The Well-Tempered Ear

Classical music: Classical-rock hybrid group Red Priest plays the music of Bach, Vivaldi, Handel and Purcell in Edgerton this Saturday night.

November 6, 2014
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By Jacob Stockinger

To be honest, The Ear is not sure this event really belongs on this blog, which is devoted to classical music.

But it is a dilemma. After all, what do you say when the program includes music by Johann Sebastian Bach, Antonio Vivaldi, George Frideric Handel, Henry Purcell and other Baroque composers?

So I will let readers decide.

Here is a press release from our friends at the Edgerton Performing Arts Center where at 7:30 p.m. this Saturday night, there will be a performance by the crossover group Red Priest (below top) – which was the actual nickname of Antonio Vivaldi (below bottom), who had red hair and was a Roman Catholic priest in Venice as well as a composer famous for his string music and concertos.

Red Priest in 2011 w.harpsichord

vivaldi

Tickets are $20 in advance and $25 at the door.

The concert will feature a double manual harpsichord that belongs to First Unitarian Society of Madison. It is a magnificent looking and sounding 18th-century style French double concert quality instrument.

Here is a link to the Edgerton Performing Arts Center’s website where can find information including directions.

http://www.edgerton.k12.wi.us/EPAC.cfm?subpage=1220658

And here is the PRESS RELEASE: “Red Priest is the only early music group in the world to have been compared by the press to the Rolling Stones, Jackson Pollock, the Marx Brothers, Spike Jones, and the Cirque du Soleil. “Rock-chamber concert approach to early music.” (A sample of Red Priest’s Vivaldi can be heard in a YouTube video at the bottom.)

“Red Priest will “rock” the stage performing early music works from great composers such as Bach and Vivaldi.

“Red Priest has redefined the art of period performance, creating a virtual orchestra through their creative arrangements and performance from memory with swashbuckling virtuosity, heart-on-sleeve emotion and compelling stagecraft.

Performers are: Piers Adams on recorders; David Greenberg on the violin;
 Angela East on the cello; and
 David Wright on the harpsichord.

Red_Priest_dancing (1)

For more information, visit the Website: www.redpriest.com

“Tickets are available at the Edgerton Pharmacy, Edgerton Piggly Wiggly, in Janesville at Knapton Musik Knotes and Voigt Music Center, and by calling (608) 561-6093.  Online at iTickets.com fees apply.

“All performances funded by the William and Joyce Wartmann Endowment for the Performing Arts.”

“Here is the program for “Viva Baroque”:

JOHANN SEBASTIAN BACH (1685-1750): Preludio

GIOVANNI PAULO CIMA (c.1570-1622) / DARIO CASTELLO (c.1590-c.1630):  Two Sonatas in “Stile Moderno”

JOHANN SEBASTIAN BACH:  “Bach on A” — Arioso – Bourrée – Sarabande – Gigue

GEORGE FRIDERICK HANDEL (1685-1759):  Recorder Sonata in B Minor Largo – Vivace – Furioso – Adagio – Alla Breve

ANTONIO VIVALDI (1678-1741): Concerto in F major: “L’Autunno” (Autumn, from The Four Seasons)                   Allegro (Dancing Drunkards) – Adagio molto (Sleeping Drunkards) – Allegro (Autumn Hunt)

ANTONIO VIVALDI:  Concerto in F minor: “L’Inverno” (Winter, from The Four Seasons):                 Allegro non molto (Bitter Frostbite and Winds) – Largo (Peaceful by the Fire with Rain Outside) –  Allegro (Ice Skating and Freezing Wind)

GEORGE FRIDERICK HANDEL:  Aria in D major

JOHANN SEBASTIAN BACH/O’CAROLAN/DOW/TRAD (arr. GREENBERG):  “Bach on G” —                   Prelude – Allegro – Poppy Leaf Hornpipe – The Princess Royal Hornpipe I & II – Miss Charters’ Reel

HENRY PURCELL (1659-1695) / MAURIZIO CAZZATI (1620-1677) / DIEGO ORTIZ (1580):  A Suite of Grounds

JOHANN SEBASTIAN BACH:   Toccata and Fugue in D minor

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Classical music: Percussion group Clocks in Motion will explore the music of American composer Steve Reich in two concerts, both this Saturday at the Overture Center.

