The Well-Tempered Ear
UW-Madison alumna Kathryn Lounsbery gives a FREE virtual online talk this Tuesday night about how musicians can develop and market new skills during COVID
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By Jacob Stockinger
It is no secret that the coronavirus and COVID-19 pandemic have been especially hard on gig workers and artists worldwide – hurting musicians financially and professionally as well as psychologically and artistically.
But this Tuesday night, Nov. 10, from 7 to 8:30 p.m. UW-Madison alumna Kathryn Lounsbery (below) will give a FREE virtual and interactive talk about developing marketable skills that can help carry musicians through the pandemic and beyond.
There is no in-person attendance. But here is a link to the live-streaming session of YouTube video: https://youtu.be/me1tC0LfEVU
Here is more information from the Mead Witter School of Music:
“Pure talent does not always equal a paycheck. Now, more than ever, musicians need to be savvy and employ out-of-the-box thinking with regards to their careers.
“Kathryn Lounsbery — a graduate of the UW-Madison School of Music — has taken her two classical piano degrees and crafted a life in music that includes teaching, performing, comedy, workshops, music-directing, cabaret and more.
“In this interactive session, she will pass on ways in which musicians can craft creative and rewarding careers for themselves, all while making a living.
“Lounsbery is a Los Angeles-based pianist, vocal coach, educator, comedian, music director, composer, arranger and educator. She holds a Master’s degree from the University of Southern California (2004) and a Bachelor of Music degree from the University of Wisconsin-Madison (2000).
“She has served on the faculty of The American Musical and Dramatic Academy (AMDA) for a decade. Many of her former students are currently on Broadway and have been in feature films and television shows. Prior to her tenure at AMDA, she was on the faculty at Sonoma State University.
“Lounsbery is endorsed by Roland Pianos and frequently gives concerts and clinics on their behalf across the U.S. and abroad.
“For seven years, she served as a Keyboard Editor at Alfred Music Publishing, the world’s largest educational music publisher.
“Lounsbery has worked alongside entertainment industry greats including David Foster, Jim Brickman, Evan Rachel Wood, Travis Barker, Kathy Najimy, Charlotte Rae, Laura Benanti and Aubrey Plaza to name a few. She has been a music coach for HBO, Showtime and ABC series.
“As a comedian, Kathryn was featured on NBC’s “Last Comic Standing” and has appeared at The Laugh Factory and The Improv, and has headlined at The World Famous Comedy Store. Her musical improv skills lead her to hold the position of music director at the famed Second City in Chicago for several years.
“Lounsbery is the creator and director of “Authenticity and Bad-Assery,” a popular performance-based workshop in Los Angeles. There is currently a waitlist to participate.
“She has toured the country with her solo show “Kathryn Lounsbery Presents Kathryn Lounsbery.” Her comedy videos have garnered millions of views and have been shown at film festivals around the world. (You can see a comedy beefcake video based on Beethoven’s “Pathetique” piano sonata in the YouTube video at the bottom.)
“She is also the music arranger on “The Potters” an animated feature to be released through Lionsgate in 2021.”
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The Well-Tempered Ear 
New York Times critics choose 10 online classical music concerts to stream in February, starting this Thursday
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PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
As they have done for previous months during the coronavirus pandemic, the classical music critics for The New York Times have named their top 10 choices of online concerts to stream in February, which is also Black History Month, starting this Thursday, Feb. 4.
Also predictably, they focus on new music – including a world premiere — new conductors and new composers, although “new” doesn’t necessarily mean young in this context.
For example, the conductor Fabio Luisi (below) is well known to fans of Richard Wagner and the Metropolitan Opera. But he is new to the degree that just last season he became the new conductor of Dallas Symphony Orchestra and its digital concert series.
Similarly, the Finnish composer Magnus Lindberg (below top, in a photo by Saara Vuorjoki) and the American composer Caroline Shaw (below bottom, in a photo by Kait Moreno), who has won a Pulitzer Prize, have both developed reputations for reliable originality.
But chances are good that you have not yet heard of the young avant-garde cellist Mariel Roberts (below top) or the conductor Jonathon Heyward (below bottom).
Nor, The Ear suspects, have you probably heard the names and music of composers Angélica Negrón (below top), who uses found sounds and Tyshawn Sorey (below bottom). (You can sample Negrón’s unusual music in the YouTube video at the bottom.)
Of course, you will also find offerings by well-known figures such as the Berlin Philharmonic and its Kurt Weill festival; conductor Alan Gilbert; pianists Daniil Trifonov and Steven Osborne; violinist Leonidas Kavakos; and the JACK Quartet.
Tried-and-true composers are also featured, including music by Beethoven, Schnittke, Weber, Ravel and Prokofiev. But where are Bach, Vivaldi, Telemann and Handel? No one seems to like Baroque music.
Here is a link to the events with links and descriptions. All times are Eastern: https://www.nytimes.com/2021/01/28/arts/music/classical-music-streaming.html
Do you have other virtual and online concerts to suggest? Please leave details in the Comment sections.
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