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The Madison New Music Festival launches the Wisconsin Composers Project with a virtual online concert this Friday night, Sept. 25

September 23, 2020
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By Jacob Stockinger

The Ear has received the following announcement to post:

The Madison New Music Festival is pleased to announce the launch of the Wisconsin Composers Project.

Both a community resource and annual series, the project consists of a database and a virtual concert meant to increase composers’ visibility and encourage local curators and performers to collaborate with their neighbors.

We invite all Wisconsin-affiliated composers to sign up to be included in the database on our website: https://madisonnewmusic.org/aboutwcp

Please join us for the live streaming event of the Wisconsin Composers Project Concert on this Friday night, Sept. 25, at 7:30 p.m. CDT on our website at https://madisonnewmusic.org and enjoy new music from all over Wisconsin from the comfort and safety of your home.

The pre-recorded concert will profile five Wisconsin-based composers (below) and performances of their works, one of which refers to the pandemic quarantine.

Audience members will hear directly from the composers about their music and influences, and enjoy the diversity of the Wisconsin musical community.

Featured composers and their works include:

Brent Michael Davids (above, top left): In Wisconsin Woods, performed by the composer. (In the YouTube video at the bottom, you can hear the UW-Whitewater Chamber Singers and the Medicine Bear Singers perform “Sanctus: Singing for Power” from Davids’ Requiem for America.)

Jerry Hui (above, top right), a UW-Madison graduate who now teaches at UW-Stout: Quarantine Canzonets, performed by soprano Jennifer D’Agostino and baritone Michael Roemer.

Laura Schwendinger (above, bottom left), an internationally recognized and prize-winning composer and UW-Madison professor: All the Pretty Little Horses, performed by cellist Trace Johnson.

Asha Srinivasan (above, top center): Dyadic Affinities, performed by tubist Tom Curry.

Lawren Brianna Ware (above, bottom right): Borealis, performed by the composer.

The suggested donation to stream this concert is $15 per person.

For more information, please visit our website at madisonnewmusic.org or find us on Facebook (@Madison New Music Festival) or Instagram (@madisonnewmusic).

Posted in Classical music
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Classical music: FREE percussion, brass and wind concerts are featured this week at the UW-Madison

March 9, 2020
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By Jacob Stockinger

In the week before Spring Break, the Mead Witter School of music at the UW-Madison will feature FREE concerts of percussion, brass and wind music.

TUESDAY, MARCH 10

At 7:30 p.m. in the Collins Recital Hall of the new Hamel Music Center, 740 University Ave., the percussion department will give a FREE recital. No program is listed.

WEDNESDAY, MARCH 11

At 7:30 p.m. in Collins Recital Hall, guest percussionist-composer Mark Stone (below) will give a FREE solo recital of original compositions for mbira and gyil.

The program will include music for the newly invented array mbira, an American-made 120 key lamellaphone. Stone will also share music composed for the Dagara gyil, a xylophone from Ghana as well as mbira traditions of South Africa and Uganda.

Also on Wednesday night at 8 p.m. in the Mead Witter Foundation Concert Hall, the acclaimed Wisconsin Brass Quintet will give a FREE faculty recital.

The program is:

Johann Sebastian Bach – Contrapunctus IV from “Die Kunst Der Fuge” (The Art of Fugue). You can hear Canadian Brass perform it in the YouTube video at the bottom.

Andre Lafosse – “Suite Impromptu”

Werner Pirchner – “L’Homme au marteau dans la poche” (Man With a Hammer in His Pocket)

Rich Shemaria – “Pandora’s Magic Castle”

Per Nørgård – “Vision”

The 2019-2020 Wisconsin Brass Quintet (below) is: Jean Laurenz and Gilson Silva, trumpets; Daniel Grabois, horn; Mark Hetzler, trombone; and Tom Curry, tuba.

Please note: In spring 2020, Mark Hetzler will be on sabbatical. His replacement will be Will Porter (below), instructor of trombone at Eastern Illinois University . Read about Porter here

THURSDAY MARCH 12

At 7:30 p.m. in the Mead Witter Foundation Concert Hall, the UW Wind Ensemble will give a FREE concert.

The ensemble will perform under the batons of director Scott Teeple (below) and guest conductor Ross Wolf.

The program is:

Frank Ticheli: “Apollo Unleashed” from Symphony No. 2

Ching–chu Hu: In Memory Of…*

With special guest The Hunt Quartet
*World Premiere Performance/UW Band Commissioning Member

Morten Larudisen/Reynolds: “Contre Qui, Rose”
Beverly Taylor, guest conductor.

