The Well-Tempered Ear

Classical music: The prize-winning critic Alex Ross grieves to Brahms. What composer and piece would you choose to mourn the tragedies of the past week? | May 30, 2020

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By Jacob Stockinger

This past week feels like a week that deserves mass grieving.

Of course, there was the life-changing, historic landmark of surpassing, in only a few months, more than 100,000 deaths from COVID-19 during the coronavirus pandemic in the United States.

There were the spikes in new COVID-19 cases and deaths following the opening up from lockdowns and the mass gatherings over the Memorial Day holiday weekend, such as the party at the Lake of the Ozarks (below) in Missouri.

Then there was the tragic, racist death — an alleged murder — of George Floyd by the police and the ensuing rioting, violence and additional death in Minneapolis as well as the seven shootings among protesters in Louisville.

And depending of your political point of view, there were the incidents of White House threats against social media, especially Twitter, for simply telling the truth or at least directing viewers to it.

So what can one say about these sad events and sad times with music?

Well, not too long ago Alex Ross (below), the prize-winning and internationally respected music critic for The New Yorker magazine, wrote an engaging and moving essay about why he finds Brahms to be the perfect composer for grieving and mourning.

He mentions other composers as possibilities, including Bach, Haydn, Mozart, Beethoven and Schubert.

But Ross still finds Brahms more suited for several reasons. He even cites a favorite performance of a Brahms short, late Intermezzo by the Romanian pianist Radu Lupu. (You can hear that performance in the YouTube video at the bottom.)

Here is a link: https://www.newyorker.com/culture/cultural-comment/grieving-with-brahms

What composers – and what pieces or performances – do you find best for grieving? For marking loss?

Read the essay, listen to the music.

Then let us know in the comment section what music – perhaps Samuel Barber’s Adagio for Strings? – that you would want to listen to during sad occasions.

The Ear wants to hear.


Posted in Classical music
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6 Comments »

  1. The very first section of the Brahms Requiem, “Blessed are they” in translation) is exquisitely beautiful
    and comforting to me..

    Like

    Comment by Ann Boyer — May 30, 2020 @ 4:59 pm

  2. Your comments and the beautiful column by Ross sent me back to Brahms last night. A most rewarding listen. And I agree about Lupu’s version, it makes you weep.

    Like

    Comment by Linda Clauder — May 30, 2020 @ 10:36 am

  3. I am drawn to Shostakovich. His two violin concertos. I find those works oddly suitable for these times.

    Like

    Comment by Augustine — May 30, 2020 @ 10:32 am

  4. It was Brahms my parents played in the days after JFK was shot. Only other person I can think of might be Elgar.

    Like

    Comment by Ronnie — May 30, 2020 @ 10:20 am

  5. The Requiem of Maurice Durufle and the War Requiem of Benjamin Britten are two others I would nominate.

    Like

    Comment by Tim Adrianson — May 30, 2020 @ 7:42 am

  6. I find Henryk Gorecki’s Symphony No. 3 (Symphony of Sorrowful Songs) opens the floodgates very well.

    Like

    Comment by dmckee41051 — May 30, 2020 @ 7:32 am


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