The Well-Tempered Ear

Is a lot of ‘woke’ music inferior to the music it replaces?

January 21, 2023
12 Comments

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By Jacob Stockinger

Is a widespread attempt to explore historically ignored music and overlooked, marginalized composers interfering with the public hearing greater, more important and more beautiful music?

It is a problematic but timely question or issue, especially during an era of political correctness and in our current culture wars.

To be sure, you can hear some memorable music that has unjustifiably been excluded from the so-called canon. The discovery of Florence Price (below) is a prime example. The same can be said for Clara Schumann.

It does seem that a lot of the newly rediscovered pieces and composers — Black, Hispanic, Indigenous, Asian, women, LGBT — deserve an initial hearing, if only out of curiosity and to correct the historical record.

But after being heard for the first time, many of them seem second- or third-rate. They deserve to be shelved for another few decades in favor of restoring greater music and greater composers to the active performing repertory. 

To The Ear, for example, the symphonies by Michael Haydn always sound inferior to those of his famous older brother Joseph. And it doesn’t matter what critics and audiences of the day said, history its often — if not always — the better judge. The symphonies and violin concertos of the impressive and influential Joseph de Boulogne (Chevalier de Saint-Georges, below) are simply not as artistically interesting or engaging as those by his contemporary Mozart.

Anyway, whatever you think, The Ear came across an essay on the internet by George Leef that was published in The National Review — the iconic conservative political magazine founded by William Buckley. It contains background about current nationwide programming guidelines and organizations that you might not know. 

It is an interesting point of view. It often goes over the top and  clearly overstates the case against “woke” repertory by accusing those who support it of being “enemies of classical music” rather than sincere and well-intentioned progressive advocates of artistic justice.

But it deserves a serious reading and a serious answer to the provocative question of balancing the great and the less great. Here is a link:

https://na01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.nationalreview.com%2Fcorner%2Fthe-enemies-of-classical-music-open-a-new-front%2F&data=05%7C01%7C%7Cdc78db9851e24c937f3208dafa28c130%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C638097350187750246%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&sdata=SmHoEA2rkQ53xI6RZvi8o65zJ99IcjYFqXrbJq3DV18%3D&reserved=0

Read it for yourself and make up your own mind.

Then please tell The Ear and other readers what you think in the Comment section.

The Ear wants to hear.


Classical music: The Madison Symphony Orchestra will unveil its first “Beyond the Score®” multi-media performance of Antonin Dvorak’s popular Symphony No. 9 (“From the New World”) this coming Sunday afternoon.

January 20, 2014
8 Comments

By Jacob Stockinger 

Today is the birthday celebration of the murdered Nobel Peace Prize-winning civil rights leader the Rev. Dr. Martin Luther King Jr. (below) with celebrations around the nation, including a live broadcast from the state Capitol on Wisconsin Public Radio at noon CST. (The MLK tribute will also air tonight from 8 to 9 p.m. on Wisconsin Public Television.)

martin luther king 2

So one could hardly think of a better time to perform classical music that pioneered the use of Negro spirituals and indigenous American Indian music.

And that is exactly what the Madison Symphony Orchestra (below) will do this coming Sunday afternoon at 2:30 p.m. in Overture Hall in a first-time and one-time only concert that looks, according to marketing director Teri Venker, headed for a sellout.

MSO playing

Here is the MSO press release:

“Bohemian Antonín Dvořák’s uniquely American composition, Symphony No. 9, “From the New World,” will be the focus of Beyond the Score®, a multimedia concert experience Sun., Jan. 26, 2014, at 2:30 p.m. in Overture Hall in Madison, WisconsinThis is a Madison first and a one-time only performance.

“Beyond the Score® will feature videos and photos, actors and narrator, and musical examples, as well as a full performance of the symphony by Conductor John DeMain and the musicians of the Madison Symphony Orchestra. The experience will fully immerse the audience in the “New World Symphony’s” context in history, how it relates to Dvořák’s other works, and the events in the composer’s life that influenced its creation.

“MSO music director and conductor John DeMain (below, in a photo by Prasad) said: “This is an entertaining way to learn more about one of the world’s masterpieces through video, music, and actors. Hopefully, you’ll hear the symphony in a whole new way. This is an opportunity you won’t want to miss!” (At the bottom is a popular YouTube video , that has over 1.3 millions hits, and that features superstar conductor Gustavo Dudamel of the Los Angeles Philharmonic leading the exciting final movement of the :”New World” symphony in a special concert for Pope Benedict XVI.)

John DeMain full face by Prasad

“Other professional talent will also play key roles.

“Anders Yocom, of Wisconsin Public Radio, will narrate.

anders yocom studio  head shot cr Jim Gill

“Actor David Daniel (below top), a core member of American Players Theatre, will perform the role of Antonin Dvorak (below bottom).

david daniels color

dvorak

Actor James Ridge (below), also a core member of American Players Theatre, will enact multiple roles.

James Ridge

“Mezzo-soprano Jacqueline Colbert (below), who is director of the women’s chorus at Mt. Zion Baptist Church in Madison and is president of the Madison Symphony Chorus, will sing excerpts of spirituals that influenced Dvorak.

Jacqueline Colbert

“Dan Lyons (below), principal pianist of the Madison Symphony Orchestra, will be the accompanist.

Dan Lyons

“Dvorak, already an internationally renowned composer, came to America in 1892 at the invitation of wealthy East Coast philanthropist Jeannette Thurber. He headed the American Conservatory of music in New York City and his main goal was to discover “American Music” and employ it in his own compositions. He also vacationed in the Czech community Spillville, Iowa, which holds an annual Dvorak festival each summer.

“Dvorak was particularly taken with the music of both African-Americans and Native Americans, and in 1893 began work on Symphony No. 9.  To this day there is a lively debate as to whether the piece more prominently reflects these “new world” cultures or rather Dvořák’s native Bohemia. 

“According to notes from the Chicago Symphony Orchestra, “For Americans, this is the first great symphony about America. For African-Americans, this is the first great orchestral work to use themes inspired by their songs and spirituals. For Native Americans, it is the first, and so far the only, great work inspired by Native American music.” Beyond the Score® is a complete exploration of these varied and intriguing influences.

“Tickets are $15-$60 each, and are available at www.madisonsymphony.org/beyond ; through the Overture Center Box Office at 201 State Street, Madison, Wisconsin or by calling the Overture Center Box Office at (608) 258-4141.

“Beyond the Score® is produced by the Chicago Symphony Orchestra with Gerard McBurney, creative director, and Martha Gilmer, executive producer. Major funding for this concert is provided by an anonymous friend of the Madison Symphony Orchestra.”

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