The Well-Tempered Ear

Classical music: Tomorrow’s JUST BACH concert has been CANCELED

January 22, 2019
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IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.

Here is a NEWS UPDATE:

Tomorrow’s Just Bach concert at Luther Memorial Church, posted earlier today here, as been CANCELED due to bad weather and the expected snowstorm.

The Ear has been told that organizers will try to perform the same program on another date.

The next Just Bach concert is Feb. 20 when UW baritone Paul Rowe will sing the famous cantata “Ich Have Genug” (I Have Enough).

For more information and updates, go to: https://justbach.org


Classical music: An outstanding concert by two harpsichordists explores the rich Baroque repertoire of arrangements and transcriptions. Let’s hear more!

November 25, 2015
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ALERT: The will be NO free Friday Noon Musicale this week at the First Unitarian Society of Madison, 900 University Bay Drive. The musicales will resume on Dec. 4.

By Jacob Stockinger

Here is a special posting, a review written by frequent guest critic and writer for this blog, John W. Barker. Barker (below) is an emeritus professor of Medieval history at the University of Wisconsin-Madison. He also is a well-known classical music critic who writes for Isthmus and the American Record Guide, and who for 12 years hosted an early music show every other Sunday morning on WORT-FM 89.9 FM. He serves on the Board of Advisors for the Madison Early Music Festival and frequently gives pre-concert lectures in Madison.

John-Barker

By John W. Barker

Trevor Stephenson (below left), the versatile founder, director and keyboard player of the Madison Bach Musicians, ventured another early music novelty last Saturday evening at the Madison Christian Community Hall on Old Sauk Road. (All performance photos are by John W. Barker.)

He and a colleague, Stephen Alltop (below right) from Northwestern University, braved our football traffic and our first snowstorm to bring their respective harpsichords for a joint program.

It was called “Music for Two Harpsichords,” but a better title would have been “Music for Two Harpsichordists.”

Stephenson and Alltop two harpsichords

The fact is, only one item on the program was actually written for two harpsichords playing together. This was the Concerto for Two Harpsichords  in C Major (BWV 1061), for which the string-ensemble parts are purely optional — and which were dispensed with in this case. (For the harpsichord-only version, see the YouTube video at the bottom.)

The two artists did play otherwise together, but in transcriptions.

They took several selections from Pièces de clavecin en concert by Jean-Philippe Rameau, which Rameau (below) himself adapted from purely harpsichord pieces into trios for harpsichord and two other instruments. But these were played in adaptations that turned the other instrument parts into a second harpsichord.

Jean-Philippe Rameau

And there was a transcription for two harpsichords of the Fandango finale from the Quintet No. 4 in D Major by Luigi Boccherini (below) for guitar and string quartet.

Boccherini with cello 1

In between these works there were solo keyboard segments.   Alltop played three of the Preludes and Fugues from Book I of Johann Sebastian Bach’s “Well-Tempered Clavier” and Stephenson played three of Domenico Scarlatti’s 555 harpsichord sonatas.

For some extra spice, Tania Tandias (below), of local Flamenco dance activities, contributed some tambourine rhythms to a pair of the Rameau pieces, and she worked up a lot of castanet excitement in the Boccherini.

Tania Tandias

The two keyboard artists are each wonderful musicians, and obviously are compatible partners as well as gifted individual soloists. Alltop (below) matches Stephenson’s witty commentaries with wonderfully articulate and informed discussion.

Stephen Alltop speaks

Their two harpsichords are, inevitably, quite distinct in tone, so that it is possible to discern each player’s role. Fortunately, too, the Christian Community’s hall is moderate in size and intimate, a perfect acoustical setting for such keyboard playing.

The Stephenson-Alltop partnership deserves to continue. There is a lot of actual two-harpsichord literature out there. Francois Couperin wrote a good deal of music for the combination, as did a number of Elizabethan composers. It would be wonderful if such material could be explored in further ventures like this one, and by these two splendid artists.

Do remember the Madison Bach Musicians’ annual Baroque Holiday Concert, which features cantatas by Johann Sebastian Bach and music by Georg Philipp Telemann and Arcangelo Corelli. It will take place at 8 p.n. on Saturday, Dec. 12, at the First Congregational United Church of Christ, near Camp Randall. For more information, visit:

http://madisonbachmusicians.org/december-12-2015/


Classical music: What music would celebrate Super Bowl XLIX – that’s 49 in plain English – that takes place this afternoon? Plus, the Con Vivo chamber music concert this afternoon in Stoughton has been POSTPONED until next Sunday night.

February 1, 2015
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ALERT: The administration of the Stoughton Opera House has decided to postpone the chamber music concert by Con Vivo (below) scheduled for this afternoon, Feb. 1, due to the anticipated snow storm.

The new concert date and time is: next Sunday, Feb. 8, at 7:30 p.m. at the Stoughton Opera House. Please help spread the word to anyone you know who might have been planning to come to the concert. Says the group: “We look forward to seeing you next week! Stay safe and warm. Thank you.”

Con Vivo core musicians

By Jacob Stockinger

Today, Super Bowl XLIX — or 49 to most of us — will be played between the Seattle Seahawks and the New England Patriots in Glendale, Arizona.

Super Bowl 49 social media logos

Kickoff time is 5:30 p.m., CST.

It will be broadcast on NBC.

The game is billed as the world’s largest single sports event.

Given the number of people it will reach via TV and other social media, and given the advertising price of $4.5 million for a 30-second spot, that description sounds pretty accurate.

Super Bowl XLIX no cactus

Here are some suggestions from past years:

Super Bowl 48 in 2014:

https://welltempered.wordpress.com/2014/02/02/classical-music-what-classical-music-goes-best-with-the-nfls-super-bowl-48-football-championship-today-plus-university-of-wisconsin-madison-singers-and-instrumentalists-movingly-celebrate-franz-s/

https://welltempered.wordpress.com/2014/02/02/classical-music-what-classical-music-goes-best-with-the-nfls-super-bowl-48-football-championship-today-plus-university-of-wisconsin-madison-singers-and-instrumentalists-movingly-celebrate-franz-s/

football

Super Bowl 47 in 2013, which drew a lot of reader suggestions and comments:

https://welltempered.wordpress.com/2013/02/03/classical-music-what-classical-music-goes-best-with-super-bowl-47-today-since-there-are-fewer-live-concerts-to-attend-that-conflict-with-the-football-game/

Let us know what you think.

The Ear wants to hear.

 


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