The Well-Tempered Ear

Classical music: Prize-winning UW-Madison conductor Chad Hutchinson talks about the FREE and unusual all-American, all-20th century concert he will perform with the UW Symphony Orchestra this Friday night

October 9, 2018
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By Jacob Stockinger

Chad Hutchinson (below) is starting his second season at the University of Wisconsin-Madison’s Mead Witter School of Music by putting his own stamp on programming with an intriguing, all-American and all-20th-century concert that combines music for the concert hall with music for plays and films.

The FREE concert by the UW Symphony Orchestra is in Mills Hall this Friday night, Oct. 12, and starts at 8 p.m. with an informal pre-concert talk by Hutchinson (below) at 7:30 p.m.

Hutchison recently won one first prize and two second prizes from The American Prize for work he did – in opera conducting, orchestral conducting and orchestral programming — at the University of Minnesota and the University of South Dakota.

For more details, go to: https://www.music.wisc.edu/event/uw-madison-symphony-orchestra-3/

The Ear asked Hutchinson how, after his first year, he feels about the UW-Madison.

He answered: “What makes the UW-Madison special is the camaraderie and support of the students, faculty and staff across the numerous disciplines within the Mead Witter School of Music.

“I’m thrilled to be back working with the orchestra (below), opera and conducting students and collaborating with the amazing faculty here. Seeing the “light bulb” moments when students realize and achieve a new level of competency for themselves and the ensemble is the best part of the profession.”

Here are his thoughts about the program:

“The UW-Madison Symphony Orchestra opens the 2018-2019 season with a program of three influential American composers. This concert will highlight the juxtaposition of traditional classical music and compositions heavily influenced by folk, jazz and the blues.

“A common thread throughout the concert is the idea of firsts and exploring new ideas as a composer.

“The Overture to “The School for Scandal” (1931) of Samuel Barber (below) was the first piece that he composed for full orchestra and is based on the Restoration comedy by Richard Sheridan.

“This performance will be the debut of one of the Symphony Orchestra’s new doctoral conducting students Ji-Hyun Yim (below). Ji-Hyun (Jenny) comes to Madison after completing a Master’s Degree in Orchestral Conducting from the University of North Texas.

“The second piece on the program is one that I have wanted to program for quite some time. The “Afro-American” Symphony (1930) of William Grant Still (below, in a photo by Carl Van Vechten), his first symphony, is widely regarded as the first large-scale piece of symphonic repertoire composed by an African-American and performed by a major symphony orchestra.

Each movement’s title is influenced by short poems by the 20th-century African-American poet Paul Laurence Dunbar (below, in 1890).

“Since the Barber and Still were composed within one year of each other in 1930-1931, I wanted to show the dichotomy of the straight-ahead classical world and the other side of classical music in the late 1920s and 1930s that was being heavily influenced by the more popular music of the time.

“Lastly, we feature the first and only film music that Bernstein composed. “On the Waterfront” (1954), an Oscar-winning film directed by Elia Kazan that starred Marlon Brando (below) and Eva Marie Saint, shows Bernstein writing simultaneously for the symphonic hall and the big screen.

“This work will feature UW-Madison professor of saxophone and composition Les Thimmig (below) and will showcase many soloists within the orchestra. While not programmed as often as his music from West Side Story or On the Town, I believe that Bernstein’s unique use of color, rhythm and melody in this work – heard in the YouTube video at the bottom — speak for themselves.”


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Classical music: Choral conductor Albert Pinsonneault is leaving Edgewood College and Madison for a new job at Northwestern University.

May 22, 2015
5 Comments

By Jacob Stockinger

Last week, it was a critically acclaimed performance of music by Gian Carlo Menotti by the Madison Chamber Choir.

At the end of this month, it is two performances of a concert by the Madison Choral Project with guest conductor Dale Warland.

Now both appear to be farewell concerts to Albert Pinsonneault (below), a professor at Edgewood College who is the choral director of Madison Chamber Choir and the Madison Choral Project as well as assistant choral director for the Madison Symphony Orchestra’s chorus.

Pinsonneault (below) has been named Associate Director of Choral Organizations at the Bienen School of Music at Northwestern University, near Chicago. He will take up his new post this fall.

Albert Pinsonneault 2

Here is his how Pinsonneault posted the move on Facebook:

“I am so excited to announce that I will be joining the faculty of the Bienen School of Music as Associate Director of Choral Organizations at Northwestern University next fall!

I could not be more honored to work alongside Donald Nally NU, and the amazing student-musicians in the Northwestern University Choirs.”

And here is the official press release from the Bienen School of Music at Northwestern University:

“The Bienen School of Music at Northwestern University announces the appointment of Dr. Albert Pinsonneault (PEN-son-oh) as Associate Director of Choral Organizations.

“Dr. Pinsonneault will join the faculty Fall 2015, conducting Northwestern’s University Singers and teaching choral literature at the graduate level, part-time. He will also assist in various musical activities of the expanding choral program at the Bienen School of Music, working closely with Director of Choral Organizations Dr. Donald Nally.

albert pinsonneault Edgewood mug BW

“Dr. Pinsonneault is founder and artistic director of the professional chamber choir Madison Choral Project, as well as assistant conductor of the Madison Symphony Chorus. From 2009 to 2015 he served as Associate Professor of Music at Edgewood College.  A native of St. Paul, Minnesota, he attended St. Olaf College and the University of Minnesota before completing his doctoral study at the College-Conservatory of Music (CCM) of the University of Cincinnati.

albert pinsonneault conducting BW

“Dr. Pinsonneault’s scholarship focuses on choral blend and intonation, the physical/kinesthetic act of conducting and the music of F. Melius Christiansen.  His book, “Choral Intonation Exercises,” is published by Graphite Publishing.”

The Ear offers hearty Congratulations to Albert Pinsonneault, who has proven a tireless and gifted advocate for choral music. Madison’s loss is his gain and Northwestern University’s gain.

I am sure he will appreciate it if you leave word for Pinsonneault about his work in the COMMENTS column of this blog

 

 


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