ALERT 1: This week’s FREE Friday Noon Musicale at the meeting house of the First Unitarian Society of Madison, 900 University Bay Drive, features Sarah Gillespie, French horn, and Susan Gaeddert, piano, in music by women composers: Fanny Hansel, Clara Schumann, Kay Gardner and Andrea Clearfield. The concert runs from 12:15 to 1 p.m.
ALERT 2: The Hunt Quartet, made up of UW-Madison graduate students, will perform a FREE concert at the Beth Israel Center, 1406 Mound Street, on Thursday night at 7:30 p.m.
The program includes the String Quartet No. 2 by Sergei Prokofiev, the String Quartet in G Major Op. 77, No. 1, by Franz Joseph Haydn, the “Langsamer Satz” (Slow Movement) by Anton Webern.
The string quartet is a joint community outreach project of the University of Wisconsin-Madison School of Music and the Madison Symphony Orchestra, and is funded by Kato Perlman. It plays at many local schools. For more information, visit: http://www.music.wisc.edu/event/hunt-quartet/
By Jacob Stockinger
The Ear has been asked to post the following information:
It’s the 20th anniversary of Madison Area Concert Handbells (MACH) and we’re celebrating!
Our Bells of Christmas concerts will feature some best-loved pieces from the past along with exciting new ones that will showcase our ringers’ and soloists’ talents. MACH’s founder and Director Emerita, Susan Udell (below, front center with baton), will be conducting the December concerts to bring an air of fun-filled nostalgia and continuing excellence to our programs.
Performances are on Friday, Dec. 9 at 7:30 p.m. and Saturday, Dec. 10, at 7:30 p.m. in the Middleton Performing Arts Center (bel0w), 2100 Bristol Street, Middleton. The center adjoins Middleton High School.
There is another performance on Sunday, Dec. 11, at 3 p.m. at St. Stephen’s Lutheran Church, 5700 Pheasant Hill Road, in Monona.
Tickets in advance are $12 for adults and $9 for students 16 and under; and $9 for seniors; at the door, tickets are $15 and $12 respectively.
Advance tickets are available at Cool Beans Coffee Café, Ward-Brodt Music, Metcalfe’s Market at Hilldale, and Orange Tree Imports.
Advance tickets can also be ordered. Go to http://www.madisonhandbells.org
To pay with check or money order, you can order by mail — please print an order form and mail with payment to MACH. Advance ticket prices apply.
Group tickets (10 or more) can be ordered in advance for $10 per person, whether adult, student or senior. These are not available at the door; to order, please print an order form and mail with payment (check or money order)
Here are program notes written by Susan Udell:
“The Bells of Christmas” opens with the timely reminder that Christmas is Coming before an array of pieces that unfold the events of Christ’s birth. “Wake, Awake,” a stirring arrangement of Philipp Nicolai’s “Wachet Auf,” is replete with giant chords, flowing passages, and the resonance of bass chimes as the city of Jerusalem is made aware of the Savior’s importance.
Next, an arrangement of the 17th century French tune “Picardy,” “Let All Mortal Flesh Keep Silence,” features mysterious random ringing of bells and hand chimes while the melody is intoned. This evolves into a burst of fiery 16th-note passages and a maestoso statement of the tune before subsiding into the sound of silence punctuated by random chimes once more.
A lively Caribbean tune, “The Virgin Mary Had a Baby Boy,” arranged by one of the handbell world’s top composers and arrangers, Hart Morris, gives a change of pace with its syncopation and moments of percussive instruments.
The noted English composer John Rutter’s “Angels’ Carol” follows, sung by our favorite guest vocalist from the past, Carrie Ingebritsen, and our own Rachel Bain; their voices blend beautifully with a liquid handbell accompaniment to give the angels’ message from that long-ago night.
Another favorite soloist, Barbara Roberts, takes the leading part in an excerpt from Benedetto Marcello’s sonata for flute that has been combined in a Gigue with “Forest Green”, an alternate tune for “O Little Town of Bethlehem.” A bell tree duet of “Bring a Torch, Jeanette, Isabella” follows, played by MACH members Caitlin Ristow and Karen Paschke.
Then it’s time for an audience sing-along in Christmas Carol Fest III. “How Great Our Joy” closes the first half of the concert with variations on the carol “While By My Sheep” and then another opportunity for the audience to sing as “Joy to the World” affirms the events that occurred in Bethlehem so long ago.
After a brief intermission, renowned handbell composer Cynthia Dobrinski‘s arrangement of “I Heard the Bells on Christmas Day” brings sobering and dramatic music that climaxes in a joyful affirmation that, despite all, God will prevail. Carrie Ingebritsen will help illuminate what the music portrays as she sings the verses accompanied by the bells. (You can hear a sample of Cynthia Dobrinski’s music for handbells in the YouTube video at the bottom.)
An energetic “Comfort, Comfort Ye My People” follows, based on tunes by Louis Bourgeois and George Frideric Handel, also arranged by Cynthia Dobrinski. Next, her arrangement of “On Christmas Night All Children Sing” (Sussex Carol) brings us to a light-hearted celebration of the holiday as seen through the eyes of children.
Peter Ilych Tchaikovsky’s famed “Nutcracker Suite” is then represented as our MACH ringers present a challenging, full-bodied arrangement of its March as transcribed by noted handbell composer William Griffin.
Former MACH member, Janet Rutkowski, returns as handbell soloist for “The Tin Soldier,” an amusing rendition of that well-known tune. Then the ever-popular “Up on the Housetop” details the gifts children anticipate at Christmas and depicts Santa’s arrival, descent of the chimney, and filling of stockings before he departs in a flash of sound.
Our concert concludes with a joyful, foot-stomping “Caroler’s Hoedown,” created and arranged by Valerie Stephenson, who received her graduate degree in composition from the University of Wisconsin-Madison many years ago.
We hope you will join our 20th year’s celebration by attending one of our concerts. We will recognize past ringers and Board of Directors members in our programs as a special tribute of thanks for their support over the years.
By Jacob Stockinger
Beer-inspired classical music may seem a stretch at first.
But then you haven’t heard the Madison-based wind quintet Black Marigold.
And there is a historical precedent or two, including the “Coffee Cantata” by Johann Sebastian Bach and Classical Revolution Madison, which performs classic music in unusual venues such as cafes, coffee houses and bars.
In any case, Black Marigold (below) performed some of Beer Music in brew pubs and a church at the end of August.
The concert, which used to be carried live by Wisconsin Public Radio but was discontinued, is FREE at 12:30 p.m. in Brittingham Gallery No. 3 (below).
It will also be streamed live at this site:
Here are more details about the dates, venues and programs:
Music on Tap: 2016 Summer Concert Series
Upcoming Black Marigold Concerts:
All performances offer FREE admission, with free will donations accepted.
As many Madisonians geared up for this past week’s Great Taste of the Midwest, the region’s largest craft beer festival, Black Marigold logged time in the rehearsal hall instead of the beer hall, fermenting new music for the group’s end-of-summer concert series.
All September programs will feature selections from Beer Music, an epic collection of short pieces inspired by 18 local craft beers, composed by Brian DuFord for Black Marigold.
Here are details of individual programs:
Summer Concert Series
Sunday, September 4, 12:30 p.m., Sunday Afternoon Live at the Chazen (live stream link)
Thursday, September 15, 7 p.m., Stoughton Public Library
Pub Concerts: relax and enjoy a pint with your performance!
Saturday, September 10, 3 pm, The Malt House (below bottom)
Beer Music was made possible by a grant from Dane Arts and individual donations from many friends.
For more information, visit: www.blackmarigold.com
To contact the group, use this email address:
By Jacob Stockinger
The Ear is passing along the following announcement in time for you to mark your datebook and make plans:
For the 2016 summer season, the Rural Musicians Forum welcomes audiences to Taliesin, the historic estate of Frank Lloyd Wright, near Spring Green, and to the Wright-designed Wyoming Valley Cultural Arts Center.
In commenting on the venues for the series, RMF’s artistic director Kent Mayfield (below) said: “RMF is honored to work in close collaboration with Taliesin Preservation Inc. to host much of this year’s series at the Taliesin’s Hillside School Theater.
