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By Jacob Stockinger
One of the major sources of music during the COVID-19 public health crisis and the coronavirus pandemic is Wisconsin Public Radio.
The Ear finds WPR a reliable source of beauty and companionship during this difficult time of self-isolation and self-quarantining required by the state’s stay-at-home and self-distancing orders.
Each host plans and broadcasts hours of classical music each day. So they hear a lot of classical music.
They also contribute to a blog that offers insights to: new and old recordings; background information about the composers, music and performers; and personal observations about classical music.
Recently, the radio hosts – including Stephanie Elkins (below), Norman Gilliland, Lori Skelton, Ruthanne Bessman, Anders Yocom (at bottom, in a photo by James Gill) and Peter Bryant — listed the music that they find particularly calming and inspiring during a difficult and anxiety-ridden time.
The names of composers include Bach, Scarlatti, Mendelssohn, Mahler, Ysaye, Vaughan-Williams and film score master John Williams.
The list includes audio-visual performances of the pieces.
Take a look and listen.
Then tell us what you think of the various suggestions and which ones you prefer?
Also leave the composers, pieces and performers that you would add to such a list, with a YouTube link if possible.
ALERT: This Saturday, from noon to 1 p.m. at Grace Episcopal Church, downtown on the Capitol Square, Madison Music Makers will give a FREE concert in the monthly Grace Presents series of music that includes works by Johann Sebastian Bach, Johann Pachelbel, Antonio Vivaldi and Ludwig van Beethoven as well as popular music, country music and American, Bolivian, French, German, Jewish, English folksongs. Founded in 2007 by Bonnie Green and sponsored by many individuals and groups, including the Madison public schools, Madison Music Makers is dedicated to giving low-income students in the Madison area high-quality music lessons.
For more information about how to support or participate in the organization, visit: www.MadisonMusicMakers.org
By Jacob Stockinger
The Wisconsin Youth Symphony Orchestras (WYSO) will present its first concert series of its 50th anniversary season, the Evelyn Steenbock Fall Concerts, on Saturday, Nov. 14, and Sunday, Nov. 15.
Nearly 400 young musicians will display their talents to the community during the three concerts, which are dedicated to private and school music teachers.
The Evelyn Steenbock Fall Concerts will be held in Mills Concert Hall in the University of Wisconsin-Madison‘s George Mosse Humanities Building, 455 North Park Street, in Madison.
WYSO concerts are generally about an hour and a half in length, providing a great orchestral concert opportunity for families.
Tickets are available at the door, $10 for adults and $5 for youth 18 and under.
WYSO’s Percussion Ensemble (below), led by director Vicki Jenks will kick off the concert series at 1:30 p.m. on Saturday.
Immediately following the Percussion Ensemble, the Philharmonia Orchestra (below) and its conductor Michelle Kaebisch will take the stage and perform the Masquerade Suiteby Aram Khachaturian; Reigger’s Rhythmic Dances; the Light Calvary Overture by Franz Von Suppe; and the Berceuse (Lullaby) and Finale from the “Firebird Suite” by Igor Stravinsky.
At 4 p.m. on Saturday, the Concert Orchestra (below) under the direction of conductor Christine Eckel will perform The Quest by Kerr, Romany Dances by DelBorgo and Slane by Douglas Wagner. The Concert Orchestra will also perform two works by John Williams in Star Wars: Episode 2 Attack of the Clones, and Harry Potter and the Deathly Hallows Part 1, which Williams co-composed with Alexandre Desplat.
Following the Concert Orchestra, WYSO’s string orchestra, Sinfonietta (below), will take the stage. Conductor Mark Leiser will lead the orchestra in seven works including the Adagio movement from the Symphony No. 2 by Sergei Rachmaninoff; Silva’s The Evil Eye and the Hideous Heart; Edward MacDowell’s Alla Tarantella;Shenandoah arranged by Erik Morales, Forever Joyful and Lullaby to the Moon by Balmages; and the Entrance of the Queen of Sheba by George Frideric Handel.
