The Well-Tempered Ear

Classical music: Local composer and UW-Madison alumnus Pat Doty talks about his Tuba Concerto, which he will premiere with the Middleton Community Orchestra on Wednesday night.

May 27, 2016
1 Comment

By Jacob Stockinger

The mostly amateur Middleton Community Orchestra (MCO, below), which has gotten better and better and rarely disappoints even in ambitious and difficult music, will wind up its fifth anniversary season this coming Wednesday night with a brass extravaganza.

Middleton Community Orchestra press photo1

The performance is at 7:30 p.m. in the modern, comfortable and spacious Middleton Performing Arts Center (below) that is attached to Middleton High School.

Middleton PAC2

Middleton PAC1

Tickets are $10; students get in for FREE.

Advance tickets are available at Willy Street Coop West. The Box office opens at 6:30 p.m. and the doors open at 7 p.m.

The program includes The “Capriccio Italienne” by Peter Tchaikovsky; the Carnival Overture by Antonin Dvorak; the Horn Concerto by Reinhold Glière with soloist Paul Litterio (below); and the world premiere of the Tuba Concerto by University of Wisconsin-Madison School of Music graduate Pat Doty, who will also be the soloist.

Paul Literrio with horn

Steve Kurr (below) will conduct.

Steve Kurr conducting

Here is a link with more information about the MCO and how to join it and support it:

http://www.middletoncommunityorchestra.org/home

Composer and tuba performer Pat Doty (below, in a photo by Steven Thompson) answered an email Q&A for The Ear:

Pat Doty Head Shot CR Steven Thompson

Can you tell us briefly about your background, including your education and performance history?

I grew up in Mount Horeb, Wisconsin. I hold a master’s degree in tuba performance from the University of Wisconsin–Madison, where I was a member of the University of Wisconsin Marching Band for four years, including three trips to the Rose Bowl.

While at the UW-Madison, I performed with the Wind Ensemble (including a performance at Carnegie Hall in New York City), Concert Band, Tuba and Euphonium Ensemble, the Middleton Community Orchestra, Low Brass Ensemble, 4BA Tuba Quartet, Madrigal Singers and the Lumberjack Brass Quintet.

My solo tuba performance credits range from solo recitals to guest appearances at schools across southern Wisconsin.

When and how did you start composing? What works have you written in the past?

I first started writing music when I was in high school and I was very interested in singer/songwriters like Elton John and Billy Joel. During my time at Mount Horeb High School, I wrote more than 500 songs, most of which never made it past the grand piano in the living room.

When I started graduate school, the tuba studio at UW-Madison was treated to a guest performance by Øystein Baadsvik, who really inspired me to start writing for tuba. I was also heavily influenced by my undergraduate professor, John Stevens (below).

john stevens with tuba 1

My catalogue now includes dozens of works for solo tuba, chamber ensembles and large ensembles. It probably comes as no surprise that I compose rather frequently for tuba quartet and brass quintet.

Additionally, I write a great deal of music for my wife Brigid, who holds a degree in vocal performance from UW-Madison, to sing with me accompanying her on the piano.(You can hear them in a YouTube video at the bottom in a song by Pat Doty.)

Pat In The Studio

How would you describe your compositional style — tonal or atonal, accessible, melodic and so forth?

My music is tonal, accessible, melodic and so forth. I jest, but I really do strive to write music that is very fun, beautiful and accessible to a wide-ranging audience.

My major influences are not famous classical composers, but rather those musicians who I listened to when I was growing up.

For example, I draw a lot from pop music and classic rock. I know that might seem like an odd connection — pop music and the tuba — but I have always fallen back on my vocal training to instruct my tuba playing, and I see no reason why the same connection shouldn’t exist in my compositions.

To put it simply, I approach writing for solo tuba (with any sort of accompaniment) in quite the same way that I approach writing a song at the piano. I always have a poem, an idea, something in mind that inspires me. For example, my tuba duet “Mendota” is based on a poem that I wrote for a pop song, but it works beautifully for an instrumental piece.

Pat Doty Playing Tuba with pianist Steven Thompson

What would you like the public to know about your new Tuba Concerto, which you will perform and premiere with the Middleton Community Orchestra?

First and foremost, my Tuba Concerto doesn’t take itself too seriously. That is a recurring theme in my music. I am very excited for the premiere with the Middleton Community Orchestra, which is sounding great by the way, and I really hope that people have as much fun and find as much joy in listening as I do playing this music.

A couple of interesting quirks to note are that there is a large, essential euphonium part in this piece, and that there is a marimba solo in the third movement. These are both things that, I think it is safe to say, are not particularly common in orchestral music.

I used a euphonium (below) and no tuba in the orchestra because I want this to be a piece that an orchestra could use to feature their own tubist if they so choose. Also, I am friends with quite a few euphonium players.

Euphonium

What else would you like to say?

First, I would like to say thank you to the Middleton Community Orchestra for premiering my Tuba Concerto. I am very much looking forward to the performance for many reasons, not the least of which is that this will be my first chance to present my compositions to a broad classical music audience.

I would also like to mention my new record label, Merp Entertainment, which I co-founded with my wife Brigid last year. Our debut CD “Dare to Entertain” has found national success, particularly on the internet streaming service Spotify, where it has amassed more than 3 million song streams to date.

For more information about this, please visit www.merpentertainment.com. For more information about me, please visit www.patdoty.com.


Classical music: Four UW-Madison concerto competition winners and a student composer will be featured in a special concert and reception this coming Sunday night at 7.

February 3, 2015
1 Comment

By Jacob Stockinger

The big event at the University of Wisconsin-Madison School of Music this week, is the “Symphony Showcase” concert on Sunday evening at 7 p.m. in Mills Hall.

The concert will spotlight the annual concerto competition winners plus a new work by a student composer.

It is a special ticketed event that includes a post-concert reception in the lobby outside Mills Hall. Tickets cost $10; students get in for free.

The competition winners (below from left to right, in a photo by Michael R. Anderson) are: Keisuke Yamamoto; Ivana Ugrcic; Jason Kutz; and Anna Whiteway.

2014 Concerto Winners

Here are brief profiles including the works they will perform and the teachers they study with:

Jason Kutz, piano, a master’s candidate studying with collaborative pianist Martha Fischer. Kutz, who also performs and composes jazz music, is a native of Kiel, Wisconsin, and studied recording technology and piano at UW-Oshkosh. He will perform “Rhapsody on a Theme of Paganini,” Op. 43, by Sergei Rachmaninoff, which contains the famous 18th Variation (which you can hear at the bottom in a popular YouTube video as performed by Arthur Rubinstein and the Chicago Symphony Orchestra under Fritz Reiner.)

Ivana Ugrcic, flute, a doctoral student and Collins Fellow studying with flutist Stephanie Jutt. A native of Serbia, Ugrcic has performed as a soloist and chamber musician all over Europe, and received her undergraduate and master’s degrees from University of Belgrade School of Music. She will perform “Fantaisie Brillante” (on Themes from Bizet’s Carmen) by Francois Borne.

Keisuke Yamamoto, violin, an undergraduate student of Pro Arte violinist David Perry, earning a double degree in music performance and microbiology. Keisuke, born in Japan but raised in Madison, received a tuition remission scholarship through UW-Madison’s Summer Music Clinic, and also won honors in Madison Symphony Orchestra’s Bolz Competition, among others. He will perform “Poème,” Op. 25 by Ernest Chausson.

Anna Whiteway, an undergraduate voice student, studying with Elizabeth Hagedorn, visiting professor of voice. Whiteway is a recipient of a Stamps Family Charitable Foundation scholarship as well as the Harker Scholarship for opera. Whiteway, who was praised in 2013 for her singing in University Opera’s production of “Ariodante” by George Frideric Handel, will star in the The Magic Flute by Wolfgang Amadeus Mozart this spring. For this night’s performance, she will sing Je veux vivre (Juliette’s Aria) by Charles Gounod.

The composition winner this year is graduate student Adam Betz (below), a Two Rivers native who wrote a work titled Obscuration. Betz received his undergraduate degree from UW-Oshkosh, where he was named Outstanding Senior Composer. He also holds a master’s degree from Butler University in Indianapolis.

Here is a link to Betz’s website:

http://adambetz.webstarts.com/about.html

adam betz

The opening work, the curtain-raiser so to speak, is advertised to be Capriccio Italienne by Peter Ilyich Tchaikovsky. But an orchestra player says it will be the Overture to the operetta “Die Fledermaus” by Johann Strauss, Jr.

The concert will also feature the UW Symphony Orchestra under chief conductor James Smith (below top) and graduate student conductor Kyle Knox (below bottom).

Smith_Jim_conduct07_3130

Kyle Knox 2

 


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