Jodie Blackshaw: Symphony, “Leunig’s Prayer Book”*
*Wisconsin Premiere

Posted in Classical music
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Classical music: The gala opening this weekend of the UW-Madison’s new Hamel Music Center is SOLD OUT. What do you think of the building, the music and the event? Plus, veteran music critic John W. Barker has died

October 25, 2019
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ALERT: Word arrived late last night that the respected longtime music critic John W. Barker, a retired UW-Madison professor of medieval history, died Thursday morning. He wrote locally for Isthmus, The Capital Times and this blog. Details will be shared when they are known.

By Jacob Stockinger

This weekend, Oct. 25-27, marks the official gala opening of the new Hamel Music Center (below, in a photo by Bryce Richter for University Communications) at the University of Wisconsin-Madison Mead Witter School of Music. It is located at 740 University Ave., next to the new wing of the Chazen Museum of Art, which has a special exhibit relating to the new music center.

The impressive $58-million structure, which has taken many years to fund (completely privately) and then to build, will celebrate its opening tonight, Saturday night (while the 14th annual Halloween FreakFest on State Street is happening) and Sunday afternoon.

The performers will include distinguished alumni, faculty members and students.

Here is a link to an overall schedule as published on the School of Music’s home website: https://www.music.wisc.edu/hamel-music-center-opening-schedule/

Thanks to an astute reader who found what The Ear couldn’t find, here is a complete schedule — long, varied and impressive — of works and performers: https://www.music.wisc.edu/wp-content/uploads/2019/10/20191025-Hamel-Music-Center-Opening-Weekend.pdf

And here is a link to the official UW-Madison press release with more background and details about the building: https://news.wisc.edu/mead-witter-school-of-musics-hamel-music-center-opening-this-fall/

UW-Madison composer Laura Schwendinger (below) has been commissioned to write a Fanfare that will receive its world premiere tonight.

The opening promises to be a success, complete with receptions at the end of each performance.

In fact, the public has signed on enough that the FREE tickets to all events are SOLD OUT, according to the School of Music’s home website.

Taste is personal and varies, and The Ear has heard mixed reviews of the new building. (For the special occasion, you can hear “The Consecration of the House” Overture by Beethoven, performed by the La Scala opera house orchestra in Milan under Riccardo Muti, in the YouTube video at the bottom.)

Basically, people seem to agree that the acoustics are much improved over Mills Hall and Morphy Recital Hall in the old Humanities Building.

But public opinion seems more divided over other aspects, from the overall external architecture and interior design to the smaller size of the big hall, the seats and seating layout, and the restrooms.

So if you go – or have already gone – let the rest of us know what you think about those various aspects of the new building and about the various performers and programs.

As a warm-up preview, here are photos of the main halls or spaces, all taken by Bryce Richter for University Communications:

Here is the 660-seat Mead Witter Concert Hall:

Here is the 300-seat Collins Recital Hall:

And here is the Lee/Kaufman Rehearsal Hall:

But what do you say? You be the critic.

The Ear and others hope to see COMMENTS from listeners and especially performers. What is it like to perform there? Or to sit and listen?

What does the public think of the new building and concert halls? Are you satisfied? What do you like and what don’t you like?

Should some things have been done – or not done – in your opinion?

Does the building and do the concert halls live up to the expectations and hype?

The Ear wants to hear.

Posted in Classical music
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Classical music: This coming week at the UW-Madison brings a FREE concert of flute and piano music by guest artists on Monday night and a FREE performance by the Wisconsin Brass Quintet on Wednesday night

October 12, 2019
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By Jacob Stockinger

This coming week at the University of Wisconsin-Madison Mead Witter School of Music brings two FREE chamber music concerts of flute music and brass music.

On Monday night, Oct. 14, at 7 p.m. in the Collins Recital Hall in the new Hamel Music Center, 740 University Ave., located next to the new wing of the Chazen Museum of Art, guest artists flutist Elise Blatchford (below top) from the University of Memphis and pianist Jacob Coleman (below bottom) from the University of Kentucky will perform a FREE recital.

No program is listed.

For more biographical information, go to: https://www.music.wisc.edu/event/guest-artists-elise-blatchford-flute-with-jacob-coleman-piano/

On Wednesday night, Oct. 16, at 7:30 p.m. in the Mead Witter Foundation Concert Hall of the new Hamel Music Center, the Wisconsin Brass Quintet (below) will give a FREE performance.

The quintet is a critically acclaimed, longtime faculty group at the UW-Madison. For background about the ensemble, go to: https://www.music.wisc.edu/wisconsin-brass-quintet/

Members of the 2019-20 Wisconsin Brass Quintet are Jean Laurenz and Gilson Silva, trumpets; Daniel Grabois, horn; Mark Hetzler, trombone; and Tom Curry, tuba.

Please note: In fall 2019, Daniel Grabois will be on sabbatical. His replacement will be Jeff Scott (below), hornist with the Grammy-nominated Imani Winds. Read about Jeff here.

