By Jacob Stockinger
Two FREE and appealing but very different concerts are on tap this week at the University of Wisconsin-Madison School of Music:
PRO ARTE QUARTET
On Wednesday night at 7:30 p.m. in Mills Hall, the acclaimed Pro Arte Quartet (below in a photo by Rick Langer) will perform a program that features standard works as well as new music.
The quartet will play the String Quartet in B-flat Major (1790), Op. 64, No. 3, by Franz Joseph Haydn; and the String Quartet No, 10 (1809), Op. 74, called the “Harp” Quartet, by Ludwig van Beethoven.
Less well is the contemporary work “Fantasies on the Name of Sacher” (2012) by French composer Philippe Hersant.
Here are program notes from Pro Arte cellist Parry Karp (below):
“The Haydn and Hersant are new pieces for the Pro Arte and it has been a great pleasure to learn them.
“The Haydn was written at the time that Haydn’s job as the court composer of the court of Esterhazy had come to an end. It is one of the “Tost” Quartets, named for the Hungarian violinist Johann Tost. Haydn dedicated the quartets to him to thank him for his performances and for helping Haydn get a publisher for the quartets.
“The next piece on the program is the “Fantasies for String Quartet” by the French composer Philippe Versant (b. 1948, below). Here are the composer’s notes on this piece:
“This piece has been in the works for years. First performed in 2008, the first version for string trio included six fantasies. I added two the following year, then an additional instrument (second violin). This version for string quartet was commissioned for the Cully Classique Festival, where it was premiered in 2012. Finally, for the Grand Prix Lycéen for Composers, I imagined a version for string orchestra, commissioned by Musique Nouvelle en Liberté (2013).
“The initial challenge was to write a series of pieces that were as different as possible, from a basic material that was very narrow. That common material is a short motif of 6 notes, which correspond (in Germanic notation) to the letters of Sacher’s name (with a few twists): S (E-flat) A C H(B) E R(D).
“This motif has already been used by a number of composers (Henri Dutilleux, Pierre Boulez and Benjamin Britten) in their homages to Paul Sacher, the great patron and conductor.
“Joined together by the omnipresence of these six notes, the eight fantasies offer strong contrasts in character and style:the first has a high-pitched, rarefied atmosphere a la Shostakovich; the second has a taunting and obsessional tone; there is a dramatic, tense ambience in the fourth …. Two others showcase the voices of the soloists: viola (lyrical) in the third and the cello (stormy) in the seventh.
“Some quotations pepper the discourse: In the third fantasy an altered version of a passage from Beethoven’s String Quartet No. 13, Op. 130, and the sixth combines motifs borrowed from Gustav Mahler’s Symphony No. 4, Igor Stravinsky’s “Symphony of Psalms” and Dmitri Shostakovich. A falsely naive, short children’s song closes the set.
The last piece on the program, the String Quartet in E-flat Major, Op. 74, by Beethoven, was named the “Harp” Quartet by the first publisher of the work. It was so named because of the the unique use of pizzicato in the first movement of the piece.
This string quartet is one of the great masterpieces of the quartet repertoire with a brilliant first movement, a profound slow movement which foreshadows Beethoven’s late period, a brilliant scherzo, and a classical style variation movement as the finale.
On Thursday night at 7:30 p.m. in Mills Hall, the Trio Unprepared will perform a FREE concert of improvised music.
Here is the blurb from the UW-Madison School of Music’s website:
Drawing from the vast resources of contemporary, jazz, classical and global music, the Trio Unprepared presents an evening of IMPROVISED music for piano and percussion. Ensemble members are Andre Gribou, piano, and Roger Braun and Anthony DiSanza on percussion. (DiSanza teaches at the UW-Madison and is a member of the Madison Symphony Orchestra.)
Trio Unprepared has performed globally in extraordinarily diverse musical settings and worked together in various configurations for many years.
This concert — and the subsequent tour of Wisconsin — brings the trio back together for the first time since performing in Switzerland in July 2015.
A master class will follow this concert, from 9 to 10:30 p.m.