the Violin Concerto No. 1 by Bruch plus works by Janacek and Sibelius.

February 17, 2020
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By Jacob Stockinger

This coming Wednesday, Feb. 19, features two noteworthy concerts, one by Just Bach at noon and the other by the Middleton Community Orchestra at 7:30 p.m.

Here are details:

JUST BACH

For this month’s FREE one-hour Just Bach concert (below, in a photo by John W. Barker) on this Wednesday at noon in Luther Memorial Church, 1021 University Avenue, attention will turn from father to son.

The concert features music by Carl Philipp Emanuel Bach (below), the eldest son of Johann Sebastian Bach.

The concert opens with a movement from the Sonata in A Minor, Wq. 70/4, H. 85, performed by organist Mark Brampton Smith.

The program continues with a recently rediscovered Cantata, “Ich bin vergnügt mit meinem Stande” (I Am Content with My Station), featuring bass-baritone Professor Paul Rowe, and the Just Bach period-instrument players led by Kangwon Kim.

Just Bach co-founder and soprano Sarah Brailey (below) will lead the chorale sing-along, a beloved audience-participation feature of these programs.

The program concludes with eight selections from the “Geistliche Oden und Lieder ‘Gellert Lieder’” (Sacred Odes and Songs ‘Gellert Songs’), performed by students of Paul Rowe (below, in a photo by Michael R. Anderson), accompanied by organist Mark Brampton Smith.

This will also be the first concert with a mother and daughter performing, with violinist Leanne League in the Just Bach players, and soprano Cecilia League in the Paul Rowe studio.

Performers are: Sarah Brailey, soprano; Paul Rowe, baritone; Kangwon Kim, violin 1 (below); Leanne League, violin 2; Katrin Talbot, viola; Anton TenWolde, cello; Mark Brampton Smith, organ; Allyson Mills, Cecilia League, Carly Ochoa and Ella Anderson, sopranos; and Jack Innes, Jake Elfner, Nick Schinner and Chase Kozak, baritones.

The concert is free and open to the public, with a goodwill offering collected.

Other Just Bach concerts this spring, all Wednesdays at noon are on: March 25, April 15 and May 20.

MIDDLETON COMMUNITY ORCHESTRA

At 7:30 p.m., the mostly amateur and critically acclaimed Middleton Community Orchestra (below) will perform its winter concert as part of its 10th anniversary season.

The concert takes place in the comfortable and acoustically pleasing  Middleton Performing Arts Center (below, in a photo by Brian Ruppert) that is attached to Middleton High School, 2100 Bristol Street.

The program, under conductor-composer Steve Kurr, includes the “Lachian Dances” by Leos Janacek; “Finlandia” by Jean Sibelius; and the Violin Concerto No. 1 in G Minor by Max Bruch with guest soloist Paran Amirinazari (below). (You can hear the finale of the violin concerto, played by Sarah Chang, in the YouTube video at the bottom.)

Tickets are $15 for adults. Students are admitted free.

The box office opens at 6:30 p.m. and auditorium doors open at 7 p.m.

There will be a meet-and-greet reception (below) with the orchestra players and audience members after the concert.

For more information about upcoming concerts, how to join the orchestra and how to support it, call (608) 212-8690 or go to: http://middletoncommunityorchestra.org

 


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Classical music: FREE Just Bach concerts start again this Wednesday at noon. Bach Around the Clock has almost filled performing slots

January 19, 2020
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ALERT: Bach Around the Clock, a daylong celebration of the birthday of Johann Sebastian Bach with performances by professional and amateur musicians, will take place on Saturday, March 28, from 10 a.m. to 10 p.m. at St. Andrew’s Episcopal Church, 1833 Regent Street, in Madison. The festival schedule of performers is almost full, but a few spaces are still available. Please contact BATC soon if you are thinking about performing.