On Sunday, Nov. 15, WYSO’s Harp Ensemble (below), under the direction of Karen Atz, will open the 1:30 p.m. concert.
Following the Harp Ensemble, the Youth Orchestra (below), under the baton of WYSO music director Maestro James Smith, will perform three pieces.
In honor of WYSO’s 50th Anniversary, WYSO welcomes back one of their illustrious alumni, violist Vicki Powell (below). Powell began her vibrant musical career studying with UW-Madison faculty members Eugene Purdue and Sally Chisholm, who plays with the Pro Arte Quartet.
Vicki Powell, along with the Youth Orchestra will perform the Concerto for Viola and Orchestra by Bela Bartok. (You can hear the rhapsodic slow first movement played by Yuri Bashmet and the Berlin Philharmonic in a YouTube video at the bottom.)
Following that performance, the Youth Orchestra will continue the concert with Rainbow Body by Theofanidis and the Symphony No. 9 by Dmitri Shostakovich.
This project is supported by Dane Arts with additional funds from the Evjue Foundation, Inc. charitable arm of The Capital Times. This project is also supported in part by a grant from the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts.
“A young violinist I know heard a brass quintet perform last spring at the UW-Madison School of Music, and afterwards she said to me: ‘I had no idea this music is so beautiful.’
“She’s not alone. Most people don’t know. They associate brass with marching bands, or with obnoxious loud horns. And occasionally they notice a high trumpet solo in an orchestra concert (and don’t actually see the trumpeter as she or he is seated so far in back).
“But there’s much, much more. Think of the beauty of strings, with its complex interweavings of melodies and lushness of sound, but applied to trumpets, trombones, “French” horns and the tuba.
And then there are the works that are dramatic and insistent, such as “Quidditch,” written by John Williams (below) for the Harry Potter movie.
That is what the UW is offering during its weeklong Brass Festival — “Celebrate Brass” — the first in 32 years at the School of Music and organized by John Aley (below, in a photo by Katrin Talbot), professor and principal trumpet with the Madison Symphony Orchestra as well as a member of the Wisconsin Brass Quintet.
This event will even bookend John’s tenure here at the School of Music, as he helped organize the first brass festival 32 years ago.
The main concert, called “Brass Alchemy,” on next Saturday, Oct. 11, will present a varied program of lyrical music that is just as much a part of the classical repertory as anything else.
“And the visiting performers are tops in their fields.
One is Oystein Baadsvik (below) an iconoclastic virtuoso tubist from Norway. Two are UW-Madison women alumna horn players. Another is a top composer and trumpeter.
“The two brass quintets – including the Western Brass Quintet (below top) from Michigan and Wisconsin Brass Quintet (below bottom in a photo by Megan Aley) at the UW-Madison School of Music — are frequent commissioners of new works, essential if one is to continue the growth and development of classical music. (The Western Brass Quintet will feature a new work by American composer Pierre Jalbert whose “Howl” Clarinet Quintet scored such a success in its world premiere by the Pro Arte Quartet last Friday night. Below is a link to The Ear’s rave review of the Jalbert work.)
“The School of Music is ticketing this main concert only — a departure from the recent past but long overdue, one that will be followed during the year for selected other concerts. Money raised will be put toward the many needs of the UW-Madison School of Music, which is another topic in itself.
“All the rest of the week’s events — master classes, colloquia and several other concerts — are FREE and open to the public.
“One hopes that these performances and educational festivals this year can be continued into the future, as they offer so much more than a stand-alone guest artist.
“One can also hope that listeners will discover an angle that is particularly interesting to them –whether it’s a solo tuba work called “Fnugg” (seriously) or the grace of a choral work performed by soaring brass.
“Here are a few links that illustrate the program for that night’s concert:”
And here is one to Wisconsin Public Radio’s recent session of “The Midday” with host Norman Gilliland and guest UW-Madison trumpeter John Aley. It has lots of good commentary and great samples of brass music: