The Well-Tempered Ear

Classical music: Madison Choral Project gives a concert of new music focusing on the social and political theme of “Privilege” this Friday night and Sunday afternoon

April 20, 2017
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ALERT: This week’s FREE Friday Noon Musicale, held at the First Unitarian Society of Madison, 900 University Bay Drive, features David Miller, trumpet; Amy Harr, cello; and Jane Peckham, piano. They will play music by Bach, Schmidt, Piazzolla, Honegger and Cooman. The concert runs from 12:15 to 1 p.m.

By Jacob Stockinger

Call it activist beauty or beautiful activism.

It sure seems that political and social relevance is making a comeback in the arts during an era in which inequality in race, gender, ethnicity, wealth, education, health, employment, immigration status and other issues loom larger and larger.

For the Madison Choral Project (below), for example, singing is about more than making music. It can also be about social justice.

Writes the Project:

“The Madison Choral Project believes that too often the classical music concert is simply a museum of the beautiful. Yet the worlds of theater, art and literature can so brilliantly combine beauty with material that provokes contemplation and understanding.

“Our world is increasingly complicated, and we seek to provide voices exploring important emotional and social concerns of today.”

That means that, in its two concerts this weekend, the Madison Choral Project will explore the concept of privilege in two performances this weekend.

The repertoire is all new music or contemporary music by living composers.

The Madison Choral Project, under the direction of Albert Pinsonneault (below), who formerly taught at Edgewood College and is now at Northwestern University, presents their 10th Project – Privilege – on this Friday night, April 21, at  8:30 p.m. (NOT 7:30, as originally announced, because of noise from a nearby football game); and on Sunday afternoon, April 23, at 3 p.m.

Both performances are at the First Congregational United Church of Christ, 1609 University Avenue, near Camp Randall Stadium.

General admission is $24 in advance and online; $28 at the door; and $10 for students either in advance or at the door. A limited number of preferred seats are offered for $40.

The Privilege concerts feature the work Privilege by Ted Hearne (b. 1982), which Hearne (below) writes “are settings of little texts questioning a contemporary privileged life (mine).”

With texts that range from the inequality of educational experiences, to the unfair playing field brought through race, the work sets thought-provoking texts in a beautiful and musically accessible way. (NOTE: You can hear it in the YouTube video at the bottom.)

The program also includes the world premiere of a new piece of music from Wisconsin composer and UW-Madison graduate D. Jasper Sussman (b. 1989, below), whose piece Work: “What choice?” is a contemplation of society’s confusing and hypocritical demands on women, their bodies and their appearance.

Sussman writes “I have never identified as a feminist. It’d be impossible, however, for me to remain ignorant of the clumsily uneven climate of our world, and certainly of this country. Work: “What Choice?” is an attempt at telling a common story shared by many.”

Included on the concert are two works of Pulitzer Prize-winning composer David Lang (b. 1957, below), whose new minimalism includes sonorities influenced by rock and popular music, but with layered repetition that gives the pieces a meditative and contemplative quality.

Also featured is When David Heard by Eric Whitacre (b. 1970, below), a gorgeous and devastating monologue contemplating the death of one’s child.

For more information and tickets, go to www.themcp.org

You can also go to a fine story in The Capital Times:

http://host.madison.com/ct/entertainment/arts-and-theatre/with-privilege-madison-choral-project-sings-on-social-justice/article_1d4ecf46-3347-5950-a655-eb270449fb96.html

The Madison Choral Project is Wisconsin’s only fully professional choir. All the singers on stage are paid, professional musicians.


Classical music: A big shout-out and thank you goes to Mead Witter Foundation for supporting music at the University of Wisconsin-Madison. But did the entire School of Music have to be renamed?

July 28, 2016
9 Comments

By Jacob Stockinger

Well, it has happened again.

The great University of Wisconsin-Madison, which was recently once again named one of the best public schools in the country and the world, shows more and more signs of being privatized.

UW logos

As of July 1,  the official name of the University of Wisconsin-Madison School of Music  is now the Mead Witter School of Music at the University of Wisconsin-Madison.

That’s an ungainly mouthful to say and write.

But The Ear doesn’t blame the School of Music and its directors for having to take such steps.

To The Ear, the renaming means that the state legislators and the state government have once again been negligent in preserving and bettering this great institution that generations of ordinary Wisconsin citizens supported through taxes, and then benefitted from through “The Wisconsin Idea” that the university serves the public that supports it.

Underfunding goes along with the Republicans’ anti-education and anti-intellectual agenda of imposing steep budget cuts, undermining tenure, alienating faculty who then leave and implementing other measures that hurt this great state university. 

So, The Ear objects to the move, much as he did with the selling of the Law School; with the renaming of the Elvehjem Museum of Art to the Chazen Museum of Art; and with the Wisconsin Union Theater, which was renamed Shannon Hall (below top).

Plus, there is the new music building and performance center (below bottom), which sees a groundbreaking in late October, named — not renamed — for the Hamel family.

Shannon Hall UW-Madison

uw hamel performance center exterior

Such naming and renaming by big private money blurs the distinction between a donation or a gift and a purchase. Call it branding, naming, PR, advertising, whatever – The Ear doesn’t like it. What is public should remain public.

Do the egos of the wealthy really know no bounds, especially during these days when the political talk is of wealth inequality and income distribution?

So The Ear says a deep and hearty thank you to the Mead Witter Foundation of Wisconsin Rapids for its help.

But he sure wishes its corporate ego had been satisfied with a hall or a building being named after it, and with perhaps a big bronze bas-relief plaque containing a history about its fortune in the paper industry and an appreciation of its generous philanthropy.

But to rename an entire school that has more than a century of history behind it?

Sorry. That’s over the top.

It is overkill and seems downright tacky.

To The Ear it will always be the University of Wisconsin-Madison School of Music, just as it has for the past century-plus.

If you want more background and details, here are three official UW links, with the most recent ones coming first

https://uwmadisonschoolofmusic.wordpress.com/2016/07/26/a-new-name-for-the-school-of-music/

http://www.music.wisc.edu/2015/12/03/mead-witter-foundation-gives-25-million-to-uw-madison-school-of-music/

http://www.music.wisc.edu/2014/12/05/new-music-performance-center-named-in-honor-of-the-hamel-family/

What do readers and the tax-paying public think and say?

Do you agree or disagree with The Ear?

The Ear wants to hear.

 


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