The Well-Tempered Ear

Classical music education: Brother and sister alumni return to play cello and conduct in the fall concerts by Wisconsin Youth Symphony Orchestras. Plus, hear a free concert of three solo cello suites by Bach on Friday at noon

November 9, 2016
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ALERT: This week’s FREE Friday Noon Musicale at the First Unitarian Society of Madison 900 University Bay Drive, features cellist Leonardo Altino playing Suites Nos. 1, 5 and 6 for unaccompanied cello by Johann Sebastian Bach. The concert runs from 12:15 to 1 p.m.

By Jacob Stockinger

WYSO will kick-off its 51st season with the Evelyn Steenbock Fall Concerts on this Saturday, Nov. 12, and next Saturday, Nov. 19. Nearly 500 young musicians will display their talents to the community during the concerts, which are dedicated to music teachers.

WYSO Youth Orchestra

The Youth Orchestra concert on Nov. 19 will be performed at the River Arts Center in Prairie du Sac, where WYSO will welcome back two alumni guest artists: Kenneth Woods and Cynthia Woods.

Kenneth will be playing cello and Cynthia will be conducting in the Cello Concerto by British composer Philip Sawyers. (You can hear Kenneth Woods conduct the opening movement of the cello concerto in the YouTube video at the bottom.)

The Youth Orchestra, under the direction of James Smith, will also be playing Symphony No. 2 by Ralph Vaughan Williams and Overture to the opera “Der Freischuetz” by Carl Maria von Weber.

Cynthia Woods (below) is currently the Music Director of the Cambridge Symphony Orchestra and the conductor for the Youth Preparatory Orchestra at the New England Conservatory, where she serves on the violin, chamber and conducting faculty.

Along with her conducting activities, Ms. Woods is also a frequent speaker and writer. She has been a guest lecturer at institutions such as MIT and the Longy School of Music of Bard College, a panelist for radio shows such as WGBH’s Callie Crossley, and a frequent contributor to The Boston Herald’s State of the Arts blog. Cynthia was a member of WYSO from 1984–1989 in Concert, Philharmonia and Youth Orchestra.

For more background about Cynthia Woods, go to:

http://www.wysomusic.org/guest-artists/cynthia-woods/

https://www.wysomusic.org/events/concerts-recitals/evelyn-steenbock-fall-concerts/interview-with-cynthia-woods/

cynthia-woods

Kenneth Woods (below) is currently the Artistic Director and Principal Conductor of the English Symphony Orchestra. As a cello soloist and chamber musician, Wood’s collaborators have included members of the Toronto, Chicago and Cincinnati symphonies, the Minnesota, Gewandhaus and Concertgebouw orchestras and the La Salle, Pro Arte, Tokyo and Aubudon String Quartets.

He also  is currently cellist of the string trio Ensemble Epomeo, with whom he performs regularly in the UK, Europe, and the USA. He writes a popular blog, “A View From the Podium.” Kenneth was a member of WYSO from 1980–1986 in Concert, Philharmonia and Youth Orchestra. He also studied cello at the University of Wisconsin-Madison School of Music with Parry Karp, of the Pro Arte Quartet.

For more background and an interview with Kenneth Woods, go to:

http://www.wysomusic.org/guest-artists/kenneth-woods-cellistconductor/

https://www.wysomusic.org/events/concerts-recitals/evelyn-steenbock-fall-concerts/interview-with-ken-woods/

Avie, London 15 Feb 2011

Schedule and Programs

November 12, 2016 – 1:30 P.M., Mills Hall

Philharmonia Orchestra

  • Rimsky- Korsakov: Procession of the Nobles from Mlada 
  • Shostakovich: Finale from Symphony No. 5, Op. 47 
  • Prokofiev: Montagues and Capulets from Romeo and Juliette, 2nd suite
  • Shostakovich: Six Pieces from the First Ballet Suite Op. 84

wyso concert orchestra brass

November 12, 2016 – 4 P.M., Mills Hall

CONCERT ORCHESTRA (below)

  • Jack Bullock: Okeanos
  • James Curnow: Phoenix Overture
  • Jaromír Weinberger: Polka from the Opera Schwanda, the Bagpiper
  • Albert O. Davis: Moonlight Masquerade
  • Richard Strauss: Allerseelen (All Souls’ Day) Op. 10 No. 8

SINFONIETTA

  • Domenico Gallo: Sinfonia in G
  • Grieg: A Nordic Lullaby Op. 68, No.5 
  • Tchaikovsky: Serenade for Strings 
  • Robert S. Frost and Mary Elledge: Tales from Sherwood Forest
  • Brian Balmages: Wood Splitter Fanfare
  • Norman Leyden: Serenade for String Orchestra
  • Michael Korb and Ulrich Roever: Highland Cathedral 
  • William Owens: Carpathia
  • Sebastian Yradier: La Paloma 

wyso-youth-orchestra-2016-2

November 19, 2016 – 7 P.M., River Arts Center

YOUTH ORCHESTRA (below)

  • Symphony No.2– Ralph Vaughan Williams
  • Overture to the opera “Der Freishuetz”– Carl Maria von Weber
  • Cello Concerto– Philip Sawyers 
with Kenneth Woods – Cello, Cynthia Woods – Conductor

youth-orchestra-1

The Evelyn Steenbock Fall Concerts will be held in Mills Concert Hall in the UW Humanities Building, 455 N. Park Street, Madison, and at the River Arts Center, 105 Ninth St. Prairie du Sac, Wisconsin.

WYSO concerts generally run about an hour and a half in length, providing a great orchestral concert opportunity for families.

Tickets are available at the door, $10 for adults and $5 for youth 18 and under.

This project is supported by Dane Arts with additional funds from the Evjue Foundation, Inc., the charitable arm of The Capital Times. This project is also supported in part by a grant from the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts.


Classical music: Cellist Sara Sant’Ambrogio talks about the human quality of French music. She performs Saint-Saens’ Cello Concerto No. 1 on an all-French program with the Madison Symphony Orchestra this weekend.

November 16, 2015
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By Jacob Stockinger

The award-winning cellist Sara Sant’Ambrogio (below) makes her solo debut with the Madison Symphony Orchestra (MSO) in an all-French program this coming weekend.

sara sant'ambrogio 1

Sant’Ambrogio will solo in Camille Saint-Saëns’ stormy Cello Concerto No. 1 in A Minor, a first-time performance of the work by the MSO under its music director and conductor John DeMain.

The opening piece, Maurice Ravel’s sensuous Valses Nobles et Sentimentales, showcases the classical simplicity and ultimate decadence of the waltz, and the colors of all the instruments in the orchestra.

ravel

Finally, the MSO will perform the groundbreaking Symphonie Fantastique by Romantic composer Hector Berlioz (below). It is an unorthodox five-movement work that vividly captures an artist’s tortured infatuation and the haunted hallucinations of an opium trip.

berlioz

The concerts are in Overture Hall on Friday night at 7:30 p.m.; Saturday night at 8 p.m.; and Sunday afternoon at 2:30 p.m. in the Overture Center, 201 State Street.

Sara Sant’Ambrogio is an internationally-renowned soloist and founding member of the Eroica Trio (below). She launched her international career when she was a winner at the Eighth International Tchaikovsky Violoncello Competition in Moscow, Russia. She holds degrees from the Curtis Institute of Music and The Juilliard School, and won a Grammy Award for Best Chamber Music Performance for Leonard Bernstein‘s “Arias and Barcarolles.” She last appeared with the Madison Symphony Orchestra in 2001 as part of the Eroica Trio.

EroicaTrio4

Written in 1872, Saint-Saëns’ Cello Concerto No. 1 was instantly regarded as a masterpiece by the Paris public. Saint-Saëns rejected the standard concerto form in this work by interlinking the piece’s three movements into one continuous musical expanse, held together by the rich lyrical power of the cello.

