The Well-Tempered Ear

Classical music: The Milwaukee Symphony Orchestra will perform music by Rossini, Wieniawski and Tchaikovsky this Tuesday night in Edgerton.

November 15, 2014
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By Jacob Stockinger

It has been a few years since the acclaimed and impressive Milwaukee Symphony Orchestra (MSO, below) –- still in the news (a link to a story on NPR, or National Public Radio, is below) because of the attempted theft of concertmaster Frank Almond’s $3-million Stradivarius violin — played an annual concert at the Wisconsin Union Theater. The Ear always looked forward to the top-flight playing and fine programs that the Milwaukee group brought to Madison.

http://www.npr.org/blogs/deceptivecadence/2014/10/12/355623871/the-case-of-the-stolen-stradivarius

Milwaukee Symphony Orchestra 2

But this week, the MSO, playing under an assistant conductor, will perform in nearby Edgerton at the Edgerton Performing Arts Center.

Edgerton PAC

The Milwaukee Symphony Orchestra – without its music director Edo de Waart — will perform at the Edgerton Performing Arts Center on this coming Tuesday, November 18, 2014 at 7:30 p.m. Tickets are $30 in advance, $35 at the door.

Here is some information from a press release: “The Milwaukee Symphony Orchestra, under the dynamic leadership of Music Director Edo de Waart, has embarked upon a new era of artistic excellence and critical acclaim. Now in his fifth season with the MSO, Maestro de Waart has led sold-out concerts, elicited rave reviews, and conducted an acclaimed performance at Carnegie Hall. The Milwaukee Symphony Orchestra has four purposes: to comfort, educate, entertain and exhilarate the human soul.” For more information, visit www.mso.org

The concert will feature conductor Francesco Lecce-Chong and violin soloist Jeanyi Kim.

The program will include the Overture to the opera “Semiramide” by the Italian composer Gioachino Rossini (below top); the Concerto for Violin No. 2 in D Minor, Op. 22, by the well-traveled Polish violin virtuoso and composer Henryk Wieniawski (below middle); and the popular Symphony No. 5 in E minor, Opus 64, by the Russian composer Peter Ilyich Tchaikovsky (below bottom). You can hear the tuneful and melancholy Tchaikovsky symphony, played by the Boston Symphony Orchestra under Leonard Bernstein,  in a popular YouTube video at the bottom.

Rossini photo

Henryk Wieniawski

young tchaikovsky

Jeanyi Kim (below) is the associate concertmaster (third chair) of the Milwaukee Symphony Orchestra and the concertmaster of the Milwaukee Chamber Orchestra. In 2007, she served as a guest assistant concertmaster of the London Symphony Orchestra under Sir Colin Davis and Valery Gergiev.

As an orchestral musician, the Toronto native has performed in illustrious venues around the world, including Carnegie Hall, the Barbican Centre, Salle Pleyel, and the Concertgebouw.  In addition to maintaining a private studio, she has served on the faculties at the University of Wisconsin-Parkside, University of New Haven, and Neighborhood Music School, to name a few.

She holds a Doctor of Musical Arts degree from Yale University, from which she also earned her BA, MM, and MMA degrees.

Jeanyi Kim

Francesco Lecce-Chong (below), currently associate conductor of the Milwaukee Symphony Orchestra, has worked with the Atlanta, Indianapolis, and St. Louis Symphony Orchestras, Saint Paul Chamber Orchestra, and the Hong Kong, Pitesti (Romania), and Ruse (Bulgaria) philharmonic orchestras. Equally at ease in the opera house, Maestro Lecce-Chong has served as principal conductor for the Brooklyn Repertory Opera and as staff conductor for the Santa Fe Opera.

He has earned national distinction, including the Solti Foundation Career Assistance Award and The Presser Foundation Music Award. In summer 2014, he served as the associate conductor at the Grand Tetons Music Festival and had guest appearances with the Toronto Symphony Orchestra, Las Vegas Philharmonic and the Breckenridge Music Festival.

