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By Jacob Stockinger
The Ear has received the following announcement to post:
The Madison New Music Festival is pleased to announce the launch of the Wisconsin Composers Project.
Both a community resource and annual series, the project consists of a database and a virtual concert meant to increase composers’ visibility and encourage local curators and performers to collaborate with their neighbors.
Please join us for the live streaming event of the Wisconsin Composers Project Concert on this Friday night, Sept. 25, at 7:30 p.m. CDT on our website at https://madisonnewmusic.org and enjoy new music from all over Wisconsin from the comfort and safety of your home.
The pre-recorded concert will profile five Wisconsin-based composers (below) and performances of their works, one of which refers to the pandemic quarantine.
Audience members will hear directly from the composers about their music and influences, and enjoy the diversity of the Wisconsin musical community.
Featured composers and their works include:
Brent Michael Davids (above, top left): In Wisconsin Woods, performed by the composer. (In the YouTube video at the bottom, you can hear the UW-Whitewater Chamber Singers and the Medicine Bear Singers perform “Sanctus: Singing for Power” from Davids’ Requiem for America.)
Jerry Hui (above, top right), a UW-Madison graduate who now teaches at UW-Stout: Quarantine Canzonets, performed by soprano Jennifer D’Agostino and baritone Michael Roemer.
Laura Schwendinger (above, bottom left), an internationally recognized and prize-winning composer and UW-Madison professor: All the Pretty Little Horses, performed by cellist Trace Johnson.
Asha Srinivasan (above, top center): Dyadic Affinities, performed by tubist Tom Curry.
Lawren Brianna Ware (above, bottom right): Borealis, performed by the composer.
The suggested donation to stream this concert is $15 per person.
For more information, please visit our website at madisonnewmusic.org or find us on Facebook (@Madison New Music Festival) or Instagram (@madisonnewmusic).
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By Jacob Stockinger
In the week before Spring Break, the Mead Witter School of music at the UW-Madison will feature FREE concerts of percussion, brass and wind music.
TUESDAY, MARCH 10
At 7:30 p.m. in the Collins Recital Hall of the new Hamel Music Center, 740 University Ave., the percussion department will give a FREE recital. No program is listed.
WEDNESDAY, MARCH 11
At 7:30 p.m. in Collins Recital Hall, guest percussionist-composer Mark Stone (below) will give a FREE solo recital of original compositions for mbira and gyil.
The program will include music for the newly invented array mbira, an American-made 120 key lamellaphone. Stone will also share music composed for the Dagara gyil, a xylophone from Ghana as well as mbira traditions of South Africa and Uganda.
Also on Wednesday night at 8 p.m. in the Mead Witter Foundation Concert Hall, the acclaimed Wisconsin Brass Quintet will give a FREE faculty recital.
The program is:
Johann Sebastian Bach – Contrapunctus IV from “Die Kunst Der Fuge” (The Art of Fugue). You can hear Canadian Brass perform it in the YouTube video at the bottom.
Andre Lafosse – “Suite Impromptu”
Werner Pirchner – “L’Homme au marteau dans la poche” (Man With a Hammer in His Pocket)
Rich Shemaria – “Pandora’s Magic Castle”
Per Nørgård – “Vision”
The 2019-2020 Wisconsin Brass Quintet (below) is: Jean Laurenz and Gilson Silva, trumpets; Daniel Grabois, horn; Mark Hetzler, trombone; and Tom Curry, tuba.
Please note: In spring 2020, Mark Hetzler will be on sabbatical. His replacement will be Will Porter (below), instructor of trombone at Eastern Illinois University .Read about Porter here
THURSDAY MARCH 12
At 7:30 p.m. in the Mead Witter Foundation Concert Hall, the UW Wind Ensemble will give a FREE concert.
The ensemble will perform under the batons of director Scott Teeple (below) and guest conductor Ross Wolf.
The program is:
Frank Ticheli: “Apollo Unleashed” from Symphony No. 2
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By Jacob Stockinger
This coming week at the University of Wisconsin-Madison Mead Witter School of Music brings two FREE chamber music concerts of flute music and brass music.