The program of modern classics includes:

“Mini Overture” by Witold Lutoslawski (heard in the YouTube video at the bottom)

“Celestial Suite” by James Stephenson

“Reflecting Light” by Adam Schoenberg

“Adam’s Rib” by James MacMillan

Quintet No. 2 by Victor Ewald

For more information, go to: https://www.music.wisc.edu/event/wisconsin-brass-quintet-faculty-ensemble/

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Classical music: The Pro Arte Quartet minus one plays string trios this Friday night and Sunday afternoon, then starts its Beethoven string quartet cycle on Friday, Nov. 22. Plus 3 UW profs premiere a new fusion work tonight

October 3, 2019
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CORRECTION: The all-Telemann concert by the Madison Bach Musicians on this Saturday night at the First Unitarian Society of Madison is at 8 p.m. — NOT 7:30 as it was mistakenly listed in the early version of yesterday’s post. The Ear apologizes for the error. The pre-concert lecture is at 7:15 p.m. There is also a performance on Sunday at Holy Wisdom Monastery in Middleton at 3:30 p.m., with a lecture at 2:45 p.m. For more information, go to: https://welltempered.wordpress.com/2019/10/02/classical-music-how-did-baroque-composer-telemann-get-overshadowed-and-why-is-he-being-rediscovered-trevor-stephenson-talks-about-his-all-telemann-concerts-this-weekend/

ALERT: TONIGHT, Thursday, Oct. 3, at 8 p.m., three UW-Madison music professors — Anthony Di Sanza (percussion), Tom Curry (tuba, keyboard and electronics) and Mark Hetzler (trombone and electronics) — will perform their new composition “Don’t Look Down” at the Arts + Literature Laboratory, located at 2021 Winnebago Street on Madison’s near east side. (Phone is 608 556-7415.)

The trio’s goal to showcase their instruments using a combination of electro-acoustic techniques, improvisation and traditional chamber music applications to create an array of sonic environments and musical languages.

The result is a work that looks at the impact of media and technology on society, while featuring shifting soundscapes and a variety of styles including classical, rock, jazz and experimental.

Tickets are $10 in advance at: https://dontlookdown.brownpapertickets.com; and $15 at the door. Student tickets are $5 off with a valid school ID. Advance ticket sales end one hour before the show. Doors open at 7:30 p.m.

By Jacob Stockinger

First, a news flash: The University of Wisconsin-Madison’s critically acclaimed Pro Arte Quartet (below, in a photo by Rick Langer) will begin its complete cycle of Beethoven’s 16 string quartets on Friday, Nov. 22.

The program, time and other dates are not available yet, but should be announced soon.

The performances are part of the 2020 Beethoven Year, which will celebrate the 250th anniversary of the composer’s birth. Stayed tuned for more details.

This Friday night, Oct. 4, at 8 p.m. in Mills Hall, three members of the Pro Arte will perform a FREE concert of string trios. Performers are second violinist Suzanne Beia, violist Sally Chisholm and cellist Parry Karp.

Featured on the program are: the Serenade in C Major, Op. 10 (1902), by the Hungarian composer Ernst von Dohnanyi (below top); the String Trio, Op. 48 (1950), by the Polish composer Mieczyslaw Weinberg (below bottom); and the Serenade in D Major, Op. 8 (1796-97), by Ludwig van Beethoven.) You can hear the opening movement of the Weinberg Trio in the YouTube video at the bottom.

For more information about the quartet and the program, go to: https://www.music.wisc.edu/event/pro-arte-quartet-5/

This Sunday afternoon, the Pro Arte Quartet will also perform FREE at the Chazen Museum of Art on Sunday Afternoon Live at the Chazen. The same program of string trios will be repeated. The performance will be held starting at 12:30 in the Brittingham Gallery 3.

For details about attending, go to: https://www.chazen.wisc.edu/index.php?/events-calendar-demo/event/sunday-afternoon-live-at-the-chazen9/

It will also be streamed live at the following portal: https://c.streamhoster.com/embed/media/O7sBNG/OS1C0ihJsYK/iqf1vBMs3qg_5

Posted in Classical music
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Classical music: Recitals of Scandinavian art songs and of tuba music are on tap at the UW this Sunday afternoon and Monday night

September 26, 2019
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By Jacob Stockinger

In the next few days, two noteworthy and free recitals, open to the public, are on tap at the University of Wisconsin-Madison’s Mead Witter School of Music.

On this Sunday afternoon Sept. 29, from 4 to 6 p.m. in Morphy Hall, mezzo-soprano Jessie Wright Martin and pianist John O’Brien (both below) – who have performed together at Carnegie Hall – will give a FREE recital of Nordic art songs. (It includes the Grieg song performed by Anne Sofie von Otter in the YouTube video at the bottom.)

Wright (below) will sing in Norwegian, Danish and Swedish.

This week, the two performed the same recital at the University of North Carolina-Chapel Hill’s School of Music. Wright spoke to the student newspaper The Daily Tar Heel.

