By Jacob Stockinger
Are they warhorses?
Or are they simply great, surefire masterpieces of classical music that have meaning to many, many people even after repeated listening?
Can they be both?
Can one critic’s warhorse be another listener’s masterpiece?
Think about it and then decide for yourself.
Here is some help.
Every year, WQXR-FM, the famed classical music radio station in New York City, asks its listeners to nominate the Top 100 pieces of classical music. From the holidays through New Years’ Day, Jan. 1, the radio station then airs those pieces in a countdown format. (You can also check out and stream much of WQXR’s regular and special programming by going to: http://www.wqxr.org/#!/
At the top of this year’s list, not surprisingly, is Ludwig van Beethoven (below). Johann Sebastian Bach and Wolfgang Amadeus Mozart are also well represented.
Here is a link to this year’s selections:
http://www.wqxr.org/#!/story/wqxr-2016-classical-music-countdown/
Many, if not most or even all, of the titles will seem quite familiar.
But before you dismiss them as too easy or too popular or overperformed, The Ear reminds readers of what the famed American playwright Edward Albee, who died last year, once observed.
Albee said something to the effect: Great art should move you and make you feel different. If it doesn’t do that, then forget it. You’re wasting your time. Find art that does.
How many of these pieces would fit that criterion for you and how many would you also have named? For The Ear, an awful lot.
How many have you heard, live or on a recording?
How many do you look forward to hearing again – on the assumption that repeated listening brings repeated pleasure and deeper appreciation and understanding?
It is also useful to remember what the great and, at the same time, popular pianist-composer Sergei Rachmaninoff (below) once said: “Classical music is enough for a lifetime, but a lifetime is not enough for classical music.”
So much music!
So little time!
Enjoy the list and the music, and leave your thoughts about these selections or about what is missing in the COMMENT section.
The Ear wants to hear.
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