IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.
By Jacob Stockinger
This afternoon at 2:30 p.m. in Overture Hall is your last chance to hear the Madison Symphony Orchestra (below, in a photo by Peter Rodgers) perform Gustav Mahler’s monumental Symphony No. 8, called the “Symphony of a Thousand.”
The big work celebrates a big event: The closing of the 25th anniversary season of music director and conductor John DeMain (below, in a photo by Prasad), who discussed the Mahler symphony and played recorded excerpts with radio host Norman Gilliland on last Thursday’s edition of The Midday on Wisconsin Public Radio:
https://www.wpr.org/shows/symphony-thousand
The critics are unanimous in their praise.
Sure, they voice a few minor quibbles here and there.
But mostly they agree: This is a must-hear performance of an epic and complex 90-minute work by Mahler (below) that is rarely heard live because it requires such massive forces and such accomplished performers. (In the YouTube video at the bottom, you can hear Klaus Tennstedt, the London Philharmonic and soloists perform the finale to the rapturous “Symphony of a Thousand.”)
Specifically, that means that if you go, you will hear more than 500 performers who include: the symphony orchestra; the concert organ; eight highly acclaimed guest vocal soloists; and three choirs, including the University of Wisconsin Choral Union.
But you can see and judge for yourself.
Here is a link to a posting last week on this blog with more information about the concert, the performers and other tickets:
Here is a link to the review of the opening night that John W. Barker wrote for Isthmus:
https://isthmus.com/music/monumental-closer/
Here is a link to the review that Matt Ambrosio wrote for The Capital Times:
And here are some reviews on Facebook by ordinary listeners and concertgoers:
https://www.facebook.com/pg/MadisonSymphony/posts/
You can also leave your opinion in the comment section of this blog.
The Ear wants to hear.
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Matt Ambrosio not only knows music, he knows how to write. Those are rare qualities in critics. Can we hear more of him?
To the other guy: Mahler was an Austrian/Bohemian. Although he (and they) speak German, they are different. The symphony was written in 1906 in Southern Austria.
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Comment by fflambeau — May 5, 2019 @ 6:38 am