ALERT: This week’s FREE Friday Noon Musicale, held from 12:15 to 1 p.m. at the First Unitarian Society of Madison, 900 University Bay Drive, features Danielle Breisach, flute; Jeff Breisach, horn; Peter Miliczky and Clare Bresnahan, violins; Josh Dieringer, viola; Andrew Briggs, cello; and Jana Avedyahn, piano in music by Philip Glass, Jonathan Russ, Robert Ward and Zoltan Kodaly.
By Jacob Stockinger
Last Saturday night, The Ear attended the third annual Schubertiade in Mills Hall at the University of Wisconsin-Madison School of Music.
In case you aren’t acquainted with what a Schubertiade is, you should know that it is patterned after the kind of informal soirees, held in private homes and salons, where the early Romantic composer Franz Schubert (below, 1797-1828) often premiered to friends his latest songs, piano works and chamber music. The UW-Madison Schubertiades celebrate the composer’s Jan. 31 birthday and usually kick off the second semester of concerts.
Below is a link to a previous posting — with the complete program and list of performers — about this year’s Schubertiade.
It featured an informative interview with pianist and singer Bill Lutes (below right). Lutes, along his wife Martha Fischer (below left) – a professor of collaborative piano at the UW-Madison who also sings – co-founded and co-directs the event. Both of them also performed throughout the event:
And you can use the search engine on this blog to check out the Schubertiades in 2014 and 2015.
Kudos and bravos are in order. There were so many things to like about the Schubertiade.
Here are a few:
Another show-stopper was the superb rendition, both highly dramatic and subtly lyrical, of “Lebensstürme” (Life’s Storms) for piano, four hands, played by Lutes and Fisher.
And the closing number, the famous “Shepherd on the Rock” for soprano, clarinet and piano, brought the house to a standing ovation. (The Ear hopes that this and other moments were recorded and get posted for streaming from the UW School of Music’s website or SoundCloud.) In the YouTube video at the bottom, you can hear this sublime late work in a performance by soprano Barbara Bonney, clarinetist David Shifrin and pianist Andre Watts for the Chamber Music Society of Lincoln Center.
In short, the third annual Schubertiade proved a completely enjoyable and thoroughly persuasive evening of performances that attested to the quality, empathy and variety of the music that Franz Schubert created in his short life of 31 years.
But perhaps the best, most memorable part of the event was to see the collaboration and cooperation that was so evident.
The Schubertiade featured an impressive lineup of faculty members, students and alumni. The many performers came from various departments: piano, voice, strings, brass, winds and opera.
We see and hear far too little of that cooperation, it seems to The Ear.
And when he talked to another loyal fan of UW music and of the Schubertiade, that fan agreed that such single-composer events are popular with the public and should take place more often. They serve as samplers with both familiar and unfamiliar works.
So maybe the Schubertiade could serve as a model for similar events with other composers whose body of work is, like Schubert’s, both first-rate and very varied.
Some composers who come immediately to mind are Johann Sebastian Bach, Wolfgang Amadeus Mozart, Ludwig van Beethoven, Robert Schumann and Johannes Brahms. And there are no doubt others who could be featured.
Such collaborative events would also prove popular with the public, The Ear surmises. After all, this third Schubertiade seemed to draw the biggest audience yet – a two-thirds house of about 500 – even on the night when a UW-Madison hockey game was competing for attention.
If you didn’t go, it was your loss. But there will be another Schubertiade next January, one presumes. Don’t miss it!
And if you did go to this year’s Schubertiade, leave whatever you care to say in the COMMENTS section.
The Ear wants to hear.
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