On Monday night, Oct. 14, at 7 p.m. in the Collins Recital Hall in the new Hamel Music Center, 740 University Ave., located next to the new wing of the Chazen Museum of Art, guest artists flutist Elise Blatchford (below top) from the University of Memphis and pianist Jacob Coleman (below bottom) from the University of Kentucky will perform a FREE recital.
On Wednesday night, Oct. 16, at 7:30 p.m. in the Mead Witter Foundation Concert Hall of the new Hamel Music Center, the Wisconsin Brass Quintet (below) will give a FREE performance.
Members of the 2019-20 Wisconsin Brass Quintet are Jean Laurenz and Gilson Silva, trumpets; Daniel Grabois, horn; Mark Hetzler, trombone; and Tom Curry, tuba.
Please note: In fall 2019, Daniel Grabois will be on sabbatical. His replacement will beJeff Scott (below), hornist with the Grammy-nominated Imani Winds.Read about Jeff here.
The program of modern classics includes:
“Mini Overture” by Witold Lutoslawski (heard in the YouTube video at the bottom)
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By Jacob Stockinger
In the next few days, two noteworthy and free recitals, open to the public, are on tap at the University of Wisconsin-Madison’s Mead Witter School of Music.
On this Sunday afternoon Sept. 29, from 4 to 6 p.m. in Morphy Hall, mezzo-soprano Jessie Wright Martin and pianist John O’Brien (both below) – who have performed together at Carnegie Hall – will give a FREE recital of Nordic art songs. (It includes the Grieg song performed by Anne Sofie von Otter in the YouTube video at the bottom.)
Wright (below) will sing in Norwegian, Danish and Swedish.
This week, the two performed the same recital at the University of North Carolina-Chapel Hill’s School of Music. Wright spoke to the student newspaper The Daily Tar Heel.
“It started because I have Norwegian heritage and was interested in Norwegian music,” said Martin, a professor of music at Wingate University. “I thought it would be interesting to expand to Swedish and Danish music.”
Composers on the program are Edvard Grieg, Peter Heisse and Gunnar de Frumeri.
On Monday night at 7:30 p.m. in Morphy Hall, guest artist Beth Weise (below) will give a FREE tuba recital.
Unfortunately, no program is listed.
For more information about the concert and about Weise, a distinguished and very accomplished musician who did her undergraduate work at the Lawrence University Conservatory of Music in Appleton, Wisconsin, go to:
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By Jacob Stockinger
Get out your datebooks and calendars.
Here is a complete listing for major concerts and events at the University of Wisconsin Mead Witter School of Music during the new 2019-20 season.
The calendar starts with the FREE season-opening 40th annual Karp Family Labor Day Concert this coming Tuesday night, Sept. 3, at 7:30 p.m. in Mills Hall. The program features chamber music by Mozart, Beethoven, Schumann and Dvorak. For more information about the program and performers, go to: https://www.music.wisc.edu/event/40th-karp-family-concert/
Most concerts this season will take place in the new Hamel Music Center (below), which has a three-day opening celebration Oct. 25-27.
Please note that just a few programs are listed. For other programs, and for information about any admission charge, you can go to the School of Music’s home website closer to the event and click on Concerts and Events: https://www.music.wisc.edu/events/
Tuesday, Sep 3, 2019
Karp Family Concert
7:30 PM
Mills Hall
Sunday, September 29, 2019,
Jessica Martin & John O’Brien – Nordic song recital
4:00 PM
Morphy Hall
Monday, Sept. 30, 2019
Beth Wiese, Tuba, Guest Artist Recital
7:30 PM
Morphy Hall
Friday, October 4, 2019
Pro Arte Quartet
8:00 PM
Mills Hall
Sunday, Oct. 6, 2019
Chanticleer
7:30 PM
Mead Witter Hall
Tuesday, Oct. 8, 2019
Wind Ensemble
7:30 PM
Mead Witter Hall
Friday, October 11, 2019
UW-Madison Symphony Orchestra
8:00 PM
Mead Witter Hall
Sunday, October 13, 2019
University Bands
2:00 PM
Mead Witter Hall
Tuesday, October 15, 2019
Contemporary Jazz & Blue Note Ensemble
7:30 PM
Collins Hall
Wednesday, October 16, 2019
Wisconsin Brass Quintet – Faculty Concert Series
7:30 PM
Mead Witter Hall
Thursday, October 17
Jazz Faculty Quintet with special guest Michael Dudley, trumpet
7:30 PM
Collins Hall
Monday, October 21, 2019
Afro-Cuban Jazz Ensemble and UW Jazz Orchestra
7:30 PM
Play Circle
Tuesday, October 22, 2019
Concert Band
7:30 PM
Mead Witter Hall
Wed, October 23, 2019
Jazz Composers Group & Jazz Standards
7:30 PM
Collins Hall
Thu, October 24, 2019
Parry Karp with Eli Kalman, piano
7:30 PM
Collins Hall
Friday, October 25, 2019
Opening Celebration Weekend: Hamel Music Center. Please check our website for details.
All Day
740 University Avenue
Saturday, October 26, 2019
Opening Celebration Weekend: Hamel Music Center. Please check our website for details.
All Day
740 University Avenue
Sunday, October 27, 2019
Opening Celebration Weekend: Hamel Music Center. Featured Event: Collins Fellows Concert
1:00 PM
Collins Recital Hall, Hamel Music Center
Wed, October 30, 2019
Master Class with Violist Nobuko Imai
6:30 PM
Collins Hall
Thu, October 31, 2019
Violist Nobuko Imai with Pro Arte Quartet
12:00 PM
Collins Hall
Fri, November 1, 2019
Madrigal Singers
8:00 PM
Mead Witter Hall
Sat, November 2, 2019
Alicia Lee, faculty clarinet
8:00 PM
Collins Hall
Sun, November 3, 2019
Wind Ensemble
2:00 PM
Mead Witter Hall
Fri, November 8, 2019
Wingra Wind Quintet
8:00 PM
Collins Hall
Sat, November 9, 2019
UW Chorale
8:00 PM
Mead Witter Hall
Thu, November 14, 2019
UW-Madison Symphony Orchestra
7:30 PM
Mead Witter Hall
Fri, November 15, 2019
University Opera: Benjamin Britten’s A Midsummer Night’s Dream
7:30 PM
Music Hall
Sun, November 17, 2019
University Opera: Benjamin Britten’s A Midsummer Night’s Dream
2:00 PM
Music Hall
Tue, November 19, 2019
University Opera: Benjamin Britten’s A Midsummer Night’s Dream
7:30 PM
Music Hall
Sat, November 16, 2019
Low Brass Ensemble
4:00 PM
Collins Hall
Sat, November 16, 2019
Combined Choirs
8:00 PM
Mead Witter Hall
Sat, November 16, 2019
Timothy Hagen, faculty flute
8:00 PM
Collins Hall
Fri, November 22, 2019
UW Concert Choir
8:00 PM
Mead Witter Hall
Fri, November 22, 2019
Pro Arte Quartet
8:00 PM
Collins Hall
Fri, November 22, 2019
UW Jazz Orchestra
5:00-7:00 PM
Rathskeller
Saturday, Nov 23, 2019
Undergrad Audition Day
All day
Sat, November 23, 2019
World Percussion Ensemble
12:00 PM
Music Hall
Sat, November 23, 2019
Brass Ensembles
1:00 PM
??
