The Well-Tempered Ear

Classical music: The new “LIVE From The Met in HD” season starts this Saturday. Will anyone boo or protest the Putin supporters singer Anna Netrebko and conductor Valery Gergiev during the satellite broadcast of the opera “Eugene Onegin” by the gay composer Tchaikovsky? Here are links to the full season and its background. | October 4, 2013

By Jacob Stockinger

You know the new concert season is well underway when the major opera houses rev up.

And this weekend marks the start of the new “Live From the Met in HD’ series. It features 10 new productions, including some very well-known work operas and some lesser-known one.

Met Live Eugene Onegin poster

The opening production by the world-famous Metropolitan Opera (below, the interior seen from the stage) in New York City is Tchaikovsky’s opera “Eugene Onegin,” which the Madison Opera staged to critical acclaim last season.

Met from stage over pit

The new production stars singers Russian soprano Anna Netrebko (below) and the Polish baritone Mariusz Kwiecien.

Met Eugene Onegin Anna Netrebko face

The Metropolitan Opera Orchestra will be conducted by Russian globe-trotting conductor Valery Gergiev (below, in a photo from Getty Images), which is sure to give sparkling account of the tuneful Waltz, probably the most famous and popular moment in the entire opera (at bottom in a popular YouTube video) by that Melody Master of a composer.

Valery Gergiev Getty Images

It is a curious and sure-fire musical combination that may also be controversial, given how both Anna Netrebko and Valery Gergiev have been outspoken supporters of Macho Man Russian President Vladimir Putin (below), despite his oppositional defense of Syria’s dictator Bashar al-Assad and despite his human rights record, especially fostering the oppression of gays and lesbians in Russia. And how ironic it is that they will perform in an opera by Tchaikovsky, who was himself gay,

pro-gay march in russia with putin poster

Here are two popular  posts I recently did about that issue, posts that drew some great reader comments you should check out:

https://welltempered.wordpress.com/2013/09/22/classical-music-lets-boycott-them-if-music-superstars-anna-netrebko-and-conductor-valery-gergiev-dont-enlighten-vladimir-putin-about-gays-and-lesbians/

https://welltempered.wordpress.com/2013/09/29/classical-music-which-opera-villain-would-vladimir-putin-be/

vladimir putin barechested

One wonders; Will the singer or conductor hear any boos or jeers as they start the production, which the Met’s general director Peter Gelb has refused to dedicate to Russia’s gays and lesbians? It could be interesting. But given the cost of seats at the Met, The Ear suspects not. Art will probably win out over politics, at least on the expensive Mother Ship – though the reception might be more vocal and dissenting in local and more affordable cinemas.

But who knows? Still, one can hope.

pro-gay protest in russian with vodka boycott

Anyway, the “Met LIVE in HD” shows will be screened by satellite at the Point Cinemas on Madison’s far west side and the Eastgate Cinemas on the city’s far east side. The opera starts at 11:55 a.m. CDT and runs just over four hours.

Tickets are $24 for adults, $18 for children.

Below are some links with more information about this opening production and about the full season.

Here is a link to the complete season on 10 productions so you can check for conflicts, set aside dates (encore performances are usually the following Wednesday evening) and buy tickets in advance.

http://www.metoperafamily.org/metopera/liveinhd/LiveinHD.aspx

Here is a useful link to the notes with a synopsis of the plot of “Eugene Onegin”:

http://www.metoperafamily.org/uploadedFiles/MetOpera/8_live_in_hd/4_United_States/cast%20sheets/Onegin%20cast%20sheet.pdf

Here is a link to some videos (below is the ball scene) that may whet your appetite to see and hear the production:

http://www.metoperafamily.org/video/2013-2014/eugene-onegin?src=hdpage

Met Eugene Onegin ball

And here are links to two detailed an dwell researched stories in The New York Times that give the history of the Met Live in HD series and offers insightful critiques of what the series means for live opera and the opera scene in general in the U.S. and around the world.

Here is the link to the story with historical, demographic and economics background:

http://www.nytimes.com/2012/04/29/arts/music/the-mets-hd-broadcasts-are-changing-opera.html?pagewanted=all&_r=0

Here is the analysis and critique:

http://www.nytimes.com/2012/05/06/arts/music/met-operas-live-in-hd-series-outside-of-new-york.html?pagewanted=all

If you go, let us know what you thought of the production and whether something unusual happened -– be it a boycott or protest,  jeers or boos.

The Ear wants to hear.


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