November 6, 2014
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ALERT: This week’s FREE Friday Noon Musicale, to be held from 12:15 to 1 p.m. at the First Unitarian Society of Madison, 900 University Bay Drive, features violinists Shannon Farley, Wes Luke and Hannah Muehlbauer with pianist Gregg Punswick in two favorite Baroque works for multiple violins: the Concerto for Three Violins by Antonio Vivaldi and the Double Concerto for Two Violins in D minor by Johann Sebastian Bach.

FUS1jake

By Jacob Stockinger

This coming Saturday, the Madison-based group Clocks in Motion (below) will present “PATTERN RECOGNITION” -– a festival of contemporary American composer Steve Reich -– in two programs to be held in the Promenade Hall of the Overture Center for the Arts.

Clocks collage 2014

The concerts are on Saturday at 1 p.m. and 7 p.m.

Tickets are $22 for single concerts, or $39 for a two-concert festival pass. Student rush tickets for each concert are also available for $12.

Here are details from a press release:

Clocks in Motion, Madison’s premier contemporary percussion ensemble, will present two concerts of music by innovative composer Steve Reich. Known as a pioneer of minimalist composition, Reich and his lush works have captivated audiences since the 1960s.

Clocks in Motion welcomes stellar guest artists to collaborate on the festival and celebrate an American composer who changed the landscape of modern music.

The 1 p.m. program features Reich’s 80-minute masterpiece, Drumming (at the bottom in a YouTube video of the work’s first part . Guest vocalists Cheryl Rowe (below top) and Chelsie Propst (below middle), as well as flutist Stephanie Jutt (below bottom), who teaches at the UW-Madison and is principal  flute of the Madison Symphony Orchestra,  will join nine percussionists in a driving and mesmerizing performance. Written in 1970 after a trip to Ghana, the piece combines West-African interlocking rhythm with contemporary harmonies and rhythmic treatment.

Cheryl Rowe color 1

Chelsie Propst USE

Stephanie Jutt with flute

The 7 p.m. evening program features four shorter works from various stages in the entire career of Steve Reich (below).

Sextet showcases a gorgeous harmonic cycle, diverse tempos and energy, and interesting instrumentation such as bowed vibraphone, two pianos, and synthesizer.

Mallet Quartet is the most recent piece by Reich on the program, with swirling meters and a thrilling final movement.

Four Organs made “infamous” history when it was first performed in Carnegie Hall. Clocks will employ digital patches on four laptop computers to present this piece.

Steve Reich

Guest Pianist Rob Kovacs (below) also joins the evening program, performing Piano Phase for Solo Pianist. This work was originally scored for two musicians, and Kovacs is the first to perform it as a soloist, playing two grand pianos and two parts with one set of hands.

rob kovacsn2

New music, new instruments and new sounds define Clocks in Motion’s fresh and innovative approach to contemporary classical performance.

Hailed as “nothing short of remarkable” (ClevelandClassical.com), Clocks in Motion is a group that performs new music, builds its own instruments, and breaks down the boundaries of the traditional concert program.

With a fearless and uncompromising ear to programming challenging and adventurous contemporary percussion ensemble repertoire, Clocks in Motion consistently performs groundbreaking concerts involving performance art, theater, and computer technology. Featuring world premieres alongside rarely performed classic works, this ensemble strives to create a new canon of percussion repertoire.

Clocks in Motion overture

Clocks in Motion works passionately to educate young audiences through master classes, residencies, presentations, and school assemblies. The ensemble’s unique skill sets and specialties contain an impressive mix of rock, jazz, contemporary classical, orchestral, marching band and world styles.

Clocks in Motion has served as resident performers and educators at the Interlochen Arts Academy, Casper College, the University of Michigan, Baldwin-Wallace University, VIBES Fine and Performing Arts, Traverse City West High School, Traverse City East Middle School, Rhapsody Arts Center, and the Madison Museum of Contemporary Art.

Formed in 2011, Clocks in Motion began as an extension of the University of Wisconsin-Madison’ School of Music’s Graduate Percussion Group, and now serves as the affiliate ensemble of the UW-Madison percussion studio.


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