Sun, November 24, 2019
UW Concert Band with Winds of Wisconsin
5:00 PM
Mead Witter Hall
Mon, November 25, 2019
Chamber Percussion Ensemble
7:30 PM
Mills Hall
Tue, November 26, 2019
Opera Scenes
7:30 PM
Music Hall
Mon, December 2, 2019
Piano Studio Recital
6:30 PM
Collins Hall
Tue, December 3, 2019
Jazz Composers & Contemporary Jazz Ensembles
7:30 PM
Collins Hall
Wed, December 4, 2019
Jazz Standards Ensemble & Afro-Cuban Jazz
7:30 PM
Collins Hall
Thu, December 5, 2019
UW-Madison Symphony Orchestra & UW Wind Ensemble
7:30 PM
Mead Witter Hall
Fri, December 6, 2019
Saxophonist Greg Ward with the Blue Note Ensemble and UW jazz faculty
8:00 PM
Collins Hall
Sat, December 7, 2019
UW & Madison Metropolitan Jazz Festival
Final Concert, 3:00 PM
Mead Witter Hall
Sat, December 7, 2019
Choral Union: Ralph Vaughan Williams’s “A Sea Symphony”
8:00 PM
Mead Witter Hall
Sun, December 8, 2019
University Bands
2:00 PM
Mead Witter Hall
Sun, December 8, 2019
Choral Concerts at Luther Memorial Church
2:00 PM
Luther Memorial Church
Sun, December 8, 2019
Choral Concerts at Luther Memorial Church
4:00 PM
Luther Memorial Church
Sun, December 8, 2019
All-University Strings
4:30 PM
Mead Witter Hall
BEGIN 2020
Sun, January 26, 2020
Annual Schubertiade
3:00 PM
Mead Witter Hall
Sat, February 1, 2020
Christopher Taylor and Friends — Beethoven Symphony Extravaganza
8:00 PM
Mead Witter Hall
Wed, February 5, 2020
Daniel Grabois, horn
7:30 PM
Collins Hall
Thu, February 6, 2020
UW Symphony Orchestra
7:30 PM
Mead Witter Hall
Sat, February 8, 2020
The Knights
8:00 PM
Mead Witter Hall
Sun, February 16, 2020
UW Wind Ensemble
2:00 PM
Mead Witter Hall
Monday, February 17, 2020
Chamber Percussion Ensemble
7:30 PM
Mills Hall
Tue, February 18, 2020
Concert Band
7:30 PM
Mead Witter Hall
Thu, February 20, 2020
Parry Karp, faculty recital
7:30 PM
Collins Hall
Fri, February 21, 2020
Marc Vallon & Friends
8:00 PM
Collins Hall
Sunday, Feb 23, 2020
Les Thimmig, faculty recital
2:00 PM
Collins Hall
Sat, April 18, 2020
Low Brass Ensemble
4:00 PM
Mead Witter Hall
Fri, February 28, 2020
Pro Arte Quartet
8:00 PM
Collins Hall
Sat, February 29, 2020
Wingra Wind Quintet
8:00 PM
Collins Hall
Fri, February 28, 2020,
University Opera – Mozart’s Così fan tutte
7:30 PM
Music Hall
Sun, March 1, 2020
University Opera – Mozart’s Così fan tutte
2:00 PM
Music Hall
Tue, March 3, 2020
University Opera – Mozart’s Così fan tutte
7:30 PM
Music Hall
Sun, March 1, 2020
Winds of Wisconsin
5:30 PM
Mead Witter Hall
Wed, March 4, 2020
Afro-Cuban Jazz Ensemble & Jazz Composers Group
7:30
Collins Hall
Thu, March 5, 2020
Blue Note Ensemble & Jazz Standards Ensemble
7:30 PM
Collins Hall
Sat, March 7, 2020
UW-Madison Symphony Orchestra with guest pianist Wu Han
8:00 PM
Mead Witter Hall
Sun, March 8, 2020
University Bands
2:00 PM
Mead Witter Hall
Tue, March 10, 2020
Percussion Department Recital
7:30 PM
Collins Hall
Weds March 11, 2020
UW Jazz Orchestra
7:30 PM
Play Circle
Wednesday, March 11, 2020
Wisconsin Brass Quintet – Faculty Concert Series
8:00 PM
Mead Witter Hall
Thu, March 12, 2020
UW Wind Ensemble
7:30 PM
Mead Witter Hall
Fri, March 27, 2020
Le Domaine Musicale with Marc Vallon and Friends
8:00 PM
Collins Hall
Sun, March 29, 2020
Concert Band
2:00 PM
Mead Witter Hall
Sun, April 5, 2020
Beethoven Competition Winners’ Recital
3:30 PM
Collins Hall
Sun, April 5, 2020
“Symphony Showcase” Concerto Winners’ Solo Concert
7:00 PM
Mead Witter Hall
Sat, April 11, 2020
Chorale
8:00 PM
Mead Witter Hall
Fri, April 12, 2019
Perlman Trio Chamber Concert
3:00 PM
Collins Hall
Tue, April 14, 2020
Opera Scenes
7:30 PM
Music Hall
Wed, April 15, 2020
Contested Homes: Migrant Liberation Movement Suite
7:30 PM
Mead Witter Hall
Thu, April 16, 2020
Pro Arte Quartet
7:30 PM
Collins Hall
Fri, April 17, 2020
Combined Choirs
8:00 PM
Mead Witter Hall
Sat, April 18, 2020
Low Brass Ensemble
4:00 PM
Mead Witter Hall
Sat, April 18, 2020
UW-Madison Choral Reunion concert featuring Concert Choir, Madrigals and alumni
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A REMINDER and CORRECTION: American pianist Kenneth Broberg, who performed last season in Madison on the Salon Piano Series at Farley’s House of Pianos, will be the last finalist – not the second-to-last – in the final concerto round of the 16th International Tchaikovsky Competition. The pianist from China that was to play after him played yesterday instead.
Broberg will play the “Rhapsody on a Theme of Paganini” by Sergei Rachmaninoff and the Piano Concerto No. 1 in B-flat minor, Op. 23, by Tchaikovsky. You can watch his performance live still on Thursday morning at 11:45 a.m. by going to https://tch16.medici.tv/en/ and clicking on PIANO LIVE or REPLAY after the performance.
By Jacob Stockinger
This news came to The Ear late or he would have passed along more information much earlier.
Ansel Norris (below), a 26-year-old Madison native and virtuoso trumpeter, has made it as one of the nine finalists — the contest started with 47 contestants in trombone, French horn, trumpet and tuba — in the first-ever Brass Competition at the 16th International Tchaikovsky Competition.
You can hear Norris perform live on Thursday morning at 7:45 a.m. via live-streaming or afterwards via replay. Just go to https://tch16.medici.tv/en/
Then click on BRASS and choose WATCH or REPLAY.
You can also listen to his earlier performances.
Here is a link to his performance in the first round, when he played a concerto by Franz Joseph Haydn plus works by Allen Vizzutti and Georges Enescu:
And here is a link to his performance in the semi-final round, where he played concertos by Johann Friedrich Fasch and Vladimir Peskin — you can hear a much younger Norris play the first movement with piano in the YouTube video at the bottom — as well as a solo competition piece by Théo Charlier:
His performance in the finals, with an orchestra in St. Petersburg instead of Moscow, will take place on Thursday, June 27, at 7:45 a.m.
He will play Lensky’s aria “Where, Where Have You Gone?” from the opera “Eugene Onegin” by Tchaikovsky and the Trumpet Concerto by Rodion Shchedrin. Playing opera arias and art songs on the trumpet is a Norris specialty.
Norris, a graduate of Northwestern University who was also a member of the well-known New World Symphony in Miami, studied with John Aley, University of Wisconsin-Madison Emeritus Professor and Principal Trumpet of the Madison Symphony Orchestra, and played for many years in the Wisconsin Youth Symphony Orchestras.
Norris is the son of Katherine Esposito, the concert manager and publicity coordinator at the UW-Madison’s Mead Witter School of Music.
Here is a link to the more complete and current biography posted by the Tchaikovsky Competition:
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By Jacob Stockinger
This coming weekend, the Madison Symphony Orchestra (MSO, below in a photo by Peter Rodgers) will once again perform a program that highlights its principal artists as soloists.
The program for “Orchestral Brilliance: Three Virtuosi” begins with Franz Schubert’s Symphony No. 8, “Unfinished.”
Then the featured artists appear: concertmaster Naha Greenholtz performs Sergei Prokofiev’s Concerto No. 2 for Violin; principal clarinetist JJ Koh follows with Claude Debussy’s Rhapsody for Clarinet and Orchestra; and principal tubist Joshua Biere concludes with Ralph Vaughan Williams’ Concerto for Tuba and Orchestra. For more biographical information about the soloists, see below.
The program finishes with George Gershwin’s “An American in Paris.”
Performances will be held in Overture Hall, 201 State Street, on Friday, March 8, at 7:30 p.m.; Saturday, March 9, at 8 p.m.; and Sunday, March 10, at 2:30 p.m.
Details about tickets ($18-$93) are below.
