The Well-Tempered Ear
Classical music: This Sunday afternoon at Farley’s, pianist Shai Wosner performs sonatas by Beethoven, Schubert, Scarlatti and Rzewski. On Saturday afternoon, he gives a FREE public master class
1 Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
ALERT and CORRECTION: Earlier this week, The Ear mistakenly said the concert by UW Concert Band is Wednesday night. He apologizes for the error.
It is TONIGHT at 7:30 p.m. in the Mead Witter Foundation Concert Hall of the new Hamel Music Center, 740 University Ave. In addition, the School of Music website has updated information about the program to be played under director and conductor Corey Pompey. Go to: https://www.music.wisc.edu/event/uw-concert-band-3/
By Jacob Stockinger
This coming Sunday afternoon, one of the today’s most interesting and creative concert pianists will return to Madison to make his solo recital debut.
His name is Shai Wosner (below, in a photo by Marco Borggreve) and he is an Israeli-American who is acclaimed for his technique, his tone and his subtle interpretations.
But what also makes Wosner especially noteworthy and one of the most interesting musical artists performing today is his eclectic, thoughtful and inventive approach to programming.
For more information about Wosner, go to his home website: http://www.shaiwosner.com
Wosner returns to Madison to perform his first solo recital here at 4 p.m. this coming Sunday afternoon, Feb. 23, on the Salon Piano Series at Farley’s House of Pianos, at 6522 Seybold Road, on Madison’s far west side near West Towne Mall.
Born in Israel and now teaching in Boston while touring, Wosner will play sonatas by Beethoven, Scarlatti, Rzewski and Schubert.
He has performed with orchestras throughout the U.S. and Europe, and records for Onyx Classics. “His feel for keyboard color and voicing is wonderful,” said The Washington Post.
The Madison program is: Beethoven’s Sonata No. 15 in D Major (“Pastoral”), Op. 28; Scarlatti’s Sonata in D minor, K. 141, Allegro, with Rzewskis’ Nanosonata No. 36 (“To A Young Man”); Scarlatti’s Sonata in D minor, K. 9, Allegro, with Rzewski’s Nanosonata No. 38 (“To A Great Guy”); Scarlatti’s Sonata in C minor, K. 23, with Rzewski’s Nanosonata No. 12; and Schubert’s last Sonata in B-flat Major, D. 960.
An artist’s reception will follow the concert.
Tickets are $45 in advance (students $10) or $50 at the door. Service fees may apply. Tickets are also for sale at Farley’s House of Pianos. Call (608) 271-2626.
Student tickets can only be purchased online and are not available the day of the event.
To purchase tickets, go to: https://www.brownpapertickets.com/producer/706809
For more information about Wosner’s FREE public master class at 4:30 p.m. on Saturday, Feb. 22, including the names of local students and their teachers plus the titles of works by Mozart, Debussy and Ravel to be played, go to: https://salonpianoseries.org/concerts.html
Wosner (below) recently did an email Q&A with The Ear:
In concerts and recordings, you like to mix and intersperse or alternate composers: Brahms and Schoenberg; Haydn and Ligeti; Schubert and Missy Mazzoli; and Beethoven, Schubert, Chopin, Liszt, Dvorak, Ives and Gershwin. Why do you pair sonatas by Domenico Scarlatti (1685-1757) and the American composer Frederic Rzewski (1938-) in this program?
I like to pair together composers from very different periods in ways that, hopefully, bring out certain things they have in common in spite of the differences.
Perhaps it is a way of looking for the underlying principles that make music work, for the ideas that go beyond styles and time periods and that stimulate composers across centuries.
In the case of Scarlatti (below top) and Rzewski (below bottom), it is the extreme conciseness of their sonatas and also their almost impulsive kind of writing with ideas and twists and turns kept unpredictably spontaneous, almost in the style of stream-of-consciousness.
Their sonatas are closer to the literal meaning of the word – “a piece that is played” as opposed to sung (which was more common in Scarlatti’s time perhaps). They are also very much about treatment of the keyboard and gestural writing rather than the more essay-type sonatas that were the dominant idiom for Beethoven and Schubert.
Why did you pick these particular sonatas by Beethoven and Schubert to bookend the program?
The sonata by Beethoven (below top) is quite unusual for him, without many contrasts and very lyrical, which perhaps is a certain parallel with the Schubert sonata. (You can hear Wosner playing an excerpt from another Beethoven sonata in the YouTube video at the bottom.)
But they are also very different. Beethoven’s sonata looks around it and is about idyllic nature — the title “Pastoral” isn’t by Beethoven but it is written in that kind of style — and the sonata by Schubert (below bottom) is more introspective, perhaps about human nature.
What would you like the public to know about specific works and composers on your Madison program?
I think it’s always stimulating to challenge preconceptions we have about composers.
Beethoven is often associated with a certain “heroic” style and bold, dramatic gestures while this piece is quite understated in many ways.
Schubert’s last sonata is often seen as a farewell to the world. But at the same time Schubert himself may not have been aware of his impending death as much as we think – he made some plans right near the end that may suggest otherwise.
I prefer to let everyone find in this music what they will, of course. But I think these works reveal other aspects of these composers that we don’t always think of. Is Schubert’s piece really about his own tragedy? It is probably much broader than that.
Now that your acclaimed Schubert project is completed, what are your current or upcoming projects?
I am currently working with five other composers on a project that is a collection of five short pieces written as “variations” for which the theme is a quote from a 1938 speech by FDR: “remember, remember always, that all of us… are descended from immigrants and revolutionists.”
Each composer chose a figure of an immigrant — some famous, some not — to write about. The composers are Vijay Iyer, Derek Bermel (below top), Anthony Cheung, Wang Lu and John Harbison (below bottom).
These “variations” will be paired with Beethoven’s “Diabelli” Variations.
What else would you like to say about your career and, after several concerto appearances with the Wisconsin Chamber Orchestra, about your solo recital debut in Madison?
Madison has a lovely audience that I was fortunate to meet in the past, and I certainly look forward to being back there!
Tags: #AmericanComposer, #AmericanMusic, #AmericanOrchestras, #AnthonyCheung, #AntoninDvorak, #ArnoldSchoenberg, #BandMusic, #BlogInterview, #BlogPost, #BlogPosting, #BostonMassachusetts, #BrownPaperTickets, #CharlesIves, #ClaudeDebussy, #CommissionedMusic, #ConcertBand, #ContemporaryComposer, #ContemporaryMusic, #CoreyPompey, #CriticallyAcclaimed, #DerekBermel, #DiabelliVariations, #DomenicoScarlatti, #EclecticMusic, #FacebookPost, #FacebookPosting, #Farley'sHouseofPianos, #FranklinDelanoRoosevelt, #FranzJosephHaydn, #FranzLiszt, #FranzSchubert, #FredericChopin, #FredericRzewski, #GyorgyLigeti, #HamelMusicCenter, #HomeWebsite, #HumanNature, #JohannesBrahms, #JohnHarbison, #LudwigVanBeethoven, #LyricalMusic, #MarcoBorggreve, #MauriceRavel, #MeadWitterFoundationConcertHall, #MeadWitterSchoolofMusic, #MissyMazzoli, #MusicalArtist, #MusicalInterpretation, #MusicalStyle, #MusicCommission, #NanoSonata, #NewMusic, #NewsUpdate, #OnyxClassics, #PastoralSonata, #PianoConcert, #PianoConcerto, #PianoMusic, #SalonPIanoSeries, #ShaiWosner, #Stream-of-Consciousness, #Sundayafternoon, #TheEar, #TheGoldenDoor, #ThemeAndVariations, #TheWashingtonPost, #UniversityofWisconsin-Madison, #UWConcertBand, #VijayIyer, #WangLu, #WestTowneMall, #WisconsinChamberOrchestra, #WolfgangAmadeusMozart, #YoungMan, #YouTubevideo, advance, afternoon, alert, alternate, American, Anthony Cheung, Antonín Dvořák, apologize, appearance, approach, Arnold Schoenberg, artist, Arts, audience, aware, band music, Baroque, Beethoven, Bermel, blog, bold, bookend, Boston, Brahms, Brown Paper Tickets, career, centuries, challenge, Charles Ives, Cheung, Chopin, Classical music, classicalmusic, Claude Debussy, color, commission, common, Compact Disc, composer, Concert, Concert Band, concerto, conciseness, consciousness, contemporary, contrast, Corey Pompey, correction, creative, critically acclaimed, death, Debussy, debut, Derek Bermel, descend, descended, Diabelli Variations, difference, Domenico Scarlatti, dominant, door, dramatic, Dvorak, Early music, eclectic, email, end, essay, Europe, everyone, excerpt, extreme, Facebook, familiar, famous, farewell, Farley's House of Pianos, FDR, find, fortunate, forward, Franklin D. Roosevelt, Franklin Delano Roosevelt, Franz Joseph Haydn, Franz Liszt, Franz Schubert, Frédéric Chopin, Frederic Rzewski, free, George Gershwin, georgegershwin, Gershwin, gestural, great, guy, György Ligeti, Hamel Music Center, Harbison, Haydn, heroic, Home, human nature, idea, idiom, idyllic, immigrants, impulsive, information, interesting, interpretation, intersperse, interview, introspective, inventive, Israel, Israeli, Israeli-American, Ives, Iyer, Jacob Stockinger, Johannes Brahms, John Harbison, Keyboard, last, let, Ligeti, like, link, Liszt, literal, look, lovely, Lu, Ludwig van Beethoven, lyrical, Madison, Marco Borggreve, master class, masterclass, Maurice Ravel, Mazzoli, Mead Witter Foundation Concert Hall, Mead Witter School of Music, meaning, Missy Mazzoli, Mozart, Music, musical artist, name, nano, nature, New Music, noteworthy, online, Onyx Classics, Orchestra, pair, parallel, past, Pastoral Sonata, performer, period, periods, Pianist, Piano, pieces, plans, played, playing, preconceptions, prefer, principle, program, programming, project, public, purchase, Q&A, Ravel, recital, remember, revolutionists, Roosevelt, Salon Piano Music, Scarlatti, Schoenberg, Schubert, Shai Wosner, share, short, solo, Sonata, speech, spontaneous, stimulate, Student, style, subtle, Sunday, sung, tag, Teacher, teaching, technique, The Ear, The Washington Post, theme, theme and variations, thoughtful, tickets, time, together, tone, tour, touring, tragedy, treatment, turns, twists, type, U.S., underlying, understated, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, unusual, update, UW Concert Band, UW-Madison, variations, Vijay Iyer, voicing, Wang Lu, Website, west side, West Towne Mall, Wisconsin, Wisconsin Chamber Orchestra, Wolfgang Amadeus Mozart, working, world, writing, young man, YouTube
Recent Comments
 | welltemperedear on What do you think of the… |
 | Scott on What do you think of the… |
| welltemperedear on Yunchan Lim’s Chopin etudes ar… |
 | bratschespeilerin on What do you think of the… |
 | MARVIN P WICKENS on Yunchan Lim’s Chopin etudes ar… |
The Well-Tempered Ear 
Salon Piano Series cancels the rest of this season but offers a free monthly video from past concerts
1 Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
The Ear has received the following announcement from the Salon Piano Series that take place at Farley’s House of pianos:
Dear friends,
How we’ve missed seeing you, since last we were able to gather – in February, for pianist Shai Wosner (below, in a photo by Marco Borggreve) and his recital of heart-stopping Schubert, Scarlatti, Rzewski and Beethoven.
Since then, our pianos have sat silent, waiting for the day we can safely reopen and welcome you back.
For now, although it breaks our hearts, we do need to stay dark through the rest of the 2020-21 season, for everyone’s safety. Our highest priority is the well-being of our artists, audience and staff.
But rest assured that we are rescheduling all of our postponed performances:
Drew Petersen (below) (https://www.brownpapertickets.com/event/4275242) will perform next October.
Jazz great Bill Charlap (below) (https://www.brownpapertickets.com/event/4275248) will perform in June.
We are working to schedule Sara Daneshpour, violinist Rachel Barton Pine, Niklas Sivelov and John O’Conor over the next two seasons.
In the meantime, while we can’t gather in person, we’re pleased to announce the launch of a monthly video series featuring some of our past and upcoming artists.
