The Well-Tempered Ear
Classical music: What should — and shouldn’t — the #MeToo movement mean for women in the opera world?
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By Jacob Stockinger
It is clear now that just about all aspects of life and culture in the United States are being affected more and more by the #MeToo movement that seeks to expose, punish, correct and prevent sexual harassment, sexual misconduct, sexual assault, sexual abuse and gender inequality in general.
But what does that mean specifically for the notoriously patriarchal and misogynistic opera world – meaning for the operas themselves and their themes, plots, characters and composers as well as for the people who put them on?
How, for example, should one now think of “Don Giovanni” by Wolfgang Amadeus Mozart? (The womanizing Don Juan is seen below in a production of “Don Giovanni” by the Metropolitan Opera.)
A recent discussion on National Public Radio (NPR) covered many dimensions of the problem, and The Ear found what was said fascinating although he didn’t agree with everything.
One Italian production went so far as to change the ending of a famous and popular opera – Bizet’s “Carmen” — in order to redeem the doomed heroine.
That seems excessive to The Ear, something that recalls the 17th-century writer Nahum Tate who rewrote the tragedy “King Lear” by Shakespeare to give it a happy ending. (You can hear the original ending of “Carmen” in the YouTube video at the bottom. The 2009 production by the Metropolitan Opera features Roberto Alagna and Elina Garanca.)
It brings up the question: How far should one go in imposing contemporary values on the past? And does rejecting an artist also mean rejecting that artist’s work?
Read the edited transcript or listen to the entire 8-minute discussion for yourself. Besides the female host (Lulu Garcia-Navarro), three women – two singers (Aleks Romano and Leah Hawkins) and one administrator (Kim Witman) – ask questions and give their opinions and thoughts.
Here is a link to the story that was posted on the NPR blog “Deceptive Cadence”:
Then decide what you think you would like to see done to address the concerns of the #MeToo movement in the opera world, and what is allowed and not allowed to you.
And let us know in the COMMENT section.
The Ear wants to hear.
Tags: #AleksRomano, #ArtisticWork, #DeceptiveCadence, #DonGiovanni, #DonJuan, #ElinaGaranca, #GenderInequality, #GeorgesBizet, #HappyEnding, #KimWitman, #KingLear, #LeahHawkins, #LuluGarcia-Navarro, #MeToo, #MeToomovement, #MetropolitanOpera, #NahumTate, #NationalPublicRadio, #OperaComposer, #OperaWorld, #OriginalEnding, #RobertoAlagna, #SexualAbuse, #SexualAssault, #SexualHarassment, #SexualMisconduct, #TheMet, #UnitedStates, #WilliamShakespeare, #WolfgangAmadeusMozart, #YouTubevideo, administrator, America, artist, Arts, Baroque, blog, character, Classical music, composer, contemporary, culture, discussion, Don JUan, ending, famous, George Frideric Handel, hero, heroine, Italian, Italy, Jacob Stockinger, life, Madison, Madison Opera, Metropolitan Opera, misogynistic, misogyny, Mozart, Music, New York City, NPR, opera, Opinions, original, patriarchal, patriarchy, plot, popular, production, question, rewrite, singer, the Met, theme, thoughts, tragedy, transcript, U.S., United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, values, vocal music, Wisconsin, Wolfgang Amadeus Mozart, womanizer, work, world, YouTube
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