He is a graduate of the Mannes College of Music, where he received his Bachelor of Music degree with honors in piano and orchestral conducting.  Lecce-Chong also holds a diploma from the Curtis Institute of Music.

Francesco Lecce-Chong

Tickets are $30 in advance, $35 at the door. They are available at the Edgerton Pharmacy and Edgerton Piggly Wiggly; and in Janesville at Knapton Musik Knotes and Voigt Music Center, and by calling (608) 561-6093.  Online, go to at iTickets.com

All performances funded by the William and Joyce Wartmann Endowment for the Performing Arts. An additional sponsor is the Edgerton Piggly Wiggly.

 

 


Classical music: Here are the new 56th annual Grammy Award nominees for Classical Music as a guide for holiday gifts.

December 14, 2013
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By Jacob Stockinger

As I usually offer readers for the holiday season, here is the list of the 56th annual Grammy nominations for classical music. It can serve as a good guide for giving holiday gifts, and readers have said they like it and find it both interesting and useful.

grammy award BIG

Don’t forget: The list of categories has been pared back from what it used to be – a sign of the transcendence of other forms of music.

After all, these are industry awards.

Some of the latest trends seem to continue to hold up. The nominations reflect several things: a fostering of lesser known groups and labels; more new and contemporary music; a couple of superstars thrown in.

I am somewhat surprised that certain recording are not in the running, especially pianist Jeremy Denk’s CD and DVD set of Johann Sebastian Bach’s “Goldberg” Variations and violinist Hilary Hahn’s CD of the 27 encores she herself commissioned and performed.

jeremy denk bach golbergs cd

Hilary Hahn Encores CD cover

Well, we all have our own preferences. And maybe they were released too late. O r maybe they are too mainstream, whatever that means these days.

So what does the Academy of Recording Arts and Sciences think of this year’s classical crop?

The Ear’s sentimental favorite is “Winter Morning Walks” (below) since all of the main parties involved — American poet Ted Kooser, American soprano Dawn Upshaw and American composer Maria Schneider – are cancer survivors, and their album speaks quietly but eloquently of their ordeals. They do what too much music doesn’t do any longer in an irony-drenched, postmodern age: Speak directly to the heart. “Winter Morning Walks” is Franz Schubert’s “Winterreise” updated for our time. (You can hear samples in a YouTube video at the bottom.)

winter morning walks

Here is a link to the general Grammy Awards home page.

They make it hard to find, despite the gimmicky hype of a countdown clock, but the Grammy Awards will be given out live on Sunday, January 26,2014, at the Staples Center in Los Angeles and broadcast on CBS starting at 7 p.m. CST.

http://www.grammy.com

And here is a list to the complete list of classical nominees in all categories:

http://www.grammy.com/nominees

71. BEST ENGINEERED ALBUM, CLASSICAL

Hymn To The Virgin, Morten Lindberg, engineer (Tone Bianca Sparre Dahl & Schola Cantorum) Label: 2L (Lindberg Lyd)

La Voie Triomphale, Morten Lindberg, engineer (Ole Kristian Ruud & Staff Band Of The Norwegian Armed Forces) Label: 2L (Lindberg Lyd)

Roomful Of Teeth, Mark Donahue & Jesse Lewis, engineers (Brad Wells & Roomful Of Teeth) Label: New Amsterdam Records

Vinci: Artaserse, Hans-Martin Renz, Wolfgang Rixius & Ulrich Ruscher, engineers (Diego Fasolis, Philippe Jaroussky, Max Emanuel Cencic, Daniel Behle, Franco Fagioli, Valer Barna-Sabadus, Yuriy Mynenko & Concerto Köln) Label: Virgin Classics

Winter Morning Walks, David Frost, Brian Losch & Tim Martyn, engineers; Tim Martyn, mastering engineer (Dawn Upshaw, Maria Schneider, Australian Chamber Orchestra & St. Paul Chamber Orchestra) Label: ArtistShare