The Hillside Theater (below) provides a dramatic but intimate setting for performances totally consistent with Frank Lloyd Wright’s vision: imaginative, bold and beautiful. And, for its part, the Wyoming Valley Cultural Arts Center underscores the sustained vitality of that vision.”
Madison’s acclaimed harpsichordist, fortepianist, pianist and founder of the Madison Bach Musicians, Trevor Stephenson (below top) opens the 2016 season on June 13 with mezzo-soprano Margaret Fox (below bottom).
Violinist Alexander Ayers (below) follows on June 27. Ayers, earlier a player in the Madison Symphony and now a member of the Milwaukee Symphony Orchestra, has been widely praised for his shimmering virtuosity and technical precision. (You can hear him perform the virtuosic Caprice No. 11 for solo violin by Niccolo Paganini in the YouTube video at the bottom.)
July 11 brings on the memorable trio of Dan Barker (piano), Rob Shepherd (saxophone) and Cleo Ware (vocals) for an evening of glorious, nostalgic music by George Gershwin (below).
Clocks in Motion (below) brings its adventurous and absolutely contemporary percussion repertoire to Taliesin on July 25.
That will be followed on Aug. 8, by a showcase of captivating new music by the Madison-based wind quintet, Black Marigold (below).
The season closes with RMF’s annual “Music in the Fields,” on Sunday, Aug. 21. The Stellanovas’ evening of café jazz promises equal parts Hawaiian luau, Parisian wedding and mellow summer pleasure on the lawn at the Wyoming Valley Cultural Arts Center. The center is located at 6306 State Highway 23. (This event is ticketed.)
Now in its 35th season, RMF continues to provide all members of the community an opportunity to enjoy live music featuring a wide range of styles and combinations of music with performers of extraordinary ability.
Performances begin at 7:30 p.m. There is no ticket charge for concerts at Hillside Theater, but a freewill offering to support the series is taken. Given the unique appeal of the Taliesin location, early arrival for the concerts is recommended.
NOTE: Sorry, but The Ear has received no word about specific programs an works to be performed. He also doesn’t see them listed on the website for the Rural Musicians Forum.
By Jacob Stockinger
The Ear has received the following message from Bill Rogers, the owner of The Malt House tavern on Madison’s near east side. It fits in with the national and international trend of performing classical music in non-traditional venues such as bars, cafes and coffee houses, much like what the Classical Revolution movement does here and Le Poisson Rouge does in New York City do. So The Ear thinks what Rogers says will interest both performers and listeners.
Thanks for calling and asking about classical music at The Malt House (below). I love the name of your blog!
I put up a flier in Metcalfe’s seeking musicians who’d like a place to perform. I’ve got three bookings from that flier, and I will try other locations soon.
Upcoming performances include:
Jeff Larsen (below) — Classical Guitar – TODAY, Saturday Jan. 23, 3-5 p.m.
Yahara String Quartet (below) — (classical and love songs, “pops-style”) – Saturday, Feb. 13, 3-5 p.m.
Jeff Larsen and Inna Larsen — Classical Guitar and Violin — Saturday March 12, 3-5 p.m.
Karl von Huene (below)– Solo Cello – Saturday, March 26, 3-5 p.m.
Unfortunately, there is no piano to use. And patrons seem to prefer instrumental music to vocal music.
The musicians play 2 hours, including a beer break. Alas, these are not paid gigs. They play for tips and beer. People DO tip.
I don’t play, but I’ve been a fan of classical music since high school (40 years ago). I subscribed a few years ago to the Madison Symphony Orchestra at the Overture Center, but I found the atmosphere stifling although the music was amazing. Nobody bobbed their heads, tapped their toes or fingers, nobody “air conducted.” Meh. There was no life in the room!
I’m also not likely to seek out concerts in churches either, because I like a drink while I listen.
I wanted a more vibrant and intimate experience and, as a bar owner, I happen to have a small performance space.
So … I’m looking for chamber music-style experiences for our customers, and lively feedback for performers.
Chamber music is party music. That’s what it was written for, yes? It belongs in parties, bars, etc.
