The Well-Tempered Ear

Cellist Camille Thomas makes her Madison debut online from Paris for the Wisconsin Union Theater this Saturday night

November 6, 2020
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By Jacob Stockinger

The Wisconsin Union Theater’s fall virtual Concert Series performances will begin this Saturday night, Nov. 7, at 7:30 p.m. CST with a live online performance from Paris by the acclaimed cellist Camille Thomas (below).

The “Midnight in Paris” recital – performed in Paris and streamed — features music by Claude Debussy, Nadia Boulanger, Maurice Ravel and Frederic Chopin. The performance will be preceded by a live 30-40 minute online Q&A with Thomas and pianist Julien Brocal on Saturday afternoon at 2 p.m. CST.

Here are the specific works on the program, which will last about 75 minutes with no intermission:

Debussy, “Clair de Lune” (arr. Roelens)

Nadia Boulanger, “Three Pieces” for cello and piano

Ravel, Kaddish

Chopin, Cello Sonata in G Minor, Op. 65; and Introduction et Polonaise brillante, Op. 3 

Tickets for this online event are $10 for UW-Madison students, $18 for Wisconsin Union members, and $20 for all other patrons.

For more information about the Thomas’ performance – including a video and how to purchase tickets — visit union.wisc.edu/events-and-activities/event-calendar/event/camille-thomas.

Thomas (below), a Franco-Belgian cellist, says she uses her music to bring people together from a range of cultures and backgrounds. Thomas released her second album, called “Voice of Hope,” with the exclusive Deutsche Grammophon this past June. (In the YouTube video at the bottom, you can hear Thomas play a solo version from the album of Gluck’s “Dance of the Blessed Spirits” from his opera “Orfeo ed Euridice.”)

Thomas plays the Feuermann Stradivarius cello (1730, below) — named for the famous 20th-century cellist Emanuel Feuermann who played it — with a bow by Eugene Sartory, who is regarded as one of the finest bow makers in history. Joining her for this performance will be pianist Julien Brocal.

“Camille Thomas’s extraordinary talent makes her one of the most captivating artists of our time, as evidenced by being the first cellist in several decades to be signed by the major record label Deutsche Grammophon,” says Wisconsin Union Theater director Elizabeth Snodgrass. “Her ‘Midnight in Paris’ program brings us closer to her roots and reflects the beauty and charm of her personality as well as her musicality.”

The Ear has listened to some of Thomas’ performances on YouTube and finds her tone, intonation and phrasing outstanding.

The performance by Camille Thomas is the start of the fall Concert Series events, which includes a concert with pianist Jeremy Denk (below, in a photo by Hiroyuki Ito for The New York Times) on Friday, Dec. 11.

In its 101st year, the Wisconsin Union Theater’s Concert Series is one of the oldest uninterrupted series of its kind in the United States.

The Wisconsin Union Theater (WUT) has served as a cultural center for community members and visitors for more than 75 years. The WUD Performing Arts Committee plans many of the Theater’s events, including the Concert Series.

While usually held in-person and most often in Shannon Hall, the Wisconsin Union Theater team will hold this fall’s theater events in a virtual format for the health and safety of patrons, artists and team members in light of the COVID-19 pandemic. 

The team aims for all of its spaces, including online ones, to be accessible. Those that need accommodations can reach out to the Wisconsin Union Theater team at wisconsinuniontheater@union.wisc.edu

The WUT team says it continues to evaluate what changes may need to occur related to the spring Concert Series events as well as other spring Theater season performances.

The Wisconsin Union Theater has made multiple commitments to take a stand against racial injustice, including being more than allies, being activists; using the arts to create social justice; remembering students are future leaders and must be part of the change; using its voice to influence leadership and being firm in its resolve; and making space, stepping back and learning how to give up undeserved or unnecessary power and privilege.

 


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Classical music: This year’s LunART Festival in late June has been canceled and indefinitely postponed. Here are tastes of what is to come in new music commissions

April 21, 2020
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By Jacob Stockinger

The Ear has received the following announcement to post from flutist Iva Ugrcic, the founder and executive director of the national award-winning LunART Festival (below), originally slated to take place in late June in various venues around Madison.

The event promotes and advocates for women in the arts including local artists and guest artists in music, poetry, dance, visual art and stand-up comedy. (You can see aerial choreography from last year’s festival in the YouTube video at the bottom.)

Each year, the annual event also issues an international call for women composers to submit new works to be premiered during the festival.

“Like many others, we have been closely monitoring the impact that the COVID-19 pandemic is having on the world,” says Ugrcic (below), a doctoral graduate of the UW-Madison’s Mead Witter School of Music.

“In order to protect the wellbeing of our guests, artists and team members, we have made the heartbreaking but necessary decision to postpone LunART Festival 2020 until further notice.” (Below is a past performance at the First Unitarian Society of Madison.)

“Once we establish a timeline to resume our celebration, you will be the first to know. In the meantime, our incredible third season is already being planned. It will feature works by over 40 women artists and composers from across the globe.

“These are exceptionally difficult times, but this too will pass, and we will all emerge from this more united than ever. Stay safe and healthy. We cannot wait to share the love and joy of the arts with you in person again. (Below is the festival in Promenade Hall of the Overture Center.)

“Warmest regards,
“The LunART Team” (Yana Avedyan, Leslie Damaso, Satoko Hayami, Allison Jerzak, Marie Pauls and Iva Ugrcic)

Ugrcic also provided additional information:

“I am still hoping that we would be able to hold the festival this summer. However, it is really hard to say right now.

“In the meantime, I have been in contact with all four of our Call for Scores winners: Alexis Bacon (USA, below top), Patricia Lopes (Brazil), Nicole Murphy (Australia) and Rosita Piritore (Italy, below bottom).

“We are finding ways to still promote their music and excite our audience about what they are going to hear and who they are going to meet when we get back together. So here are links to YouTube and some of the interviews we did with them:

  1. Patricia  Lopes (below): https://www.youtube.com/watch?v=oAaZfD0Licc

  1. Nicole Murphy (below): https://www.youtube.com/watch?v=QoT4hg9hQSo

 


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