The Well-Tempered Ear
Did any composer ever capture the quiet, timeless and motionless cold of deep winter better than Debussy?
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By Jacob Stockinger
It was one of those deep subzero days of the polar vortex that we seem locked in now right now.
The Ear looked out a window.
It was a chilly scene of winter, as the American writer Ann Beattie once described it.
The Ear saw the snow piled up.
He listened to the windless quiet.
Time, like motion, seemed to stop– or at least slow down — in the severe cold.
He saw tracks in the snow.
He couldn’t say whether they came from a rabbit or a squirrel or some other critter.
But it brought to mind a piano prelude by Debussy (below) that contains a kind of frozen minimalism.
Life was once again imitating art, as Oscar Wilde once observed, remarking that “there was no fog in London until the Impressionists painted it.”
Has any piece ever captured the cold, the quiet, the feeling of time and motion slowing down or stopping as Debussy did in “Des pas dans la neige” (Tracks in the Snow)?
Especially as it was played by Arturo Benedetti Michelangeli (below) who, like Sviatoslav Richter, wasn’t afraid to risk taking a slower-than-usual tempo if it right felt right and created the appropriate atmosphere. (You can hear Michelangeli playing the Debussy prelude in the YouTube video at the bottom.)
Do you agree about the Debussy piece?
About Michelangeli’s interpretation?
Do you know of another piece that captures the Arctic cold spell we are in?
Please leave a comment and a YouTube link, if possible.
The Ear wants to hear.
Stay safe and warm.
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The Well-Tempered Ear 