ALERT: Tonight’s concert of African-American spirituals and songs has been CANCELLED because guest scholar and singer Emery Stephens is ill. The UW-Madison School of Music hopes to reschedule the event later this spring.
By Jacob Stockinger
Guess who turns 332 on March 21?
This coming Saturday will bring a 12-hour, noon to midnight, marathon party for the Birthday Boy – Johann Sebastian Bach (1685-1750, seen below in a humorous poster for a similar event held several years ago).
The local event – now part of the nationwide “Early Music Month” — is being revived, thanks to Madison violist Marika Fischer Hoyt (below), who performs with the Madison Bach Musicians, the Ancora String Quartet and the Madison Symphony Orchestra, and to many sponsors.
The party will take place at St. Andrew’s Episcopal Church (below) on Regent Street. (Several years ago, the event, when it was sponsored by Wisconsin Public Radio, was held at the Pres House.) There will be live audio-visual streaming and free wi-fi, and the event will be recorded.
Here is a link to the updated schedule of performances:
Here is a link to an earlier post about the upcoming event:
If you love the music of Bach (below) – and The Ear doesn’t know anyone who is into classical music who doesn’t revere Bach — there will be a lot to love and to listen to at this FREE and OPEN TO THE PUBLIC celebration.
The event is modeled after a longtime similar event in New Orleans and those who attend it can come and go and come back again.
Local performers include groups and individuals who are professionals (Madison Bach Musicians and Wisconsin Chamber Choir), amateurs and students (Suzuki Strings of Madison).
The impressive program includes lots of variety.
There will be preludes and fugues.
Cantatas and concertos.
Sonatas and suites.
Obscure works will be performed.
But there will also be popular works such as two Brandenburg Concertos (Nos. 3 and 5), The Well-Tempered Clavier (Books I and II), the Magnificat, a Violin Concerto, “Jesu, Joy of Man’s Desiring” and some of The Art of Fugue. (You can hear Fugue No. 1 from “The Art of Fugue,” which will be performed at BATC, in the YouTube video at the bottom.)
There will be music played on period instruments and on modern instruments, including the harpsichord and the piano; the baroque violin and the modern violin; older recorders and newer flutes, the viola da gamba and the cello. And of course there will be lots and lots of singing and organ music.
Given such a marathon undertaking, you should know that there will be refreshments (coffee, tea, bottled water and snacks), comfortable seating and special birthday cakes — served at midnight — provided by Clausen’s Eurpean Bakery in Middleton.
NOTE: You can find out more when several organizers and performers from Bach Around the Clock are Norman Gilliland’s guests on Wisconsin Public Radio’s “The Midday” this coming Thursday from noon to 12:30 p.m.
For more information –including how to support the event with a donation and how to participate in it as a performer – go to the event’s homepage:
Here are some links to previous posts on this blog about attending earlier versions of Bach Around the Clock. Read them and look at the pictures, and you will see how enjoyable they are and how informative they are.
See you there!
By Jacob Stockinger
Here is a special posting, a review written by frequent guest critic and writer for this blog, John W. Barker, who also took the performance photos. Barker (below) is an emeritus professor of Medieval history at the University of Wisconsin-Madison. He also is a well-known classical music critic who writes for Isthmus and the American Record Guide, and who for 12 years hosted an early music show every other Sunday morning on WORT FM 89.9 FM. He serves on the Board of Advisors for the Madison Early Music Festival and frequently gives pre-concert lectures in Madison.
By John W. Barker
Eliza’s Toyes (below top), the consort of voices and instruments devoted to early music, is led by the formidably talented Jerry Hui. The group gave another of its imaginative programs, this time on Friday night at the Wisconsin Institutes for Discovery (below bottom).
The theme and title of this program was “Music: The Miracle Medicine.” Offered were 15 selections, conveying various ideas or beliefs about health (both physical and spiritual), illness, medicine, miracle cures and good living.
Each selection was preceded by the reading of passages from moral and medical texts of various periods. (I wonder if today’s medical and health-advice writings will sound as comical generations from now as do those of the past to us!)
Fifteen composers were represented in the course of the program, from Medieval through Baroque: Hildegard von Bingen (below top, 1098-1179), Alfonso El Sabio (1221-1284), Thomas Tallis (1505-1585), Cipriano da Rore (1516-1565),Hubert Waelrant (1515-1595), Orlando di Lassus (1532-1594), William Byrd (1540-1623), Lelio Bertani (1553-1612), John Wilbye (1574-1638), Gabriel Bataille (1575-1630), Melchior Franck (1579-1639), John Maynard (15??-16??), Anonymous 17th-Century (2 items), Marin Marais (1656-1728) and John Eccles (1668-1735).
The selections were mostly vocal, either solo or ensemble. One instrumental selection stood out as probably the one most likely to be familiar: Marin Marais’ excruciatingly detailed “Representation of the Operation for Gallstone” (below top is Marais, below bottom is the introduction to his work) — complete with narrative headings for each section. (You can hear the narration and the music to the unusual piece in a YouTube video at the bottom.)
The performances were earnest and often accomplished. But it must be said in honesty that, in motets and madrigals, the vocal ensemble was not balanced or smooth — the singers clearly need to live with this kind of musical writing somewhat longer. Still, the overall effect was certainly entertaining and thematically fascinating.
There were no printed programs, but the titles and text translations were projected on a background screen. These projections were fully visible and readable, so they worked well.
This is a program that will be offered again, I understand, at the Chazen Museum of Art on July 15, so that it can be caught and savored once more.
Above all, it is one more tribute to the thoughtful, deeply researched and intriguing program skills of Jerry Hui (below).