“It started because I have Norwegian heritage and was interested in Norwegian music,” said Martin, a professor of music at Wingate University. “I thought it would be interesting to expand to Swedish and Danish music.”

Composers on the program are Edvard Grieg, Peter Heisse and Gunnar de Frumeri.

For more information about the performers and the program, go to: https://www.music.wisc.edu/event/jessica-martin-john-obrien-nordic-song-recital/

On Monday night at 7:30 p.m. in Morphy Hall, guest artist Beth Weise (below) will give a FREE tuba recital.

Unfortunately, no program is listed.

For more information about the concert and about Weise, a distinguished and very accomplished musician who did her undergraduate work at the Lawrence University Conservatory of Music in Appleton, Wisconsin, go to:

https://www.music.wisc.edu/event/beth-wiese-tuba-guest-artist-recital/

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Classical music: Here is a year-long list of concerts at the University of Wisconsin Mead Witter School of Music. They start Tuesday night with the 40th annual Karp Family Labor Day Concert

September 1, 2019
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By Jacob Stockinger

Get out your datebooks and calendars.

Here is a complete listing for major concerts and events at the University of Wisconsin Mead Witter School of Music during the new 2019-20 season.

The calendar starts with the FREE season-opening 40th annual Karp Family Labor Day Concert this coming Tuesday night, Sept. 3, at 7:30 p.m. in Mills Hall. The program features chamber music by Mozart, Beethoven, Schumann and Dvorak. For more information about the program and performers, go to: https://www.music.wisc.edu/event/40th-karp-family-concert/

Using the search engine on this blog, you could also consult whenever individual or group you want. You could print it out and have it in hand instead of the usual brochure, which will not be printed this year. See a previous blog post: https://welltempered.wordpress.com/2019/08/19/classical-music-the-uw-madison-school-of-music-will-not-have-a-complete-brochure-for-the-new-season-go-to-the-website-and-sign-up-for-an-email-newsletter-the-30th-karp-family-labor-day-concert-is-s/

Most concerts this season will take place in the new Hamel Music Center (below), which has a three-day opening celebration Oct. 25-27.

Please note that just a few programs are listed. For other programs, and for information about any admission charge, you can go to the School of Music’s home website closer to the event and click on Concerts and Events: https://www.music.wisc.edu/events/

Tuesday, Sep 3, 2019	Karp Family Concert	7:30 PM	Mills Hall
Sunday, September 29, 2019,	Jessica Martin & John O’Brien – Nordic song recital	4:00 PM	Morphy Hall
Monday, Sept. 30, 2019	Beth Wiese, Tuba, Guest Artist Recital	7:30 PM	Morphy Hall
Friday, October 4, 2019	Pro Arte Quartet	8:00 PM	Mills Hall
Sunday, Oct. 6, 2019	Chanticleer	7:30 PM	Mead Witter Hall
Tuesday, Oct. 8, 2019	Wind Ensemble	7:30 PM	Mead Witter Hall
Friday, October 11, 2019	UW-Madison Symphony Orchestra	8:00 PM	Mead Witter Hall
Sunday, October 13, 2019	University Bands	2:00 PM	Mead Witter Hall
Tuesday, October 15, 2019	Contemporary Jazz & Blue Note Ensemble	7:30 PM	Collins Hall
Wednesday, October 16, 2019	Wisconsin Brass Quintet – Faculty Concert Series	7:30 PM	Mead Witter Hall
Thursday, October 17	Jazz Faculty Quintet with special guest Michael Dudley, trumpet	7:30 PM	Collins Hall
Monday, October 21, 2019	Afro-Cuban Jazz Ensemble and UW Jazz Orchestra	7:30 PM	Play Circle
Tuesday, October 22, 2019	Concert Band	7:30 PM	Mead Witter Hall
Wed, October 23, 2019	Jazz Composers Group & Jazz Standards	7:30 PM	Collins Hall
Thu, October 24, 2019	Parry Karp with Eli Kalman, piano	7:30 PM	Collins Hall
Friday, October 25, 2019	Opening Celebration Weekend: Hamel Music Center. Please check our website for details.	All Day	740 University Avenue
Saturday, October 26, 2019	Opening Celebration Weekend: Hamel Music Center. Please check our website for details.	All Day	740 University Avenue
Sunday, October 27, 2019	Opening Celebration Weekend: Hamel Music Center. Featured Event: Collins Fellows Concert	1:00 PM	Collins Recital Hall, Hamel Music Center
Wed, October 30, 2019	Master Class with Violist Nobuko Imai	6:30 PM	Collins Hall
Thu, October 31, 2019	Violist Nobuko Imai with Pro Arte Quartet	12:00 PM	Collins Hall
Fri, November 1, 2019	Madrigal Singers	8:00 PM	Mead Witter Hall

Sat, November 2, 2019	Alicia Lee, faculty clarinet	8:00 PM	Collins Hall
Sun, November 3, 2019	Wind Ensemble	2:00 PM	Mead Witter Hall
Fri, November 8, 2019	Wingra Wind Quintet	8:00 PM	Collins Hall
Sat, November 9, 2019	UW Chorale	8:00 PM	Mead Witter Hall
Thu, November 14, 2019	UW-Madison Symphony Orchestra	7:30 PM	Mead Witter Hall
Fri, November 15, 2019	University Opera: Benjamin Britten’s A Midsummer Night’s Dream	7:30 PM	Music Hall
Sun, November 17, 2019	University Opera: Benjamin Britten’s A Midsummer Night’s Dream	2:00 PM	Music Hall
Tue, November 19, 2019	University Opera: Benjamin Britten’s A Midsummer Night’s Dream	7:30 PM	Music Hall
Sat, November 16, 2019	Low Brass Ensemble	4:00 PM	Collins Hall
Sat, November 16, 2019	Combined Choirs	8:00 PM	Mead Witter Hall
Sat, November 16, 2019	Timothy Hagen, faculty flute	8:00 PM	Collins Hall
Fri, November 22, 2019	UW Concert Choir	8:00 PM	Mead Witter Hall
Fri, November 22, 2019	Pro Arte Quartet	8:00 PM	Collins Hall
Fri, November 22, 2019	UW Jazz Orchestra	5:00-7:00 PM	Rathskeller
Saturday, Nov 23, 2019	Undergrad Audition Day	All day
Sat, November 23, 2019	World Percussion Ensemble	12:00 PM	Music Hall
Sat, November 23, 2019	Brass Ensembles	1:00 PM	??
Sun, November 24, 2019	UW Concert Band with Winds of Wisconsin	5:00 PM	Mead Witter Hall
Mon, November 25, 2019	Chamber Percussion Ensemble	7:30 PM	Mills Hall
Tue, November 26, 2019	Opera Scenes	7:30 PM	Music Hall
Mon, December 2, 2019	Piano Studio Recital	6:30 PM	Collins Hall
Tue, December 3, 2019	Jazz Composers & Contemporary Jazz Ensembles	7:30 PM	Collins Hall
Wed, December 4, 2019	Jazz Standards Ensemble & Afro-Cuban Jazz	7:30 PM	Collins Hall

Thu, December 5, 2019	UW-Madison Symphony Orchestra & UW Wind Ensemble	7:30 PM	Mead Witter Hall
Fri, December 6, 2019	Saxophonist Greg Ward with the Blue Note Ensemble and UW jazz faculty	8:00 PM	Collins Hall
Sat, December 7, 2019	UW & Madison Metropolitan Jazz Festival	Final Concert, 3:00 PM	Mead Witter Hall
Sat, December 7, 2019	Choral Union: Ralph Vaughan Williams’s “A Sea Symphony”	8:00 PM	Mead Witter Hall
Sun, December 8, 2019	University Bands	2:00 PM	Mead Witter Hall
Sun, December 8, 2019	Choral Concerts at Luther Memorial Church	2:00 PM	Luther Memorial Church
Sun, December 8, 2019	Choral Concerts at Luther Memorial Church	4:00 PM	Luther Memorial Church
Sun, December 8, 2019	All-University Strings	4:30 PM	Mead Witter Hall
BEGIN 2020
Sun, January 26, 2020	Annual Schubertiade	3:00 PM	Mead Witter Hall
Sat, February 1, 2020	Christopher Taylor and Friends — Beethoven Symphony Extravaganza	8:00 PM	Mead Witter Hall
Wed, February 5, 2020	Daniel Grabois, horn	7:30 PM	Collins Hall
Thu, February 6, 2020	UW Symphony Orchestra	7:30 PM	Mead Witter Hall
Sat, February 8, 2020	The Knights	8:00 PM	Mead Witter Hall
Sun, February 16, 2020	UW Wind Ensemble	2:00 PM	Mead Witter Hall
Monday, February 17, 2020	Chamber Percussion Ensemble	7:30 PM	Mills Hall
Tue, February 18, 2020	Concert Band	7:30 PM	Mead Witter Hall
Thu, February 20, 2020	Parry Karp, faculty recital	7:30 PM	Collins Hall
Fri, February 21, 2020	Marc Vallon & Friends	8:00 PM	Collins Hall

Sunday, Feb 23, 2020	Les Thimmig, faculty recital	2:00 PM	Collins Hall
Sat, April 18, 2020	Low Brass Ensemble	4:00 PM	Mead Witter Hall
Fri, February 28, 2020	Pro Arte Quartet	8:00 PM	Collins Hall

Sat, February 29, 2020	Wingra Wind Quintet	8:00 PM	Collins Hall
Fri, February 28, 2020,	University Opera – Mozart’s Così fan tutte	7:30 PM	Music Hall
Sun, March 1, 2020	University Opera – Mozart’s Così fan tutte	2:00 PM	Music Hall
Tue, March 3, 2020	University Opera – Mozart’s Così fan tutte	7:30 PM	Music Hall
Sun, March 1, 2020	Winds of Wisconsin	5:30 PM	Mead Witter Hall
Wed, March 4, 2020	Afro-Cuban Jazz Ensemble & Jazz Composers Group	7:30	Collins Hall
Thu, March 5, 2020	Blue Note Ensemble & Jazz Standards Ensemble	7:30 PM	Collins Hall
Sat, March 7, 2020	UW-Madison Symphony Orchestra with guest pianist Wu Han	8:00 PM	Mead Witter Hall
Sun, March 8, 2020	University Bands	2:00 PM	Mead Witter Hall
Tue, March 10, 2020	Percussion Department Recital	7:30 PM	Collins Hall
Weds March 11, 2020	UW Jazz Orchestra	7:30 PM	Play Circle
Wednesday, March 11, 2020	Wisconsin Brass Quintet – Faculty Concert Series	8:00 PM	Mead Witter Hall
Thu, March 12, 2020	UW Wind Ensemble	7:30 PM	Mead Witter Hall
Fri, March 27, 2020	Le Domaine Musicale with Marc Vallon and Friends	8:00 PM	Collins Hall
Sun, March 29, 2020	Concert Band	2:00 PM	Mead Witter Hall
Sun, April 5, 2020	Beethoven Competition Winners’ Recital	3:30 PM	Collins Hall
Sun, April 5, 2020	“Symphony Showcase” Concerto Winners’ Solo Concert	7:00 PM	Mead Witter Hall
Sat, April 11, 2020	Chorale	8:00 PM	Mead Witter Hall
Fri, April 12, 2019	Perlman Trio Chamber Concert	3:00 PM	Collins Hall
Tue, April 14, 2020	Opera Scenes	7:30 PM	Music Hall
Wed, April 15, 2020	Contested Homes: Migrant Liberation Movement Suite	7:30 PM	Mead Witter Hall
Thu, April 16, 2020	Pro Arte Quartet	7:30 PM	Collins Hall
Fri, April 17, 2020	Combined Choirs	8:00 PM	Mead Witter Hall
Sat, April 18, 2020	Low Brass Ensemble	4:00 PM	Mead Witter Hall
Sat, April 18, 2020	UW-Madison Choral Reunion concert featuring Concert Choir, Madrigals and alumni	8:00 PM	Mead Witter Hall

Mon, April 20, 2020	Afro-Cuban Jazz Ensemble & Blue Note Ensemble	7:30 PM	Collins Hall
Tue, April 21, 2020	Jazz Standards Ensemble & Jazz Composers Group	7:30 PM	Collins Hall
Wed, April 22, 2020	Chamber Percussion Ensemble	7:30 PM	Mills Hall
Thu, April 23, 2020	UW Jazz Orchestra with the UW Honors Jazz Band	7:30 PM	Music Hall
Fri, April 24, 2020	Concert Band and Wind Ensemble	7:30 PM	Mead Witter Hall
Sat, April 25, 2020	All-University Strings	2:00 PM	Mead Witter Hall
Sat, April 25, 2020	Choral Union: Giuseppe Verdi’s “Requiem”	8:00 PM	Mead Witter Hall
Sun, April 26, 2020	Choral Union: Giuseppe Verdi’s “Requiem”	7:30 PM	Mead Witter Hall
Sun, April 26, 2020	University Bands	2 PM	Mead Witter Hall

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Classical music: Madison native and virtuoso trumpeter Ansel Norris has made it to the final round of the 16th International Tchaikovsky Competition. You can hear him perform live on Thursday morning or in replay

June 26, 2019
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A REMINDER and CORRECTION: American pianist Kenneth Broberg, who performed last season in Madison on the Salon Piano Series at Farley’s House of Pianos, will be the last finalist – not the second-to-last – in the final concerto round of the 16th International Tchaikovsky Competition. The pianist from China that was to play after him played yesterday instead.

Broberg will play the “Rhapsody on a Theme of Paganini” by Sergei Rachmaninoff and the Piano Concerto No. 1 in B-flat minor, Op. 23, by Tchaikovsky. You can watch his performance live still on Thursday morning at 11:45 a.m. by going to https://tch16.medici.tv/en/ and clicking on PIANO LIVE or REPLAY after the performance.

By Jacob Stockinger

This news came to The Ear late or he would have passed along more information much earlier.

Ansel Norris (below), a 26-year-old Madison native and virtuoso trumpeter, has made it as one of the nine finalists — the contest started with 47 contestants in trombone, French horn, trumpet and tuba — in the first-ever Brass Competition at the 16th International Tchaikovsky Competition.

You can hear Norris perform live on Thursday morning at 7:45 a.m. via live-streaming or afterwards via replay. Just go to https://tch16.medici.tv/en/

Then click on BRASS and choose WATCH or REPLAY.

You can also listen to his earlier performances.

Here is a link to his performance in the first round, when he played a concerto by Franz Joseph Haydn plus works by Allen Vizzutti and Georges Enescu:

https://tch16.medici.tv/en/replay/first-round-with-ansel-norris/

And here is a link to his performance in the semi-final round, where he played concertos by Johann Friedrich Fasch and Vladimir Peskin — you can hear a much younger Norris play the first movement with piano in the YouTube video at the bottom — as well as a solo competition piece by Théo Charlier:

https://tch16.medici.tv/en/replay/semi-final-with-ansel-norris/#filter?instrument=brass

His performance in the finals, with an orchestra in St. Petersburg instead of Moscow, will take place on Thursday, June 27, at 7:45 a.m.

He will play Lensky’s aria “Where, Where Have You Gone?” from the opera “Eugene Onegin” by Tchaikovsky and the Trumpet Concerto by Rodion Shchedrin. Playing opera arias and art songs on the trumpet is a Norris specialty.

Norris, a graduate of Northwestern University who was also a member of the well-known New World Symphony in Miami, studied with John Aley, University of Wisconsin-Madison Emeritus Professor and Principal Trumpet of the Madison Symphony Orchestra, and played for many years in the Wisconsin Youth Symphony Orchestras.

Norris is the son of Katherine Esposito, the concert manager and publicity coordinator at the UW-Madison’s Mead Witter School of Music.

Here is a link to the more complete and current biography posted by the Tchaikovsky Competition:

https://tch16.medici.tv/en/competitors/ansel-norris/

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Classical Music: The Chicago Gargoyle Brass and Organ Ensemble will take Madison listeners on a FREE concert of ‘Imaginary Journeys’ TONIGHT at 7 p.m.

October 27, 2018
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IF YOU LIKE A CERTAIN BLOG POST, PLEASE FORWARD A LINK TO IT OR SHARE IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.

By Jacob Stockinger

The Ear has received the following announcement for a concert that sounds in keeping with the spirit of Halloween:

The Chicago Gargoyle Brass and Organ Ensemble (below, in a photo by Thomas Mohr) will lead listeners on aural adventures through space, time and fantasy at its “Imaginary Journeys” concert TONIGHT, Oct. 27.

The concert is FREE and open to the public, and will take place at 7 p.m. at Good Shepherd Lutheran Church, 5701 Raymond Road, in Madison.

For more information, call (608) 271-6633 or visit www.gslcwi.com or gargoylebrass.com.

The professional ensemble of brass quintet and pipe organ, with percussion, will perform the Madison premieres of new works and arrangements it recently commissioned for its novel array of instruments.

The concert’s namesake work, “Imaginary Journeys,” was written for the ensemble by Chicago-area composer Mark Lathan. It takes listeners on a rocket-powered interstellar adventure, inspired by recent astronomical discoveries.

“For this piece,” Lathan says, “I wanted to bring in some drama, somewhat in the manner of a film score.” Lathan earned a doctorate in music from the University of California at Los Angeles, where he received the Henry Mancini Award in Film Composition and studied film scoring with Jerry Goldsmith.

Another Madison premiere is Craig Garner’s brass-and-organ arrangement of Igor Stravinsky’s ever-popular Suite from “The Firebird,” a ballet based on Russian fairy tales. “The audience will hear an all-time favorite orchestral work like it’s never been heard before,” says Rodney Holmes, founder and artistic director of the Chicago Gargoyle Brass and Organ Ensemble.

Concertgoers will also hear the first local performances of “Short Fuse” for brass, organ and percussion by Chris Reyman (below), a jazz performance specialist teaching at the University of Texas at El Paso. Holmes says, “This piece shows off a very different face of what a pipe organ and brass can do.”

Other first hearings include Garner’s two-part instrumental suite from English Baroque composer Henry Purcell’s “Come Ye Sons of Art.”

The concert’s journey into the Baroque era includes brass and organ arrangements of movements from Johann Sebastian Bach’s chorale cantata “Ein feste Burg ist unser Gott” (A Mighty Fortress Is Our God), BWV 80.

The concert’s imaginative works include “Earthscape” by David Marlatt (below, and heard in the YouTube video at the bottom) as well as pipe-organ versions of “Clair de lune” (Moonlight) by Claude Debussy and Louis Vierne.

Performers will include Madison-based organist Jared Stellmacher (below), an award-winning musician heard on the Chicago Gargoyle Brass and Organ Ensemble’s critically acclaimed 2015 debut CD “Flourishes, Tales and Symphonies.” He holds a master’s degree in music from Yale University.

