The Well-Tempered Ear

Classical music: This afternoon is your last chance to hear rave-winning performances by pianist Joyce Yang and the Madison Symphony Orchestra. Here’s a review to read

November 10, 2019
5 Comments

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By Jacob Stockinger

This afternoon — Sunday, Nov. 10 — at 2:30 p.m. in Overture Hall is your last chance to hear South Korean pianist Joyce Yang and the Madison Symphony Orchestra (below, in a photo by Peter Rodgers) under the baton of music director John DeMain.

The program features the exciting, popular and beautiful Piano Concerto No. 3 by the Russian modernist composer Sergei Prokofiev as well as “Newly Drawn Sky” by contemporary American composer and Yale School of Music professor Aaron Jay Kernis (below) and the Symphony No. 2 by the German Romantic master Robert Schumann.

For more information about the performers, the program and tickets, go to: https://welltempered.wordpress.com/2019/11/04/classical-music-this-weekend-prize-winning-pianist-joyce-yang-solos-in-prokofievs-most-popular-piano-concerto-with-the-madison-symphony-orchestra-works-by-schumann-and-aaron-jay-kernis-are/

The prize-winning Yang (below), who  at 19 won the silver medal at the 2005 Van Cliburn International Piano Competition, rewarded a standing ovation with the late Earl Wild’s virtuosic arrangement of George Gershwin’s song “The Man I Love,” which you can hear Yang play in the YouTube video at the bottom.

The reviews that have appeared so far agreed: It is a rave-winning concert with special attention going to Yang, who is making her MSO debut after performing a solo recital several years ago at the Wisconsin Union Theater.

The Ear cannot find a link to the rave review by Bill Wineke for Channel 3000.

But here is the rapturous review that Michael Muckian wrote for Isthmus:

https://isthmus.com/music/joyce-yang-triumphs-with-prokofiev/

But you be the critic.

What did you think of Joyce Yang and the MSO?

The Ear wants to hear.

 


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Classical music: This weekend, prize-winning pianist Joyce Yang solos in Prokofiev’s most popular piano concerto with the Madison Symphony Orchestra. Works by Schumann and Aaron Jay Kernis round out the program

November 4, 2019
1 Comment

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By Jacob Stockinger

This weekend, prize-winning pianist Joyce Yang (below) will return to Madison to join the Madison Symphony Orchestra in her local concerto debut and perform Prokofiev’s brilliant, bravura and tuneful Piano Concerto No. 3 in C major, Op. 26.

The concert opens with Kernis’ Newly Drawn Sky and concludes with Schumann’s Symphony No. 2 in C Major, Op. 61.

Performances will be held in Overture Hall, 201 State Street, on Friday night, Nov. 8, at 7:30 p.m.; on Saturday night, Nov. 9, at 8 p.m.; and Sunday afternoon, Nov. 10, at 2:30 p.m.

Tickets are $19-$95 with discounts available. See below for details.

Speaking about the program, music director and maestro John DeMain (below, in a photo by Greg Anderson) says: “November brings us another Madison Symphony debut, that of the amazing pianist Joyce Yang. She will perform the Prokofiev’s dazzling Piano Concerto No. 3, one of the great and most popular concertos, and certainly a favorite of mine.”

Adds DeMain: “I can’t wait for audiences to experience the hauntingly beautiful Newly Drawn Sky by Aaron Jay Kernis. And of the four symphonies by Robert Schumann, many regard his second as the greatest of them all.”

According to Aaron Jay Kernis (below), who has won the Pulitzer Prize and a Grammy Award and who teaches at the Yale School of Music, Newly Drawn Sky” is “a lyrical, reflective piece for orchestra, a reminiscence of the first summer night by the ocean spent with my young twins, and of the summer sky at dusk.”

The chromatically shifting three-note chords that begin in the strings and transfer to the winds are a central element in the creation of this work. The works last approximately 17 minutes and was premiered at the Ravinia Festival in 2005 by the Chicago Symphony Orchestra.

To read more about Kernis and his successful career, go to: https://en.wikipedia.org/wiki/Aaron_Jay_Kernis

Sergei Prokofiev (below) himself played the solo part at the world premiere of his Piano Concerto No. 3 on Dec. 16, 1921 in Chicago with the Chicago Symphony Orchestra. Although he started work on the composition as early as 1913, the majority of it was completed in 1921 and the piece didn’t gain popularity until 1922 when it was confirmed in the 20th-century canon. (You can hear Prokofiev play the first movement in the YouTube video at the bottom.) The Ear thinks that the work has much Russian Romanticism in it and if you like Rachmaninoff, you will probably like this Prokofiev.

Originally a composer for keyboard, Robert Schumann (below with wife Clara) began writing symphonies around the time of his marriage to his virtuoso pianist and composer wife Clara Wieck, who encouraged his compositional expansions.