The composer found the Cello Concerto No.1 difficult to write, so much so that he vowed never to compose for cello again; Saint-Saëns broke this vow 30 years later with his Cello Concerto No. 2.

One hour before each performance, John DeMain, music director and principal conductor of the Madison Symphony Orchestra, will lead a FREE 30-minute Prelude Discussion in Overture Hall to enhance concertgoers’ understanding and listening experience.

More background on the music can also be found in the Program Notes at http://www.madisonsymphony.org/santambrogio

Single Tickets are $16 to $85 each, available at     www.madisonsymphony.org/singletickets and through the Overture Center Box Office at 201 State Street or call the Box Office at (608) 258-4141.

Groups of 15 or more can save 25 percent by calling the MSO office at (608) 257-3734. For more information visit, www.madisonsymphony.org/groups

Student rush tickets can be purchased in person on the day of the concert at the Overture Box Office. Students must show a valid student ID and can receive up to two $12 or $15 tickets. More information is at: www.madisonsymphony.org/studentrush. Students can receive 20 percent savings on seats in select areas of the hall on advance ticket purchases.

Seniors age 62 and up receive 20 percent savings on advance and day-of-concert ticket purchases in select areas of the hall.

Discounted seats are subject to availability, and discounts cannot be combined.

Find more information at www.madisonsymphony.org.

Major funding for the November concerts is provided by Barbara Ryder, DeEtte Beilfuss-Eager and Leonard P. Eager, Jr., in memory of Karen “Lovey” Johnson, and Rosemarie Blancke. Additional funding is provided by Martha and Charles Casey, Sunseed Research, LLC, and the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts.

Sara Sant’Ambrogio (below) recently agreed to an email Q&A with The Ear:

sara sant'ambrogio

Could you briefly bring readers up to date on your career since 2001 when you last appeared with the Madison Symphony Orchestra as part of the Eroica Trio and performed the Triple Concerto for piano trio? What are current and future major plans and projects?

Wow, a lot has happened since 2001! I had a son, Sebastian, who just turned 11. I’ve recorded for solo CDs, the complete Bach solo suites, the Chopin collection and “Dreaming,” which has had a number of tracks used in movie soundtracks such as the HBO movie “A Matter of Taste.” I’ve recorded another Eroica Trio CD, “An American Journey,” which was nominated for a Grammy award.

I’ve toured China and all over Asia, and also the Arabian peninsula, which was amazing and mind-blowing. Petra in Jordan was like being in an Indiana Jones movie. It has been a truly amazing 14 years!

There seems to be a revival or rediscovery going on of the works of the French composer Camille Saint-Saëns. Why do you think that is?

Saint-Saens (below) has been grossly underrated in my view. His music has a wonderful mix of gorgeous melodies that speak to the human condition, sparkling virtuous pyrotechnics and a joie de vivre, which is just infectious! What’s not to love!

camille saint-saens younger

You are performing on an all-French program with Berlioz’ “Symphonie Fantastique” and Ravel’s “Valses Nobles et Sentimentales.” What elements or traits do identify as being typically French in classical music, and does Saint-Saëns fit the mold?

I think there is a lushness to French music that Saint-Saens shares. There is also a very human quality to the best of French music.

What would you like to say about the piece you will be performing in Madison, the Cello Concerto No. 1? What is typical or unusual about it?  What in particular would you like the public to listen to and notice?

Just to have a blast! The Saint-Saens starts with a bang and never lets up till the joyous end! (Note: You can hear it played by the late Russian cellist, conductor and human rights activist Mstislav Rostropovich in a YouTube video at the bottom.)

What else would you like to say?

I can’t wait to come back and play in Madison again. I had such a fantastic time playing there last time with my trio that the town loomed so large in my imagination, I had no idea until this interview that it had been 14 years since I was last there.

 


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