“Our March concerts shine the spotlight on our own brilliant musicians that make up the Madison Symphony Orchestra,” says music director and conductor John DeMain (below, in a photo by Greg Anderson). “It is important to me on the occasion of my 25th anniversary with the symphony to share this celebration in a special way with these artists, who make my musical life such a pleasure.”
Franz Schubert (below) began composing his “Unfinished Symphony” in 1822, but left the piece with only two movements despite living for six more years. For reasons that remain unclear, the score was shelved until 1860 when the owner finally realized he possessed a gem. He approached conductor Johann von Herbeck with assurances of a “treasure” on par “with any of Beethoven’s,” and Schubert’s “Unfinished” Symphony had its premiere in 1865.
The Violin Concerto No. 2 in G Minor, Op. 63, by Sergei Prokofiev(below) is more conventional than the composer’s early bold compositions. It starts off with a simple violin melody and recalls traditional Russian folk music. The graceful violin melody flows throughout the entire second movement, and the third movement’s theme has a taste of Spain, complete with the clacking of castanets. (You can hear David Oistrakh play the gorgeous and entrancing slow second movement in the YouTube video at the bottom.)
Composed between December 1909 and January 1910, the Rhapsody for Clarinet and Orchestra by Claude Debussy (below) was written as one of two test pieces for the clarinet examinations at the Paris Conservatory. The piece is described as dreamily slow at the start, followed by a duple meter section that moves the music along until the joyous final section.
The Concerto for Tuba and Orchestra by Ralph Vaughan Williams (below) was written in 1953-54 to mark the 50th anniversary of the London Symphony Orchestra.
“An American in Paris” by George Gershwin (below) is one of the popular composer’s most well-known and most beloved compositions. Written in 1928, it evokes the sights and energy of the French capital in the 1920s. As Gershwin explains, the work’s purpose is to “portray the impressions of an American visitor in Paris as he strolls about the city, listens to the various street noises, and absorbs the French atmosphere.”
ABOUT THE SOLOISTS
Naha Greenholtz (below, in a photo by Chris Hynes) is concertmaster of both the Madison Symphony Orchestra and the Quad City Symphony Orchestra. Additional performance highlights include guest concertmaster appearances with the Oregon Symphony, Calgary Philharmonic, National Ballet of Canada, Omaha Symphony and Memphis Symphony, among many others. Additionally, she performs frequently with the Cleveland Orchestra both domestically and abroad. Greenholtz has also held positions with the Milwaukee Symphony Orchestra and the Louisiana Philharmonic Orchestra, joining the latter as Associate Concertmaster at age 21.
JJ Koh (below) joined the Madison Symphony Orchestra as principal clarinetist in 2016. In addition, he holds a position with the Milwaukee Symphony Orchestra, and Wisconsin Chamber Orchestra. Prior to joining the MSO, Koh was a member of the Civic Orchestra of Chicago. He is a founding member of the Arundo Donax Reed Quintet, and a winner of the Fischoff National Chamber Music Competition. As principal clarinetist of KammerMahler, Koh participated in a world premiere recording project, which featured chamber versions of Gustav Mahler’s Fourth and Ninth Symphonies.
Joshua Biere (below, in a photo by Peter Rodgers) joined the Madison Symphony Orchestra as principal tubist in 2013. He also holds the principal tuba chair with the Kenosha Symphony and regularly performs with the new Chicago Composers Orchestra. Biere has also performed at the Grant Park Music Festival (Chicago), and with the St. Paul Chamber Orchestra. An established chamber musician, Biere is also a highly sought-after clinician and teacher, maintaining a studio of well over 35 tuba and euphonium students.
CONCERT AND TICKET DETAILS
The lobby opens 90 minutes prior to each concert. One hour before each performance, maestro John DeMain will lead a 30-minute Prelude Discussion in Overture Hall to enhance concertgoers’ understanding and listening experience. It is free to ticketholders.
The MSO recommends concert attendees arrive early for each performance to make sure they have time to pass through Overture Center’s security stations, and so they can experience the Prelude Discussion.
Single Tickets are $18-$93 each and are on sale now at: http://madisonsymphony.org/orchestral through the Overture Center Box Office at 201 State Street, or by calling the Box Office at (608) 258-4141. Fees apply to online/phone sales.