Gargoyle ensemble players are trumpeters Lev Garbar and Andrew Hunter, horn player Amy Krueger, trombonist Ian Fitzwater, tuba player Jason Lyons, and percussionist Logan Fox. Conductor will be Jakob Noestvik.

About the Chicago Gargoyle Brass and Organ Ensemble

“The Chicago Gargoyle Brass and Organ Ensemble plays with warmth, elegance, and panache,” said U.S. music magazine Fanfare in a review of the ensemble’s debut CD. “[They] are perfect companions for the music lover in need of calming nourishment.”

The group takes its whimsical name from the stone figures atop gothic buildings at the University of the Chicago, where the now-professional ensemble got its start in 1992 as a brass quintet of faculty and students.

Under its founder and artistic director Rodney Holmes, it has evolved over the decades into an independent organization of classically trained musicians that focuses on commissioning and performing groundbreaking new works and arrangements for brass and pipe organ. More information can be found at gargoylebrass.com.

Posted in Classical music
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Classical music: Tonight brings an all-Bach organ recital at Overture Hall. At the UW-Madison, this week brings music for band, brass and strings

October 23, 2018
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By Jacob Stockinger

TONIGHT, Tuesday, Oct. 23

At 7:30 p.m. in Overture Hall, Paul Jacobs (below) will perform an all-Bach program. Jacobs, who is the only organist to have won a Grammy Award, is the chair of the organ department at the Juilliard school in New York City and was the teacher and mentor of Greg Zelek, who is the new organist for the Madison Symphony Orchestra.

Heralded as “one of the major musicians of our time” by Alex Ross of The New Yorker and as “America’s leading organ performer” by The Economist, the internationally celebrated Jacobs combines a probing intellect and extraordinary technical mastery with an unusually large repertoire, both old and new. He has performed to great critical acclaim on five continents and in each of the 50 United States.

Jacobs made musical history at age 23 when he played Bach’s complete organ works in an 18-hour marathon performance on the 250th anniversary of the composer’s death. (You can hear Jacobs play Bach in the YouTube video at the bottom.) Jacobs has premiered works by Samuel Adler, Mason Bates, Michael Daugherty, Wayne Oquin, Stephen Paulus, Christopher Theofanidis and Christopher Rouse, among others.

During the 2018-19 season, Jacobs will perform the world premiere of John Harbison’s “What Do We Make of Bach?” for organ and orchestra with the Minnesota Orchestra under conductor Osmo Vanska; with the Cleveland Orchestra he will give the American premiere of Austrian composer Bernd Richard Deutsch’s “Okeanos” for organ and orchestra.

For more details about Jacobs, his complete all-Bach program and tickets ($20), go to: https://madisonsymphony.org/event/paul-jacobs/

WEDNESDAY, Oct. 24

At 7:30 p.m. in Mills Hall, the UW Concert Band will perform a FREE concert of music by Leonard Bernstein (excerpts from “Candide”), Vincent Persichetti, Percy Grainger, Mark Markowski and Steven Bryant.

For more information about the performance and the program, go to: https://www.music.wisc.edu/event/uw-concert-band-fall-concert-2/

THURSDAY, Oct. 25

At 7:30 p.m. in Mills Hall, the Wisconsin Brass Quintet and special guest UW percussionist Anthony DiSanza (below, in a photo by Katherine Esposito) will perform a ticketed concert of genre-bending music by Michael Tilson Thomas, Pat Metheny, Modest Mussorgsky, Alan Ferber, James Parker and David Sanford.

Admission is $17 for adults, $7 for students and children.

For more information about the performers, the program and how to purchase tickets, go to:

https://www.music.wisc.edu/event/wisconsin-brass-quintet-with-anthony-disanza-professor-of-percussion-2/

Members of the Wisconsin Brass Quintet (below, from left, in a photo by Michael R. Anderson) are: Daniel Grabois, horn; Mark Hetzler, trombone; Matthew Onstad, trumpet; Tom Curry, tuba; and Alex Noppe, trumpet.

SATURDAY, Oct. 27

At 8 p.m. in Mills Hall, the Pro Arte Quartet will perform a FREE concert.

The program features: the String Quartet in C Major, D. 46 (1813), by the young Franz Schubert; Three Rags for String Quartet (“Poltergeist” from 1971, “Graceful Ghost” from 1970, and “Incinteratorag” from 1967) by William Bolcom; and the String Quartet in E minor, Op. 44, No. 2 (1837), by Felix Mendelssohn.

For more information about the Pro Arte Quartet and its long, historic and fascinating background, go to: https://www.music.wisc.edu/event/pro-arte-quartet-3/

Members of the Pro Arte Quartet (below, from left, in a photo by Rick Langer, are: David Perry and Suzanne Beia, violins; Sally Chisholm, viola; and Parry Karp, cello.)

Posted in Classical music
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