72. PRODUCER OF THE YEAR, CLASSICAL

Manfred Eicher • Beethoven: Diabelli-Variationen (András Schiff) • Canto Oscuro (Anna Gourari) • Pärt: Adam’s Lament (Tõnu Kaljuste, Latvian Radio Choir, Vox Clamantis, Sinfonietta Riga, Estonian Philharmonic Chamber Choir & Tallinn Chamber Orchestra) • Tabakova: String Paths (Maxim Rysanov)

David Frost • Andres: Home Stretch (Timo Andres, Andrew Cyr & Metropolis Ensemble) • Angel Heart, A Music Storybook (Matt Haimovitz & Uccello) • Beethoven: Piano Sonatas, Vol. 2 (Jonathan Biss) • Ben-Haim: Chamber Works (ARC Ensemble) • Celebrating The American Spirit (Judith Clurman & Essential Voices USA) • Elgar: Enigma Variations; Vaughan Williams: The Wasps; Greensleeves (Michael Stern & Kansas City Symphony) • Guilty Pleasures (Renée Fleming, Sebastian Lang-Lessing & Philharmonia Orchestra) • Verdi: Otello (Riccardo Muti, Aleksandrs Antonenko, Krassimira Stoyanova, Carlo Guelfi, Chicago Symphony Chorus & Chicago Symphony Orchestra) • Winter Morning Walks (Dawn Upshaw, Maria Schneider, Australian Chamber Orchestra & St. Paul Chamber Orchestra)

Marina A. Ledin, Victor Ledin • Bizet: Symphony In C; Jeux D’Enfants; Variations Chromatiques (Martin West & San Francisco Ballet Orchestra) • Traveling Sonata – European Music For Flute & Guitar (Viviana Guzmán & Jérémy Jouve) • Voyages (Conrad Tao) • Zia (Del Sol String Quartet)

James Mallinson • Berlioz: Grande Messe Des Morts (Colin Davis, London Symphony Chorus, London Philharmonic Choir & London Symphony Orchestra) • Bloch: Symphony In C-Sharp Minor & Poems Of The Sea (Dalia Atlas & London Symphony Orchestra) • Fauré: Requiem; Bach: Partita, Chorales & Ciaccona (Nigel Short, Tenebrae & London Symphony Orchestra Chamber Ensemble) • Nielsen: Symphonies Nos. 2 & 3 (Colin Davis & London Symphony Orchestra) • Wagner: Das Rheingold (Valery Gergiev, René Pape, Stephan Rügamer, Nikolai Putilin & Mariinsky Orchestra) • Wagner: Die Walküre (Valery Gergiev, Anja Kampe, Jonas Kaufmann, René Pape, Nina Stemme & Mariinsky Orchestra) • Weber: Der Freischütz (Colin Davis, Christine Brewer, Sally Matthews, Simon O’Neill, London Symphony Chorus & London Symphony Orchestra)

Jay David Saks (below) • Adams: Nixon In China (John Adams, Russell Braun, Ginger Costa-Jackson, James Maddalena, Janis Kelly, Richard Paul Fink, Robert Brubaker, Kathleen Kim, The Metropolitan Opera Chorus & Orchestra) • Adès: The Tempest (Thomas Adès, Audrey Luna, Isabel Leonard, Alan Oke, Simon Keenlyside, Metropolitan Opera Chorus & Orchestra) • The Enchanted Island (William Christie, Joyce DiDonato, David Daniels, Danielle De Niese, Luca Pisaroni, Lisette Oropesa, Plácido Domingo, Metropolitan Opera Orchestra & Chorus) • Handel: Rodelinda (Harry Bicket, Renée Fleming, Andreas Scholl, Joseph Kaiser, Stephanie Blythe, Iestyn Davies, Shenyang & The Metropolitan Opera Orchestra) • Live At Carnegie Hall (James Levine, Evgeny Kissin & The Metropolitan Opera Orchestra) • Verdi: Rigoletto (Michele Mariotti, Željko Lu_i_, Diana Damrau, Piotr Beczala, Oksana Volkova, Štefan Kocán, The Metropolitan Opera Orchestra & Chorus)