The uplifting Symphony in C major was created while the composer was troubled with depression and hearing loss; a Beethovenian triumph over pessimism and despair, the creation of this symphony served as a healing process for Schumann.

ABOUT JOYCE YANG 

Blessed with “poetic and sensitive pianism” (The Washington Post) and a “wondrous sense of color” (San Francisco Classical Voice), Grammy-nominated pianist Joyce Yang, who years ago played a recital at the Wisconsin Union Theater, captivates audiences with her virtuosity, lyricism and interpretive sensitivity.

Yang first came to international attention in 2005 when she won the silver medal at the 12th Van Cliburn International Piano Competition. The youngest contestant at 19 years old, she took home two additional awards: Best Performance of Chamber Music (with the Takacs Quartet), and Best Performance of a New Work.

In 2006 Yang (below) made her celebrated New York Philharmonic debut alongside conductor Lorin Maazel at Avery Fisher Hall in Lincoln Center along with the orchestra’s tour of Asia, making a triumphant return to her hometown of Seoul, South Korea.

CONCERT, TICKET AND EVENT DETAILS

The lobby opens 90 minutes prior to each concert.

One hour before each performance, Wisconsin Public Radio host Anders Yocom (below, in a photo by James Gill )will lead a 30-minute Prelude Discussion in Overture Hall to enhance concertgoers’ understanding and listening experience. It is free to ticket holders.

The MSO recommends concert attendees arrive early for each performance to make sure they have time to pass through Overture Center’s security stations, and so they can experience the Prelude Discussion.

Program notes for the concerts are available online: http://bit.ly/msonov19programnotes.

  • Single Tickets are $19-$95 each and are on sale now at: https://madisonsymphony.org/event/joyce-yang-plays-prokofiev/through the Overture Center Box Office at 201 State Street, or by calling the Box Office at (608) 258-4141. Fees apply to online/phone sales.
  • Groups of 10 or more can save 25% by calling the MSO office at (608) 257-3734. For more information, visit, https://www.madisonsymphony.org/groups.
  • Student rush tickets can be purchased in person on the day of the concert at the Overture Center Box Office at 201 State Street. Students must show a valid student ID and can receive up to two $15 or $20 tickets. More information is at: https://www.madisonsymphony.org/studentrush
  • Seniors age 62 and up receive 20% savings on advance and day-of-concert ticket purchases in select areas of the hall.
  • Flex-ticket booklets of 8-10 vouchers for 2019-20 symphony subscription concerts are available. Learn more at: https://madisonsymphony.org/flex
  • Subscriptions for the 2019–2020 season are available now. Learn more at: https://madisonsymphony.org/19-20

Discounted seats are subject to availability, and discounts may not be combined. 

Major funding for this concert is provided by Madison Magazine, Stephen D. Morton, National Guardian Life Insurance Company, Scott and Janet Cabot, and Peggy and Tom Pyle. Additional funding provided by Foley & Lardner LLP, Howard Kidd and Margaret Murphy, and the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts


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Classical music: Recitals of Scandinavian art songs and of tuba music are on tap at the UW this Sunday afternoon and Monday night

September 26, 2019
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By Jacob Stockinger

In the next few days, two noteworthy and free recitals, open to the public, are on tap at the University of Wisconsin-Madison’s Mead Witter School of Music.

On this Sunday afternoon Sept. 29, from 4 to 6 p.m. in Morphy Hall, mezzo-soprano Jessie Wright Martin and pianist John O’Brien (both below) – who have performed together at Carnegie Hall – will give a FREE recital of Nordic art songs. (It includes the Grieg song performed by Anne Sofie von Otter in the YouTube video at the bottom.)

Wright (below) will sing in Norwegian, Danish and Swedish.

This week, the two performed the same recital at the University of North Carolina-Chapel Hill’s School of Music. Wright spoke to the student newspaper The Daily Tar Heel.

“It started because I have Norwegian heritage and was interested in Norwegian music,” said Martin, a professor of music at Wingate University. “I thought it would be interesting to expand to Swedish and Danish music.”

Composers on the program are Edvard Grieg, Peter Heisse and Gunnar de Frumeri.

For more information about the performers and the program, go to: https://www.music.wisc.edu/event/jessica-martin-john-obrien-nordic-song-recital/


On Monday night at 7:30 p.m. in Morphy Hall, guest artist Beth Weise (below) will give a FREE tuba recital.

Unfortunately, no program is listed.

For more information about the concert and about Weise, a distinguished and very accomplished musician who did her undergraduate work at the Lawrence University Conservatory of Music in Appleton, Wisconsin, go to:

https://www.music.wisc.edu/event/beth-wiese-tuba-guest-artist-recital/


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Classical music: The Madison Symphony Orchestra is offering an unlimited, season-starting single ticket sale with 20 percent off, through this Saturday

August 28, 2019
8 Comments

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By Jacob Stockinger

For the first time ever, the Madison Symphony Orchestra (below, in a photo by Peter Rodgers) is offering a sale on tickets to the first three concerts this season.