Student rush tickets can be purchased in person on the day of the concert at the Overture Center Box Office at 201 State Street. Students must show a valid student ID and can receive up to two $15 or $20 tickets. More information is at: https://www.madisonsymphony.org/studentrush
Seniors age 62 and up receive 20% savings on advance and day-of-concert ticket purchases in select areas of the hall.
Flex-ticket booklets of 10 vouchers for 18-19 symphony subscription concerts are available. Learn more at: https://madisonsymphony.org/flex
Discounted seats are subject to availability, and discounts may not be combined.
Presenting sponsorship provided by the Kelly Family Foundation. Major funding provided by Madison Magazine, Louise and Ernest Borden, Scott and Janet Cabot, and Elaine and Nicholas Mischler. Additional funding provided by von Briesen & Roper, S.C., and the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts (NEA).
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By Jacob Stockinger
The Ear has received the following announcement for a concert that sounds in keeping with the spirit of Halloween:
The Chicago Gargoyle Brass and Organ Ensemble (below, in a photo by Thomas Mohr) will lead listeners on aural adventures through space, time and fantasy at its “Imaginary Journeys” concert TONIGHT, Oct. 27.
The concert is FREE and open to the public, and will take place at 7 p.m. at Good Shepherd Lutheran Church, 5701 Raymond Road, in Madison.
The professional ensemble of brass quintet and pipe organ, with percussion, will perform the Madison premieres of new works and arrangements it recently commissioned for its novel array of instruments.
The concert’s namesake work, “Imaginary Journeys,” was written for the ensemble by Chicago-area composer Mark Lathan. It takes listeners on a rocket-powered interstellar adventure, inspired by recent astronomical discoveries.
“For this piece,” Lathan says, “I wanted to bring in some drama, somewhat in the manner of a film score.” Lathan earned a doctorate in music from the University of California at Los Angeles, where he received the Henry Mancini Award in Film Composition and studied film scoring with Jerry Goldsmith.
Another Madison premiere is Craig Garner’s brass-and-organ arrangement of Igor Stravinsky’s ever-popular Suite from “The Firebird,” a ballet based on Russian fairy tales. “The audience will hear an all-time favorite orchestral work like it’s never been heard before,” says Rodney Holmes, founder and artistic director of the Chicago Gargoyle Brass and Organ Ensemble.
Concertgoers will also hear the first local performances of “Short Fuse” for brass, organ and percussion by Chris Reyman (below), a jazz performance specialist teaching at the University of Texas at El Paso. Holmes says, “This piece shows off a very different face of what a pipe organ and brass can do.”
Other first hearings include Garner’s two-part instrumental suite from English Baroque composer Henry Purcell’s “Come Ye Sons of Art.”
The concert’s journey into the Baroque era includes brass and organ arrangements of movements from Johann Sebastian Bach’s chorale cantata “Ein feste Burg ist unser Gott” (A Mighty Fortress Is Our God), BWV 80.
The concert’s imaginative works include “Earthscape” by David Marlatt (below, and heard in the YouTube video at the bottom) as well as pipe-organ versions of “Clair de lune” (Moonlight) by Claude Debussy and Louis Vierne.
Performers will include Madison-based organist Jared Stellmacher (below), an award-winning musician heard on the Chicago Gargoyle Brass and Organ Ensemble’s critically acclaimed 2015 debut CD “Flourishes, Tales and Symphonies.” He holds a master’s degree in music from Yale University.
Gargoyle ensemble players are trumpeters Lev Garbar and Andrew Hunter, horn player Amy Krueger, trombonist Ian Fitzwater, tuba player Jason Lyons, and percussionist Logan Fox. Conductor will be Jakob Noestvik.
About the Chicago Gargoyle Brass and Organ Ensemble
“The Chicago Gargoyle Brass and Organ Ensemble plays with warmth, elegance, and panache,” said U.S. music magazine Fanfare in a review of the ensemble’s debut CD. “[They] are perfect companions for the music lover in need of calming nourishment.”
The group takes its whimsical name from the stone figures atop gothic buildings at the University of the Chicago, where the now-professional ensemble got its start in 1992 as a brass quintet of faculty and students.