Jay David Saks

73. BEST ORCHESTRAL PERFORMANCE

Atterberg: Orchestral Works Vol. 1, Neeme Järvi, conductor (Gothenburg Symphony Orchestra) Label: Chandos

Lutosławski: Symphony No. 1, Esa-Pekka Salonen, conductor (Los Angeles Philharmonic), Track from: Lutoslawski: The Symphonies, Label: Sony Classical

Schumann: Symphony No. 2; Overtures Manfred & Genoveva, Claudio Abbado, conductor (Orchestra Mozart), Label: Deutsche Grammophon

Sibelius: Symphonies Nos. 1 & 4, Osmo Vänskä, conductor (Minnesota Orchestra) Label: BIS Records

Stravinsky: Le Sacre Du Printemps, Simon Rattle, conductor (Berliner Philharmoniker) Label: EMI Classics

simon rattle stravinsky rite

74. BEST OPERA RECORDING

Adès: The Tempest, Thomas Adès, conductor; Simon Keenlyside, Isabel Leonard, Audrey Luna & Alan Oke; Luisa Bricetti & Victoria Warivonchick, producers (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus) Label: Deutsche Grammophon

Britten: The Rape Of Lucretia, Oliver Knussen, conductor; Ian Bostridge, Peter Coleman-Wright, Susan Gritton & Angelika Kirchschlager; John Fraser, producer (Aldeburgh Festival Ensemble) Label: Virgin Classics

Kleiberg: David & Bathsheba, Tõnu Kaljuste, conductor; Anna Einarsson & Johannes Weisser; Morten Lindberg, producer (Trondheim Symphony Orchestra; Trondheim Symphony Orchestra Vocal Ensemble) Label: 2L (Lindberg Lyd)

Vinci: Artaserse, Diego Fasolis, conductor; Valer Barna-Sabadus, Daniel Behle, Max Emanuel Cencic, Franco Fagioli & Philippe Jaroussky; Ulrich Ruscher, producer (Concerto Köln; Coro Della Radiotelevisione Svizzera, Lugano) Label: Virgin Classics

Wagner: Der Ring Des Nibelungen, Christian Thielemann, conductor (below); Katarina Dalayman, Albert Dohmen, Stephen Gould, Eric Halfvarson & Linda Watson; Othmar Eichinger, producer (Orchester Der Wiener Staatsoper; Chor Der Wiener Staatsoper) Label: Deutsche Grammophon

Christian Thielemann Wagner Ring CD

75. BEST CHORAL PERFORMANCE

Berlioz: Grande Messe Des Morts, Colin Davis, conductor (Barry Banks; London Symphony Orchestra; London Philharmonic Choir & London Symphony Chorus) Label: LSO Live

Palestrina: Volume 3, Harry Christophers, conductor (The Sixteen) Label: Coro

Parry: Works For Chorus & Orchestra, Neeme Järvi, conductor; Adrian Partington, chorus master (Amanda Roocroft; BBC National Orchestra Of Wales; BBC National Chorus Of Wales) Label: Chandos

Pärt (below): Adam’s Lament, Tõnu Kaljuste, conductor (Tui Hirv & Rainer Vilu; Estonian Philharmonic Chamber Choir; Sinfonietta Riga & Tallinn Chamber Orchestra; Latvian Radio Choir & Vox Clamantis) Label: ECM New Series

Whitbourn: Annelies, James Jordan, conductor (Ariana Zukerman; The Lincoln Trio; Westminster Williamson Voices) Label: Naxos

Composer Arvo Pärt

76. BEST CHAMBER MUSIC/SMALL ENSEMBLE PERFORMANCE

Beethoven: Violin Sonatas, Leonidas Kavakos & Enrico Pace Label: Decca

Cage: The 10,000 Things, Vicki Ray, William Winant, Aron Kallay & Tom Peters, Label: MicroFest Records