You will get 20 percent off if you buy tickets through the Overture Center box office in person, by phone (608 258-4141) or online at https://www.overture.org/events

The discount code to say or use is FIRST3SYMPHONY.

Be forewarned: You will NOT find the ticket sale on the MSO website.

There is no limit of how many tickets you can buy, says MSO marketing director Peter Rodgers who also said the traditional holiday ticket sale, with two-tiered discount pricing, will take place as usual from Dec. 16 through Dec. 31.

The season-starting sale runs through this coming Saturday, Aug. 31. You can get discounted single tickets to the concerts on Sept. 27-29, Oct. 18-20 and Nov. 8-10 with performances on Fridays at 7:30 p.m., Saturday at 8 p.m. and Sunday afternoons at 2:30 p.m.

Ticket prices range from $19-$95, up about 2 percent from last year to keep up with inflation, Rodgers added.

Why isn’t the sale on the MSO website?

“We did it digitally and in a printed brochure that we mailed out just to try and reach out to either season subscribers or people who have already bought single tickets before and have already been to the symphony,” says Rodgers. “We just wanted to give some people a little nudge. But anyone can take advantage of the sale.”

Rodgers also said that the inaugural sale is not being held because ticket sales are slow. “Ticket sales for this season are competitive with last season’s,” he said, adding that some buyers might use the sale to get tickets as birthday gifts or for other special occasions.

Although there is no limit to the number of single tickets an individual can buy, Rodgers said that once you get to 10, you are better off going with the usual 25 percent off group rate.

MSO music director John DeMain (below, in a photo by Greg Anderson) will conduct all performances of the first three concerts.

The September concerts open the season with MSO organ soloist Greg Zelek (below) and features the Overture to the opera “Tannhauser” by Richard Wagner; the “Toccata Festiva” by Samuel Barber; the tone poem “Prelude to the Afternoon of a Faun” by Claude Debussy; and the Symphony No. 7 by Antonin Dvorak.

The October concerts feature guest violinist Rachel Barton Pine. The all-Russian and all-20th century program includes the Violin Concerto by Aram Khachaturian; the Symphony No. 9 by Dmitri Shostakovich; and the Suite from “Lieutenant Kije,” for trumpet and orchestra, by Sergei Prokofiev.

The November concerts feature guest pianist Joyce Yang. The program is the Symphony No. 2 by Robert Schumann; the Piano Concerto No. 3 by Sergei Prokofiev; and “Newly Drawn Sky” by the Pulitzer Prize-winning and Grammy Award-winning contemporary American composer Aaron Jay Kernis, who teaches at the Yale University School of Music. (You can hear “Newly Drawn Sky” in the YouTube video at the bottom.)

For more details about the three opening concerts and the entire 2019-20 season, including complete programs, go to: https://madisonsymphony.org/concerts-events/2019-2020-symphony-season-concerts/


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Classical music: On Saturday night, the UW Wind Ensemble will mark a first by performing a FREE concert that will also be live-streamed

April 6, 2018
3 Comments

By Jacob Stockinger

Something important — even pioneering or groundbreaking — will take place this on Saturday night at the University of Wisconsin-Madison’s Mead Witter School of Music.

At 7:30 p.m. in Mills Hall, the UW Wind Ensemble (below) will give a FREE concert that will also be a LIVE-STREAMED – a first for the UW-Madison.

Live-streaming of concerts by students, faculty members and guest artists is something that many music schools are now doing on a regular basis.

They include big schools like the Yale School of Music and smaller institutions like the Lawrence University Conservatory of Music in Appleton, Wis.

Streaming allows alumni and other listeners all over the world to hear the concert in real time. It can be prestigious form of outreach and a terrific tool for fundraising and recruiting students. Imagine the worldwide audience for, say, the Pro Arte Quartet, which has toured to South America, Europe and Asia.

The Ear has heard several reasons why live-streaming is not yet standard practice at the UW-Madison. Those reasons include the lack of specialized staff, too little equipment, too little money, and difficulty or expense in obtaining the rights from performers and composers or publishing companies.

This time, the live streaming is being done on a paid basis by a local School of Music alumnus who has the expertise and experience. Sources at the school say that more concerts are likely to be live-streamed next season.

The program on Saturday night features the “French Suite” of Francis Poulenc; “Circuits” by Cindy McTee (below top); and the Symphony in Three Movements by the retired UW tuba professor and composer John Stevens (below bottom). You can hear the opening of the work by John Stevens, which was recorded for Naxos Records, in the YouTube video at the bottom.

The performance will be done under the batons of director Scott Teeple (below top) and two graduate student assistants: O’Shae Best (below middle) and Cole Hairston (below bottom).

For the link for streaming and more information, go to: https://www.music.wisc.edu/event/wind-ensemble-3/


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