I think there’s an unmet need for intimate, relaxed, classical performances. I want my bar to be the place people come for weekend classics. A lot of University of Wisconsin faculty, staff, technicians and others who live near us come here, and they seem to respond well to these shows.
The Yahara String Quartet has played at The Malt House several times before. Attendance was decent, we sold a fair number of drinks, and everyone had a great afternoon. They’ve received a few wedding bookings because people heard them here.
I’m seeking other musicians because they’re often busy with other performances, and normal family life. I can’t book them as often as I’d like. Incidentally, I found them because one of the violinists also plays fiddle for the Oak Street Ramblers, a bluegrass band playing here monthly.
About the bar: We’ve been in business almost 8 years. Isthmus Readers voted us best craft beer bar five consecutive years, Madison Magazine named us 2nd best beer bar twice, and we’ve been named one of the 10 hottest places in America to drink whiskey by Zagat. Besides a great beer and whiskey selection, we have a full bar setup, so wine, cocktails, cider and other beverages are all available.
We’re at the corner of East Washington Avenue and Milwaukee Street. Red Letter News is kitty-corner from us, and that’s the landmark people recognize when asking “where are you on East Wash?”
Bill Rogers, Owner,
The Malt House
2609 East Washington Avenue
Madison, WI 53704
ALERT: The Ear attended an outstanding choral concert Friday night. It was put on by the Madison Choral Project with singers (below) plus UW-Madison trumpeter John Aley (far right), cellist Eric Miller and UW-Madison pianist Martha Fischer, all under the direction of the legendary conductor Dale Warland. The concert “Music of Our Time” will be repeated at 2:30 p.m. on this Sunday at the First Congregational United Church of Christ, 1609 University Ave. You can park in the lot two blocks away at the UW Foundation. If you love choral music, don’t miss it.
By Jacob Stockinger
The economic and cultural thaw is gathering momentum. And just as happened with the Soviet Union, cultural exchanges are going to play a major role.
The Minnesota Orchestra made history with its recent visit to Cuba, where it gave two concerts, played a side-by-side concert with a youth orchestra, played in a cafe informally with Cuban musicians and tutored music students.
And here is The New York Times account of a more informal café get-together:
Finally, here is an account from the orchestra’s hometown Minneapolis Star-Tribune:
ALERT: The concert of chamber music by Mozart, Verdi and Puccini next Tuesday night, Feb. 25, by the Rhapsodie Quartet (below, in a photo by Greg Anderson) of the Madison Symphony Orchestra has been CANCELLED.
By Jacob Stockinger
Word reaches The Ear with an intriguing and appealing tavern concert with some outstanding music by the laudable local chapter of a national populist movement that brings classical music to non-traditional audiences in non-traditional venues such as bar, cafes and coffee houses. Many of the members and performers come from the University of Wisconsin-Madison School of Music:
“Classical Revolution Madison will be back with a jam-packed show of classical and contemporary favorites at Brocach Irish Pub (below) on the Capitol Square, 7 West Main Street) on Thursday, February 20th at 7 p.m.
From 7-8 p.m., members of CRM (below) will present a dynamic program featuring works by Brahms, Shostakovich, Haydn, and more! (See below for more information on the pieces and performers)
Then, from 8-9 p.m., we will open up the floor for anyone who wants to sight read or jam, so come with your fiddle or the sheet music of your favorite chamber work if you would like to join in on some casual music making!
We look forward to seeing you there!
Zou Zou Robidoux and Emily O’Leary
Here is the program for the Brocach appearance:
Clarinet Quintet by Johannes Brahms
Kai-Ju Ho, clarinet (below)
Thalia Coombs and Nathan Giglierano, violins
Mara Rogers, viola
Zou Zou Robidoux, cello
II. Poco adagio; cantabile
Tony Oliva and Keisuke Yamamoto, violins
Marissa Reinholz, viola
Chris Peck, cello
Excerpts from “Duo” by the 20th-century American composer Walter Piston (below)
Mara Rogers, viola
Tori Rogers, cello
Tom Leighton, tenor
Emily O’Leary, piano
III. Allegro non troppo
Thalia Coombs and Teddy Wiggins, violins
Mikko Utevsky, viola (below)
Rachel Bottner, cello