Under its founder and artistic director Rodney Holmes, it has evolved over the decades into an independent organization of classically trained musicians that focuses on commissioning and performing groundbreaking new works and arrangements for brass and pipe organ. More information can be found at gargoylebrass.com.
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By Jacob Stockinger
TONIGHT, Tuesday, Oct. 23
At 7:30 p.m. in Overture Hall, Paul Jacobs (below) will perform an all-Bach program. Jacobs, who is the only organist to have won a Grammy Award, is the chair of the organ department at the Juilliard school in New York City and was the teacher and mentor of Greg Zelek, who is the new organist for the Madison Symphony Orchestra.
Heralded as “one of the major musicians of our time” by Alex Ross of The New Yorker and as “America’s leading organ performer” by The Economist, the internationally celebrated Jacobs combines a probing intellect and extraordinary technical mastery with an unusually large repertoire, both old and new. He has performed to great critical acclaim on five continents and in each of the 50 United States.
Jacobs made musical history at age 23 when he played Bach’s complete organ works in an 18-hour marathon performance on the 250th anniversary of the composer’s death. (You can hear Jacobs play Bach in the YouTube video at the bottom.) Jacobs has premiered works by Samuel Adler, Mason Bates, Michael Daugherty, Wayne Oquin, Stephen Paulus, Christopher Theofanidis and Christopher Rouse, among others.
During the 2018-19 season, Jacobs will perform the world premiere of John Harbison’s “What Do We Make of Bach?” for organ and orchestra with the Minnesota Orchestra under conductor Osmo Vanska; with the Cleveland Orchestra he will give the American premiere of Austrian composer Bernd Richard Deutsch’s “Okeanos” for organ and orchestra.
At 7:30 p.m. in Mills Hall, the UW Concert Band will perform a FREE concert of music by Leonard Bernstein (excerpts from “Candide”), Vincent Persichetti, Percy Grainger, Mark Markowski and Steven Bryant.
At 7:30 p.m. in Mills Hall, the Wisconsin Brass Quintet and special guest UW percussionist Anthony DiSanza (below, in a photo by Katherine Esposito) will perform a ticketed concert of genre-bending music by Michael Tilson Thomas, Pat Metheny, Modest Mussorgsky, Alan Ferber, James Parker and David Sanford.
Admission is $17 for adults, $7 for students and children.
For more information about the performers, the program and how to purchase tickets, go to:
Members of the Wisconsin Brass Quintet (below, from left, in a photo by Michael R. Anderson) are: Daniel Grabois, horn; Mark Hetzler, trombone; Matthew Onstad, trumpet; Tom Curry, tuba; and Alex Noppe, trumpet.
SATURDAY, Oct. 27
At 8 p.m. in Mills Hall, the Pro Arte Quartet will perform a FREE concert.
The program features: the String Quartet in C Major, D. 46 (1813), by the young Franz Schubert; Three Rags for String Quartet (“Poltergeist” from 1971, “Graceful Ghost” from 1970, and “Incinteratorag” from 1967) by William Bolcom; and the String Quartet in E minor, Op. 44, No. 2 (1837), by Felix Mendelssohn.
Members of the Pro Arte Quartet (below, from left, in a photo by Rick Langer, are: David Perry and Suzanne Beia, violins; Sally Chisholm, viola; and Parry Karp, cello.)
On Thursday night at 7:30 p.m. in Morphy Recital Hall, UW tuba professor Tom Curry (below top) will give a FREE faculty recital that features two world premieres, including a new work by Curry.
Joining Curry is UW alumnus Brett Keating (below bottom), who plays the euphonium, uses electronic music and also composes. A world premiere of a new work by Keating will be featured.
Here is a link to the full program of original works:
On Friday night at 8 p.m. in Mills Hall, the Wingra Wind Quintet will perform a FREE concert.
Members of the quartet (below, from left, in a photo by Katrin Talbot) are Marc Vallon bassoon; Timothy Hagen, flute; Alicia Lee, clarinet; Aaron Hill, oboe; and Joanna Schulz, horn.
Sorry, but no word on specific composers or works on the program. But here is a link to the official listing, where they may yet be posted before the concert: