The Well-Tempered Ear
Classical music: Longtime NPR host Robert Siegel brought his love of classical music to “All Things Considered.” Here are 10 interviews and some background to mark his recent retirement
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By Jacob Stockinger
If you are a fan of “All Things Considered” on National Public Radio – and The Ear certainly is – you probably already know not to listen for veteran host Robert Siegel (below) on this afternoon’s broadcast.
Or any other ATC broadcast in the future.
That is because last Friday afternoon Siegel had his last sign-off. He retired after spending 41 years with NPR – the first 10 as a reporter, including as a London correspondent, and the last 31 as a host of the prize-winning afternoon news and features magazine “All Things Considered,” which, by the way, was created by Jack Mitchell, who later came to teach Mass Communications at the UW-Madison.
There will be much to miss about Siegel. His qualities included a calming voice, a ready laugh, fairness and objectivity, a convivial studio presence and sharp but respectful interviewing skills.
One of the things that The Ear hopes will survive Siegel’s departure is the much-needed public attention he brought to classical music, which he loved and which the other media today so often ignore.
The mark his retirement, NPR classical music blogger Tom Huizenga compiled a list of 10 important interviews that Siegel conducted over the years. Then he put links to those interviews on an NPR blog.
Huizenga also got Siegel to open up about the formative influences that sparked his love for classical music. They included his young love for the Piano Concerto No. 5 in E-flat Major, Op. 73, by Ludwig van Beethoven — the so-called “Emperor” Concerto, which you can hear played by Alfred Brendel in the YouTube video at the bottom.
Siegel went on to cover big stars like superstar soprano Renee Fleming; medium stars like violinist Gil Shaham (below), who performs with the Madison Symphony Orchestra this month; and smaller and new stars like the iconoclast harpsichord virtuoso Mahan Esfahani.
He also covered a U.S. Army rifleman who performed a violin recital for Churchill and Truman, and the role that music by Beethoven played in Communist China.
And there are many, many more, for which classical music and we listeners owe a debt to Siegel.
Check it out and enjoy! Here is a link to that posting on the Deceptive Cadence blog:
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Classical music: The Wisconsin Chamber Choir will sing a varied holiday program about peace on Earth this coming Saturday night
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By Jacob Stockinger
This coming Saturday night, the Wisconsin Chamber Choir (below) will sing its holiday concert featuring works about peace on Earth.
The concert is at 7:30 p.m. in the Atrium Auditorium, (below, in a photo by Zane Williams) of the First Unitarian Society of Madison, 900 University Bay Drive.
The holiday message of peace and good will to all people resonates across the centuries. Tragically, the proclamation, “Peace on earth” is every bit as relevant today as it was 2,000 years ago.
WCC director and conductor Robert Gehrenbeck (below), who directs the choral program at the UW-Whitewater and who is celebrating his 10th season with the group, writes in his program notes to the concert:
“According to New York Times foreign correspondent Chris Hedges, “Of the past 3,400 years, humans have been entirely at peace for 268 of them, or just 8 percent of recorded history.” “This evening’s program by the Wisconsin Chamber Choir explores humanity’s yearning for peace through the centuries.
The centerpiece of the WCC’s 2017 holiday concert is British composer Gerald Finzi’s exquisite retelling of the Christmas story, In terra pax, for choir, soloists and chamber orchestra. Baritone Brian Leeper (below top) and soprano Ann Baltes (below bottom) are among the featured soloists, performing with members of Sinfonia Sacra, the WCC’s professional orchestra.
In his own program notes, Finzi explained that the Nativity “becomes a vision seen by a wanderer on a dark and frosty Chrismas Eve, in our own familiar landscape.”
Finzi scholar Andrew Burn elaborates: “On New Year’s Eve, 1926, the 25-year old Gerald Finzi (below) joined the bell-ringers of the tiny church of St. Bartholomew perched on the crest of Chosen Hill, near Gloucester, as they rang in the New Year. For Finzi, the experience was unforgettable—the frosty starlit night with bells ringing out from churches far and near across the Severn valley—and from it sprang the orchestral New Year Music and [25 years later] In terra pax, his last major composition.
In terra pax is a masterpiece in miniature. Finzi’s pacifism is at its heart, and his belief that men and women of goodwill should live harmoniously together. Weaving through the music are three ideas: the pealing of the bells with their joyous message, a phrase from the carol The First Nowell, and the alleluia refrain from the hymn Lasst uns erfreuen (‘Ye Watchers and Ye Holy Ones”).” (You can hear the opening of the work in the YouTube video at the bottom.)
Complementing Finzi’s music are two other works with instrumental accompaniment: Felix Mendelssohn’s moving prayer for peace, Verleih uns Frieden, and an energetic Gloria from Johann Sebastian Bach’s Mass in A major.
Several more recent works bring the concert’s message up to date, including Cry Peace by Libby Larsen (below top) and the haunting Winter Solstice Carol by Giles Swayne (below bottom).
A varied selection of carol arrangements rounds out the program, including a resplendent setting of Silent Night by one of the WCC’s favorite composers, Peter Bloesch (below).
Founded in 1998, the Wisconsin Chamber Choir has established a reputation for excellence in the performance of oratorios by Bach, Mozart and Brahms; a cappella works from various centuries; and world premieres.
Advance tickets for the Dec. 16 performance are available for $20 ($10 for students) from www.wisconsinchamberchoir.org, via Brown Paper Tickets, or at Orange Tree Imports and Willy Street Coop (all three locations).
Tickets will also be available at the door for $25 ($10 for students).
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