By Jacob Stockinger

The Just Bach series of FREE monthly noontime concerts (below) will start again this week on Wednesday, Jan. 22, at noon at Luther Memorial Church, 1021 University Avenue.

It is free and open to the public, with a goodwill offering collected. Food and beverages for lunch are allowed. 

Singers for the concert are: Sarah Brailey, soprano; Lindsey Meekhof, mezzo-soprano; James Mauk, tenor; and UW-Madison professor Paul Rowe, bass-baritone (below, in a photo by Michael R. Anderson).

The period-instrument players are: Brian Ellingboe, bassoon; Marika Fischer Hoyt, violin 1; Thalia Coombs, violin 2; Micah Behr, viola; Anton TenWolde, cello; and Mark Brampton Smith, organ.

The concert will open with the Toccata and Fugue in F Major, BWV 540, performed by organist Mark Brampton Smith (below).

Just Bach co-founder, UW graduate student and acclaimed soprano Sarah Brailey (below) will lead the chorale sing-along, a beloved audience-participation feature of the programs.

The concert closes with Cantata 155 ‘Mein Gott, wie lang,’ ach lange?’ (My God, how long, ah, how long?). You can hear the title aria in the YouTube video at the bottom.

Says co-founder and baroque violist-violinist Marika Fischer Hoyt (below): “It is a beautiful five-movement work about enduring the darkness of hard times and emerging once more into the light.

“The four vocal soloists shine in the first four movements (including an alto-tenor duet featuring a lovely bassoon obbligato part), and the Cantata concludes with a Chorale in which all take part.

Other Just Bach concerts this spring, all Wednesdays at noon, are: Feb. 19, March 25, April 15 and May 20.

Future programs will be announced at: https://justbach.org


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Classical music: This Sunday afternoon, the Madison Symphony Orchestra takes listeners “Behind the Score” of the Symphony No. 5 by Prokofiev

January 16, 2020
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By Jacob Stockinger

This Sunday afternoon, Jan. 19, at 2:30 p.m. in Overture Hall, the Madison Symphony Orchestra (below, in a photo by Peter Rodgers) and MSO music director John DeMain will present the story behind Prokofiev’s Symphony No. 5 with “Beyond the Score®: Sergei Prokofiev Symphony No. 5: Pure Propaganda?”

The one performance-only concert is a multimedia examination of the Russian composer’s musical celebration of the end of World War II. (You can hear the second movement in the YouTube video at the bottom.)

The presentation stars American Players Theatre actors James Ridge (below top), Colleen Madden (below second), Marcus Truschinski (below third) and Sarah Day (below bottom).

Along with MSO pianist Dan Lyons (below), the concert experience features visual projections, photos and musical excerpts.

Then in the second half comes a full and uninterrupted performance of the Symphony No. 5 by the orchestra conducted by John DeMain (below, in a photo by Prasad).

“This is one of the great offerings of Beyond the Score,” says DeMain. “Three generations of great Russian composers influenced Sergei Prokofiev (below) from childhood into his adult years, helping him create the most popular of his big symphonies, his fifth.

Adds DeMain: “I have so much fun working with the great actors from the American Players Theatre as they interweave the backstory with the orchestra. The visuals for this production are spectacular. After intermission, we play this wonderful symphony in its entirety.”

Prokofiev’s Symphony No. 5 was published in 1944. Taking inspiration from his experiences in America and his return to the Soviet homeland after the war, Prokofiev expresses the heroic, beautiful and strong nature of the music.

This Beyond the Score production joins Prokofiev at the end of World War II and discovers his inspiration for Symphony No. 5.

Incorporating war video footage and propaganda photos, the program presents the historical context behind the classical piece turned masterpiece.

CONCERT, TICKET AND EVENT DETAILS

The lobby opens 90 minutes prior to each concert. The symphony recommends concert attendees arrive early for each performance to make sure they have time to pass through Overture Center’s security stations.

Program notes are available online for viewing in advance of the concerts: http://bit.ly/msojan20programnotes

  • Single Tickets are $16-$70 each and are on sale now at: https://madisonsymphony.org/event/beyond-the-score-2020-prokofiev/through the Overture Center Box Office at 201 State Street, or by calling the Box Office at (608) 258-4141. Fees apply to online/phone sales.
  • Groups of 10 or more can save 25% by calling the MSO office at (608) 257-3734. For more information, visit, https://www.madisonsymphony.org/groups.
  • Seniors age 62 and up receive 20% savings on advance and day-of-concert ticket purchases in select areas of the hall.

Discounted seats are subject to availability, and discounts may not be combined.

ABOUT BEYOND THE SCORE®

For newcomers to classical music and longtime aficionados alike, each Beyond the Score® presentation is a dramatic exploration of a composer’s music.

Through live actors, stunning visual projections and virtuosic fragments of live music performed by members of the orchestra, the compelling story of the composer’s life and art unfolds, illuminating the world that shaped the music’s creation. Beyond the Score presentations weave together theater, music and design to draw audiences into the concert hall and into a work’s spirit.

The popular program seeks to open the door to the symphonic repertoire for first-time concertgoers as well as to encourage an active, more fulfilling way of listening for seasoned audiences.

At its core is the live format of musical extracts, spoken clarification, theatrical narrative, and hand-paced projections on large central surfaces, performed in close synchrony.

After each program, audiences return from intermission to experience the resulting work performed in a regular concert setting, equipped with a new understanding of its style and genesis.

Beyond the Score® is a production of the Chicago Symphony Orchestra. Gerard McBurney, Creative Director for Beyond the Score®

Exclusive funding for this concert is provided by the Pleasant T. Rowland Foundation.

 


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Classical music: Happy Thanksgiving! What composer, music or performer are you grateful for? Plus, the Pro Arte Quartet repeats the FREE but fantastic opening concert of its complete Beethoven cycle this Sunday afternoon

November 28, 2019
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ALERT: One of the Thanksgiving traditions for music fans is that from 10 a.m. to noon today, Wisconsin Public Radio will again broadcast highlights from this year’s honors concerts by choirs, bands and orchestras from the Wisconsin School Music Association. Music education is something to give thanks for. You can hear middle school and high school student performers from around the state as well as WPR’s usual Thanksgiving offerings of American composers and music, and then special Thanksgiving programs about gratitude.

By Jacob Stockinger

Happy Thanksgiving!

Today – Thursday, Nov. 28, 2019 – is Thanksgiving Day.

It was Sergei Rachmaninoff (below) who once remarked, “Music is enough for a lifetime, but a lifetime is not enough for music.”

How true, how true.

There is such a wealth of composers, works and performers — going back many centuries — that we can be grateful for. In the Comment section, The Ear wants to hear from you about what one you would name — with a YouTube link, if possible.

But this year he has his own choice: the “Sacred Hymn of Thanksgiving” – by Beethoven (below), who used it as a movement in his late String Quartet in A Minor, Op. 132.

You can hear it in the YouTube video at the bottom, where the playing of the four string instruments also gets an interesting and fascinating graphic depiction of its structure.

The composer wrote this sublime and other-worldy music when he recovered from what he thought was a life-threating illness.

But with the Beethoven Year of 2020 fast approaching – along with celebrations of the 250th anniversary of the composer’s birth – The Ear has another reason for his choice.

If you missed last Friday’s superb FREE opening concert of the complete cycle of Beethoven’s 16 string quartets by the University of Wisconsin-Madison’s Pro Arte Quartet (below, in the new Collins Recital Hall of the Hamel Music Center), you have a chance to catch a second performance this coming Sunday afternoon, Dec. 1. (Members, below left are David Perry and Suzanne Beia, violins; Sally Chisholm, viola; and Parry Karp, cello.)

From 12:30 to 2 p.m. the Pro Arte will performance the same program – and ultimately the complete cycle of six concerts — for Sunday Afternoon Live at the Chazen. You can attend it in person for FREE in Brittingham Gallery 3 (below) of the museum or you can stream it live.

Here are links to the program and to the streaming portal and the program: https://www.chazen.wisc.edu/index.php?/events-calendar-demo/event/sunday-afternoon-live-at-the-chazen11/

https://c.streamhoster.com/embed/media/O7sBNG/OS1C0ihJsYK/iqf1vBMs3qg_5

And here is a link to the complete schedule of the Beethoven string quartet cycle, done over the next 14 months, by the Pro Arte Quartet, which includes background on the Pro Arte. You’ll notice, by the way, that the Sacred Hymn of Thanksgiving will be performed on the program for next Oct. 2:

https://welltempered.wordpress.com/2019/11/19/classical-music-this-friday-night-nov-22-the-uw-madisons-pro-arte-quartet-starts-its-beethoven-cycle-of-the-complete-16-string-quartets-here-are-the-dates-times-venues-and-programs-for/

 


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Classical music: This week brings Baroque music from Just Bach this Wednesday at noon and Sonata a Quattro next Sunday afternoon

November 17, 2019
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By Jacob Stockinger

This week brings authentic Baroque music from two newer groups that employ period instruments and historically informed performance practices: Just Bach and Sonata a Quattro.

The concert for November by Just Bach (below, in a photo by John W. Barker, takes place this Wednesday, Nov. 20, from noon to 12:30 p.m. at Luther Memorial Church, 1021 University Ave, in Madison.

The performance is free and open to the public, with a good will offering collected.

Performers are: Sarah Brailey, soprano; Lindsey Meekhof, mezzo-soprano; Thore Dosdall, tenor; Paul Rowe, baritone; Linda Pereksta, flute; Kangwon Lee Kim and Nathan Giglierano, violins; Marika Fischer Hoyt, viola; James Waldo, cello; and Mark Brampton Smith, organ.

The program opens with the six-minute instrumental Sinfonia from Cantata 209. Just Bach favorite Linda Pereksta will be the featured flute soloist, backed up by the strings-and-organ band. (You can hear the Sinfonia in the YouTube video at the bottom.)

Cantata 151 ‘Süßer Trost, mein Jesus kommt‘ (Sweet comfort, my Jesus comes) closes the program. Each of the first four movements of this cantata features a different vocal soloist — the serene soprano aria also boasts a lovely flute obbligato — concluding with the chorale in which all take part.

Those who attend are invited to “bring your lunch, bring your ears and your voice, bring a friend, but most of all bring yourself to this stirring program of J.S. Bach.”

The next Just Bach program is Wednesday, Dec. 18, at noon.

For more information, go to:

https://justbach.org/

https://www.facebook.com/events/451732972120968/

SONATA A QUATTRO

This week the Madison-based group Sonata à Quattro (below) will give two performances of its program “A Dark and Stormy Night”:

The program is:

  • Motet: “In furore iustissimae irae” (In the fury of most righteous wrath), RV 626 by Antonio Vivaldi
  • Quartet No. 1 in D Major by Johann Joachim Quantz
  • Cello Sonata in C Minor, Book II No. 6 by Jean-Baptiste Barrière
  • Concerto for 4 in D Minor, TWV 43:d2 by Georg Philipp Telemann
  • Cantata 209: “Non sa che sia dolore” (He does not know what sorrow is) by Johann Sebastian Bach

Sonata à Quattro performers are: Christine Hauptly Annin and Nathan Giglierano, violins; Marika Fischer Hoyt, viola; Charlie Rasmussen, cello; Daniel Sullivan, harpsichord; and Kristin Knutson, soprano. Special guest artist is flutist Linda Pereksta (below, in a photo by Katrin Talbot).

Says founder and violist Marika Fischer Hoyt (below): “Join us for a program of dark and stormy pieces, on period-instruments. Sonata à Quattro’s third season opens with a program exploring the darker side of human experience, from Vivaldi’s motet, burning with godly rage, to Bach’s secular Cantata, deploring the departure of a beloved friend.

“Quantz’ bubbly Flute Quartet in D Major provides some needed moments of optimism, before we turn to the poignant, brooding Cello Sonata by Barrière. Even the viola gets a turn, in the Telemann, to unfold a haunting saga of tragic beauty.

“But the composers do not leave us in despair; each one leads the listener through the dark night of the soul, to the morning after.”

The Bach Cantata opens with an instrumental Sinfonia, heard in the YouTube video at the bottom, that features flutist Linda Pereksta, who also plays in the works by Quantz and Telemann.

For more information, go to:

https://sonataaquattro.com

facebook.com/sonataaquattro

 


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Classical music: Two noteworthy baroque concerts by Just Bach and the Wisconsin Baroque Ensemble are on tap this Wednesday afternoon and Saturday night

October 15, 2019
1 Comment

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By Jacob Stockinger

Fans of Baroque music have two noteworthy events this week to look forward to.

Both concerts feature period instruments and historically informed performance practices.

WEDNESDAY AT NOON

This coming Wednesday, Oct. 16, from noon to 12:30  p.m. at Luther Memorial Church, 1021 University Avenue, the second FREE Just Bach concert of the semester will take place.

The concerts by Just Bach (below, in a photo by John W. Barker) are now a regular feature of the Music at Midday at Luther Memorial Church.

Organist Mark Brampton Smith opens the program with a brief Fantasia on the melody of “Christ lag in Todesbanden” (Christ Lay in Death’s Bonds). That tune will reappear at the very end of the program, in the final chorale of Cantata 158.

The next piece on the program was also written for solo organ, but will be heard in an arrangement for violin, viola, cello and organ. Johann Sebastian Bach wrote six organ trio sonatas, apparently for his eldest son, Wilhelm Friedemann.

The C Minor Sonata, the second in the set, is full of fiery drama in the outer movements, framing a dreamy, peaceful Largo.

UW-Madison baritone Paul Rowe will lead the chorale sing-along, a beloved audience-participation feature of these programs.

The program closes with Cantata 158, “Der Friede sei mit dir” (Peace Be with You), with solo bass-baritone Jake Elfner. Elisheva Pront provides the luminous “cantus firmus” (an existing melody used in a polyphonic composition) in the second movement, which also features a beautiful violin solo played by Kangwon Kim. The Cantata ends with a chorale on the tune of “Christ lag in Todesbanden.”

You may bring your lunch and beverage.

The concert is FREE and open to the public, with a goodwill offering collected.

Other Just Bach concerts this fall, all Wednesdays at Noon, are: Nov. 20 and Dec. 18.

Performers this week are: Jake Elfner, bass-baritone; Elisheva Pront, soprano; Kangwon Kim, violin; Leanne League, violin; Marika Fischer Hoyt, viola; James Waldo, cello; and Mark Brampton Smith, organ.

For more information, go to: https://justbach.org or https://www.facebook.com/JustBachSeries/

SATURDAY NIGHT

This Saturday night, Oct. 19, at 7:30 p.m. in Saint Andrew’s Episcopal Church, 1833 Regent Street in Madison, the Wisconsin Baroque Ensemble (below) will perform a concert of varied chamber music.

Performers include: Mimmi Fulmer, UW-Madison soprano; Nathan Giblierano, baroque violin; Eric Miller, viola da gamba and baroque cello; Chelsie Propst, soprano; Charlie Rasmussen, viola da gamba and baroque cello; Consuelo Sañudo, mezzo-soprano; Anton TenWolde, baroque cello; and Max Yount, harpsichord.

Tickets are at the door only: $20 for the public, $10 students. After the concert, a reception will be held at 2422 Kendall Ave, second floor.

The program is:

Henry Purcell: Three Fantasias

Giacomo Carissimi: “Scrivete, occhi dolente” (Write, Sore Eyes)

George Frideric Handel: Violin Sonata, HWV 372 (heard in an animated graphic depiction the YouTube video at the bottom)

Claudio Monteverdi: “Baci soave e cari” (Soft and Dear Kisses)

INTERMISSION

Luzzasco Luzzaschi: “O dolcezze amarissime” (O Bitter Sweetness)

Martin Berteau: Trio for violoncellos

Giulio Caccini: Excerpts from “La liberazione di Ruggiero” (The Liberation of Ruggiero)

For more information, go to: www.wisconsinbaroque.org


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Classical music: Free “Just Bach” concerts change the starting time to NOON and begin their second season this Wednesday at Luther Memorial Church. Here are programs for this semester

September 15, 2019
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The Ear has received the following announcement from the organizers and performers of Just Bach, which had a very successful inaugural run last season:

Join us on this coming Wednesday, Sept. 18, as we kick off our second season of “Just Bach” concerts. The concerts are FREE and OPEN TO THE PUBLIC, with a goodwill offering collected.

The Just Bach concert series – which features Baroque period instruments and historically informed performance practices — resumes as part of the weekly free noontime “Music at Midday” concerts in the gorgeous sanctuary (below) of Luther Memorial Church, 1021 University Ave. For more information and a schedule of other performances and performers in the series,  go to: luthermem.org/music-at-midday

PLEASE NOTE: While the one-hour Just Bach concerts last season started at 1 p.m., this season they will start at NOON.

The photo (below, from left) shows three performers for this upcoming first concert: soprano Sarah Brailey, violist Marika Fischer Hoyt, and traverse flutist Linda Pereksta.

The season-opener is an instrumental program titled “Gamba Sonatas Without the Gambas.” (Gamba is the Italian word for leg and was used to describe what would evolve into the modern cello.)

Of the three sonatas written for viola da gamba (an early version of the modern cello) and harpsichord, BWV 1027-1029, we’ll hear the first and third, but in alternate versions.

First on the program is the hauntingly beautiful Sonata No. 3 in G Minor, BWV 1029, performed on viola da braccio (baroque viola) and harpsichord. (You can hear the opening movement of the original version, played on a modern cello and piano by Janos Starker and Gyorgy Sebok, respectively, in the YouTube video at the bottom.)

Following that will be the jaunty Sonata in G Major BWV 1039, the Trio Sonata arrangement for cello, flute and harpsichord that Bach made of the Sonata No. 1, BWV 1027.

Just Bach regulars traverse flutists Linda Pereksta and Monica Steger and violist Marika Fischer Hoyt return to the stage. They will be joined by cellist Lindsey Crabb (below top) and UW-Madison harpsichordist John Chapell Stowe (below bottom on the right), who are making their debuts at Just Bach.

Just Bach organizer and regular performer, as well as UW graduate student and professional touring soprano, Sarah Brailey (below) leads the chorale sing-along, a beloved audience-participation feature of these programs. 

Bring your lunch, bring your ears and your voice, and bring a friend, but most of all bring yourself to enjoy the sublime music of Johann Sebastian Bach.

Here is a schedule of upcoming Just Bach concerts this fall, all taking place on Wednesdays at noon:

Oct. 16:  Cantata 158 Der Friede sei mit dir (Peace be with you)

Nov. 20:  Cantata 151 Süßer Trost, mein Jesus kommt (Sweet comfort, my Jesus comes)

Dec. 18:  Christmas Pastiche

For more information, including tips on parking, go to the website justbach.org


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Classical music: The eclectic fusion group Mr. Chair plays music by Stravinsky, Satie and others on Monday night in Spring Green

August 17, 2019
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By Jacob Stockinger

The Ear has received the following announcement from the Rural Musicians Forum:

Mr. Chair looks like a jazz quartet, sounds sometimes like a rock band, but in actuality is a contemporary classical music group in the guise of a modern band.