December brings us the incomparable Shai Wosner and in January, Adam Neiman (below).
During these uncertain times, we appreciate remembering time spent together enjoying music.
Please take a break from your day to see and hear Shai Wosner (below) performing Domenico Scarlatti’s Sonata in C Minor, K. 230, and Frederic Rzewski’s Nano Sonata No. 12.
The video was recorded live at Farley’s House of Pianos as part of the Salon Piano Series on Feb. 23, 2020.
Click here or at the bottom for the YouTube video: https://www.youtube.com/watch?v=-MCxr5ioV4o&feature=youtu.be
Last March, Shai Wosner released a 2-CD album (http://www.shaiwosner.com/recordings.html) of Schubert late piano sonatas. The album’s producer is nominated for a Grammy Award for the album.
Over the years, you have supported the intimate Salon Piano Series with your attendance, individual sponsorships and donations (https://salonpianoseries.org/donate).
We look forward to bringing you more world-class musical performances in our unique salon setting again soon.
In the meantime, these performances are a way to recapture the live concert experience, including commentary from artistic director Tim Farley, with videography by Tom Moss.
Those on our e-newsletter list, available at our website at https://salonpianoseries.org/contact.html, will receive a video link each month, and the videos are also available on our social media channels.
Stay safe, stay healthy and keep listening.
Sincerely,
The Salon Piano Series Board of Directors
Share this:
Tags: #AdamNeiman, #AmericanJazz, #ArtisticDirector, #BaroqueMusic, #BlogPost, #BlogPosting, #BoardofDirectors, #BrownPaperTickets, #ChamberMusic, #CityofMadison, #CompactDisc, #ConcertSeason, #CoronavirusPandemic, #COVID-19, #DomenicoScarlatti, #E-newsletter, #FacebookPost, #FacebookPosting, #Farley'sHouseofPianos, #FranzSchubert, #FredericRzewski, #GrammyAward, #InPerson, #JacobStockinger, #JohnO'Conor, #LiveConcert, #LudwigVanBeethoven, #MadisonWisconsin, #NanoSonata, #NewMusic, #NIklasSivelov, #OnlineConcert, #PianoMusic, #ProductionStaff, #PublicHealth, #RachelBartonPine, #RecordedMusic, #SalonPIanoSeries, #SaraDaneshpour, #ShaiWosner, #SocialMedia, #TheEar, #TimFarley, #TomMoss, #UncertainTimes, #VirtualConcert, #YouTubeChannel, #YouTubevideo, Adam Neiman, Album, appreciate, artist, Artistic director, Arts, assured, attend, audience, award, Baroque, Baroque music, Beethoven, blog, Board of Directors, break, Brown Paper Tickets, CDs, Chamber music, channel, Classical music, commentary, Compact Disc, composer, Concert, coronavirus, COVID19, dark, day, December, Domenico Scarlatti, donate, donation, e-newletter, Early music, email, enjoy, everyone, experience, Facebook, Facebook post, Facebook posting, Farley's House of Pianos, forward, Franz Schubert, Frederic Rzewski, friend, gather, gorgeous, Grammy, Grammy Award, great, healthy, heart, heart-stopping, in person, incomparable, individual, Jacob Stockinger, January, Jazz, John O'Conor, June, Keyboard, Kirkpatrick, like, link, listen, listening, live, live concert, Ludwig van Beethoven, Madison, missed, month, monthly, Music, musical, nano, nano sonata, Neiman, New Music, newsletter, Niklas Sivelov, O'Conor, October, online, pandemic, perform, performance, Pianist, Piano, piano music, post, posting, postpone, postponed, priority, producer, public her;th, Rachel Barton Pine, recital, recorded music, remember, reopen, reschedule, rescheduling, rest, safe, safely, safety, salon, Salon Piano Series, Sara Daneshpour, Scarlatti, Schubert, Season, see, seeing, setting, Shai Wosner, share, silence, silent, social media, Sonata, sponsorship, staff\, support, tag, The Ear, ticket, Tim Farley, time, times, together, Tom Moss, uncertain times, unique, United States, video, videographer, videography, Violin, virtual, welcome, Wisconsin, working, world-class, Wosner, YouTube