By Jacob Stockinger
The Madison Choral Project (below) bills itself as Madison’s only professional and paid choir, and judging by the results, the a cappella group has succeeded, creating many loyal fans. (You can hear a sample performance — of a world premiere, no less — in the YouTube video at the bottom.)
Such success is in large part thanks to the efforts of its founder, director and conductor Albert Pinsonneault (below). Originally a music professor at Edgewood College, Pinsonneault now works at Northwestern University.
He commutes from his home in Madison where he continues his work with the Madison Choral Project.
You can sample his and the choir’s impressive music-making this weekend at two performances in two different venues of a concert called “Drown’d in One Endlesse Day.”
Here are details:
“Drown’d in One Endlesse Day” features a world premiere of Wisconsin composer Eric William Barnum (below).
The Madison Choral Project champions new music. But also on the eclectic program are new and old pieces exploring the transformational moments when “time seems to stop.”
Featured composers and compositions include: the motet Komm, Jesu, Komm by Johann Sebastian Bach; “Crucifixus” by Antonio Lotti (below top); There is an Old Belief by the British composer Sir Charles Hubert Hastings Parry (below second); Credo by Finnish composer Einojuhani Rautavaara (below third, in photo by Getty Images); I Live in Pain and Last Spring by the Pulitzer Prize-winning American composer David Lang (below fourth); and Entreat Me Not to Leave You by Dan Forrest (below bottom).
PERFORMANCES:
On Saturday night at 7:30 p.m.: CHRIST PRESBYTERIAN CHURCH, 944 East Gorham Street in Madison on the near east side
On Sunday afternoon at 2 p.m.: St. ANDREW’S EPISCOPAL,
1833 Regent Street in Madison on the near west side
Tickets are $40 for preferred seating; $24 for general admission; and $10 for students.
To buy tickets online (they are also available at the door) as well as to see more background, reviews, information and several videos of MCP performances, go to:
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Comment by Deb Anken-Dyer — February 10, 2018 @ 8:43 am