Classically trained musicians who are well versed in jazz, the players in Mr. Chair create a new sound using both acoustic and electric instruments.(You can hear Mr. Chair perform the original composition “Freed” in the the YouTube video at the bottom.)

The Rural Musicians Forum audience will have the chance to enjoy the soundscapes of this fascinating eclectic fusion group on this coming Monday night, Aug. 19, at 7:30 p.m. at Taliesin’s Hillside Theater (below) in Spring Green.

Members of Mr. Chair (below) are Professor Mark Hetzler, trombone and electronics; Jason Kutz, piano and keyboards; Ben Ferris, acoustic and electric bass; and Mike Koszewski, drums and percussion. All have close ties to the University of Wisconsin-Madison’s Mead Witter School of Music, where they also perform as an ensemble.

Mr. Chair’s compositions are long-form journeys, telling stories through sound by using and exploring the three pillars of music: melody, harmony and rhythm. Think cinematic, orchestral, surreal, romantic, emotional and gripping, and always equal parts dissonant and consonant. Their influences are far-reaching from classical, blues and rock to soul, funk, jazz and beyond.

For this concert, Mr. Chair will perform re-imagined excerpts from Igor Stravinsky’s Neo-Classical ballet masterpiece Pulcinella as well as music by Erik Satie and selections from their debut album, NEBULEBULA, which will be released on Thursday, Sept. 5, on vinyl, CD and digital streaming platforms.

The genre-bending quartet will perform in the beautiful Hillside Theater designed by Frank Lloyd Wright as part of his Taliesin compound. It is located at 6604 State Highway 23, about five miles south of Spring Green.

Admission is by free will offering, with a suggested donation of $15.


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Classical music: The New Milwaukee Consort performs Renaissance and early Baroque love songs this Monday night in Spring Green

August 3, 2019
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By Jacob Stockinger

The Rural Musicians Forum will present the New Milwaukee Consort in a program of Baroque love songs on this coming Monday, Aug. 5, at 7:30 p.m. at the Unity Chapel in Spring Green.

This group of professionals and experts in early music includes soprano Kristin Knutson (below top), who competed in the 2015 Handel Aria Competition  in Madison (in the YouTube video at the bottom);  cellist and viol player Charlie Rasmussen (below middle); and lutenist Tim Sterner Miller (below bottom). They will perform on period instruments, bringing audiences back in time to the courts and chambers of Italy, England and France.

The New Milwaukee Consort is dedicated to the music of the European Renaissance and Baroque eras, crafting intimate performances around stories in words and music that resonate across the centuries.

They particularly relish bringing lesser-known sounds of the 17th century to modern audiences, from the work of women composers such as Barbara Strozzi (below) to music from handwritten manuscripts documenting the early development of the cello and ongoing experiments on the lute.

This concert features music from the chamber cantatas of the Venetian singer and composer Strozzi to celebrate her 400th birthday as well as works by her compatriots Claudio Monteverdi and Taruinio Merula; Elizabethan songs by lutenist and composer John Dowland (below); and “airs de cour” (Court music) by French court composer Etienne Moulinie.

Interwoven with these vocal works are pieces for the lute by Dowland and his contemporary Nicholas Vallet; for the viola da gamba by Tobia Hume and Marin Marais (below); and for the cello by Giulio Ruvo, Francesco Supriani and Giuseppe Jacchini.

This is an opportunity to enjoy some of the most precious pieces of Renaissance and Baroque era in the beautiful Unity Chapel (below) designed by Frank Lloyd Wright.

The Chapel is located at 6597 County Highway T in Spring Green.

Admission is by free will offering, with a suggested donation of $15.


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