Duo, Hélène Grimaud & Sol Gabetta, Label: Deutsche Grammophon

Roomful Of Teeth, Brad Wells & Roomful Of Teeth, Label: New Amsterdam Records

Times Go By Turns, New York Polyphony, Label: BIS Records

leonidas kavakos beethoven sonatas

77. BEST CLASSICAL INSTRUMENTAL SOLO

Bartók, Eötvös & Ligeti, Patricia Kopatchinskaja; Peter Eötvös, conductor (Ensemble Modern & Frankfurt Radio Symphony Orchestra) Label: Naïve

Corigliano: Conjurer – Concerto For Percussionist & String Orchestra, Evelyn Glennie; David Alan Miller, conductor (Albany Symphony) Track from: Corigliano: Conjurer; Vocalise Label: Naxos

The Edge Of Light, Gloria Cheng (Calder Quartet) Label: Harmonia Mundi

Lindberg: Piano Concerto No. 2, Yefim Bronfman (below, in a photo by Dario Acosta); Alan Gilbert, conductor (New York Philharmonic) Track from: Magnus Lindberg, Label: Dacapo Records

Salonen: Violin Concerto; Nyx, Leila Josefowicz; Esa-Pekka Salonen, conductor (Finnish Radio Symphony Orchestra) Label: Deutsche Grammophon

Schubert: Piano Sonatas D. 845 & D. 960, Maria João Pires Label: Deutsche Grammophon

Yefim Bronfman by Dario Acosta

78. BEST CLASSICAL VOCAL SOLO

Drama Queens, Joyce DiDonato (Alan Curtis; Il Complesso Barocco) Label: Virgin Classics

Mission, Cecilia Bartoli (Diego Fasolis; Philippe Jaroussky; I Barocchisti) Label: Decca

Schubert: Winterreise, Christoph Prégardien (Michael Gees), Label: Challenge

Wagner, Jonas Kaufmann (Donald Runnicles; Markus Brück; Chor Der Deutschen Oper Berlin; Orchester Der Deutschen Oper Berlin) Label: Decca

Winter Morning Walks, Dawn Upshaw (Maria Schneider; Jay Anderson, Frank Kimbrough & Scott Robinson; Australian Chamber Orchestra & St. Paul Chamber Orchestra) Label: ArtistShare

Kaufmann Wagner CD

79. BEST CLASSICAL COMPENDIUM

Hindemith: Violinkonzert; Symphonic Metamorphosis; Konzertmusik, Christoph Eschenbach, conductor Label: Ondine

Holmboe: Concertos, Dima Slobodeniouk, conductor; Preben Iwan, producer Label: Dacapo Records

Tabakova: String Paths, Maxim Rysanov; Manfred Eicher, producer Label: ECM New Series

80. BEST CONTEMPORARY CLASSICAL COMPOSITION

Lindberg, Magnus: Piano Concerto No. 2, Magnus Lindberg, composer, (Yefim Bronfman, Alan Gilbert & New York Philharmonic) Track from: Magnus Lindberg Label: Dacapo Records

Pärt, Arvo: Adam’s Lament, Arvo Pärt, composer (Tõnu Kaljuste, Latvian Radio Choir, Vox Clamantis & Sinfonietta Riga) Track from: Arvo Pärt: Adam’s Lament Label: ECM New Series

Salonen, Esa-Pekka: Violin Concerto, Esa-Pekka Salonen, composer and conductor, below (Leila Josefowicz, Esa-Pekka Salonen & Finnish Radio Symphony Orchestra) Track from: Out Of Nowhere Label: Deutsche Grammophon

Schneider, Maria: Winter Morning Walks, Maria Schneider, composer (Dawn Upshaw, Jay Anderson, Frank Kimbrough, Scott Robinson & Australian Chamber Orchestra) Track from: Winter Morning Walks Label: ArtistShare

Shaw, Caroline: Partita For 8 Voices, Caroline Shaw, composer (Brad Wells & Roomful Of Teeth) Track from: Roomful Of Teeth Label: New Amsterdam Records

Esa Pekka Salonen


Classical music: The great British conductor Sir Colin Davis is dead at 85. Here is a round-up of stories and remembrances, appreciations and obituaries.

April 21, 2013
1 Comment

By Jacob Stockinger

In case you haven’t already heard, the great British conductor and longtime music director of the London Symphony Orchestra  Sir Colin Davis (below) died last Sunday at 85 after a brief illness.

Sir Colin Davis conducting

The news came unexpected to The Ear as Davis seemed actively involved in conducting almost up to the end. He seemed to have the stamina that would take him well into his 90s – especially since the aerobic act of conducting seems conducive to conductors have long careers and lives.

But then again, the obituaries make it clear that he suffered deeply from the death of his wife.

I never heard him live. But I loved his recorded performances –- and he recorded prolifically with some 250 albums to his credit. In the works of Sibelius and Berlioz he was a stalwart champion and acclaimed master. He also championed British composers such as Edward Elgar, William Walton and Benjamin Britten.

But I also liked his complete command of the Classical era-style in Mozart, Haydn and Beethoven – symphonies, concertos, operas, oratories and other choral works. (Below is the cover of his recording on the London Symphony Orchestra‘s own in-house label LSO Live of the Berlioz Requiem.)

Sir Colin Davis LSO Berlioz

Sir Colin earned fame and a fine living early on (below) in the 1950s and 1960s. But I especially liked that his career seemed to peak late in his life –- a good riposte to the cultural tendency today to worship prodigies and young achievers. He was never better than when his hair turned white.

Sir Colin Davis

There is also something endearing and Britty eccentric about Davis who liked to sit in a chair and think about musical interpretations while he was puffing on his pipe and knitting.

Yes, knitting.

And in his stage performances and touring, and it sounds to The Ear as if Sir Colin led a very good and very full life. Which may help explain why Sir Colin’s music-making sounded so healthy and robust and natural rather than neurotic or forced. (Below is a photo of Sir Colin at his home.)

Sir Colin Davis at home

Anyway, here are links to some of the best stories, remembrances and obituaries I found along with a fitting YouTube video of Sir Colin conducting Mozart’s Requiem at the bottom):

Here is a comprehensive and compassionate overview of Sir Colin’s life and career from NPR’s always outstanding blog “Delayed Cadence”:

http://www.npr.org/blogs/deceptivecadence/2013/04/14/177257680/remembering-colin-davis-a-conductor-beloved-late-in-life

And here is a story from Sir Colin’s native UK:

http://www.globalpost.com/dispatch/news/afp/130415/classical-music-world-mourns-legendary-conductor-sir-colin

Here is a column, with some details of Sir Colin’s personal life and turmoil, by Anne Midgette of The Washington Post:

http://www.washingtonpost.com/entertainment/music/colin-davis-celebrated-british-conductor-dies-at-85/2013/04/15/7fd2d87a-a5df-11e2-b029-8fb7e977ef71_story.html

Here is a link to BBC report:

http://www.bbc.co.uk/news/uk-22148334

Here is a link to report from The New York Times:

http://artsbeat.blogs.nytimes.com/2013/04/14/sir-colin-davis-british-conductor-dies-at-85/

And here is a story from another UK source, The Guardian:

http://www.guardian.co.uk/music/2013/apr/14/sir-colin-davis-obituary

Here is a report from the UK wire service Reuters:

http://uk.reuters.com/article/2013/04/15/uk-davis-idUKBRE93E0BJ20130415

And here are two more from the Los Angeles Times and The Huffington Post:

http://www.latimes.com/entertainment/arts/culture/la-et-cm-colin-davis-dies-conductor-20130415,0,5286281.story

http://www.huffingtonpost.com/2013/04/15/colin-davis-dead-london-symphony-conductor-dies-at-85_n_3083817.html

Did you hear Sir Colin live? What did you think?

Do you have a favorite recording?

A word of tribute about Sir Colin to leave in the COMMENTS section?

The Ear wants to hear.


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