The Well-Tempered Ear
Classical music: There was so much to like about the Grand Tour finale of the 2019 Madison Early Music Festival. But where were the high notes in Allegri’s legendary “Miserere”?
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By Jacob Stockinger
Fair is fair.
Before he talks about last Saturday night’s conclusion of the successful 2019 Madison Early Music Festival – which marked its 20th anniversary — The Ear has a confession to make: He generally prefers later Baroque music and he generally prefers instrumental music to vocal or choral music.
That said, he nonetheless had a memorable and very enjoyable time on the “Grand Tour” during the well-attended All-Festival concert. There was so much to like and to admire.
The concert used the conceit of a Grand Tour by a composite 17th-century traveler going to London, Venice, Rome, Naples, Paris and Dresden to take in the local sights and local music, and included lesser-known composers such as William Lawes and William Child as well as such famous figures as Claudio Monteverdi, Giovanni Gabrieli , Jean-Baptiste Lullyand Heinrich Schütz.
Like most journeys, this one – once again assembled in an ingenious scissors-and-paste job by early music specialist Grant Herreid (below) – had many entertaining and uplifting moments.
But it also had one big disappointment.
The Ear really looked forward to hearing a live performance of the famous “Miserere” by Gregorio Allegri (below) as a high point. But those haunting, ultra-high descant notes that give you goosebumps and that you never forget hearing just never materialized.
Maybe it had to do with the different ornamentation that the MEMF forces used. Maybe it was based on a different manuscript or score. Maybe there was no one capable of singing those spellbinding and unforgettable high notes.
Whatever the reason, The Ear’s hope for a live performance of the dramatic and iconic work were dashed and the famous, even classic, recorded versions – the 1980 recording by the Tallis Scholars is heard in the YouTube video at the bottom — remain for him the unsurpassed standard.
The evening also had its ironies. That same night on the NBC TV news The Ear saw a story about “overtourism” in Europe and China. Venice, for example, has now shrunk to only about 50,000 unhappy residents who put up with some 20 million tourists a year.
But centuries ago, travel was a rare and exotic luxury of the wealthy and well-educated, not an affordable indulgence or curiosity by ever-expanding middle classes. And this metaphorical trip proved an ideal vehicle to sample 16th- and 17th-century music in England, France, Germany and Italy.
Combining high culture and low, Herreid chose witty and detailed travelogue texts that gave the audience the rich flavor of various cultures at the time.
Details mattered to the four sharp-eyed travelers on which this tour was based. So as “our hero” wandered, we got to hear about the “libidinous ladies” of Naples and the musical talented courtesans of Venice as well as the richly attired archbishop of Paris attending a feast day service in the newly finished Notre-Dame cathedral.
Such descriptions were well delivered by unnamed narrators (below) from the chorus and proved a refreshingly earthy and entertaining counterpoint to the more serious spiritual and religious music of the era.
Another big satisfaction was the exceptional quality of the ensemble playing – exhibited even in large amounts of less interesting music — by the many singers and instrumentalists on the stage of Mills Hall, and, at one point, in the hall’s balcony.
Whether the players and singers were conducted by Herreid or by assistant conductor Jerry Hui — a UW-Madison graduate who is now a tenured professor at UW-Stout — the music sounded tight, authentic and expressive.
As for more superficial pleasures, it is great visual fun watching such early versions of modern string, wind and percussion instruments being played — trombone-like sackbuts, oboe-like shawms, flute-like recorders and lute-like theorbos. (Below are cello-like viols.)
The players, both faculty and students, were particularly convincing on their own in the sound painting done to depict battle scenes and political upheaval. And who will ever forget the surprise of loud foot-stomping by all the performers and conductor?
Herreid was absolutely spot-on to keep the program to about 80 minutes with no intermission. It helped the audience stay in the spirit of the Grand Tour and added cohesion to the program.
The Grand Tour, in short, proved outstanding in concept and excellent in execution.
But was The Ear alone in missing to those high notes?
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Classical music: Madison Opera’s annual FREE Opera in the Park returns this Saturday night, July 20, in Garner Park and celebrates 18 years plus a glimpse of the upcoming season
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By Jacob Stockinger
The Ear has received the following announcement to post about one of the most highly anticipated musical events of summer, one that offers lots of family-friendly fun and serious musical enjoyment:
Madison Opera’s Opera in the Park (below, in a photo by James Gill) celebrates its 18th year on this coming Saturday night, July 20, at 8 p.m. in Garner Park, on Madison’s far west side at the intersection of Rosa Road and Mineral Point Road.
The annual free concert of opera and Broadway favorites closes the company’s 2018-19 season and provides a preview of the 2019-20 season. (You can hear a sample of past years in the YouTube video at the bottom.)
A Madison summer tradition that often attracts over 14,000 people, Opera in the Park is an enchanting evening of music under the stars, featuring selections from opera and Broadway.
Opera in the Park 2019 features soprano Jeni Houser, soprano Michelle Johnson, tenor David Blalock and baritone Ben Edquist.
Jeni Houser (below) has sung many roles with Madison Opera, most recently in Sondheim’s A Little Night Music, and she returns next season as Eurydice in Offenbach’s Orpheus in the Underworld.
Michelle Johnson (below) scored a major success with Madison Opera as Santuzza in Mascagni’s Cavalleria Rusticana last season.
David Blalock (below) debuted with Madison Opera in 2014 and returns this season as Orpheus in Orpheus in the Underworld.
Ben Edquist (below) is making his debut, and will return to the company as Hawkins Fuller in Gregory Spears’ Fellow Travelers, about the Lavender Scare against LGBTQ people, in February.
The four soloists are joined by the Madison Opera Chorus and Madison Symphony Orchestra, conducted by John DeMain (below, in a photo by Greg Anderson).
The evening is hosted by Madison Opera’s General Director Kathryn Smith and WKOW TV’s 27 News co-anchor George Smith (below, in a photo by Simon Fowler).
“Opera in the Park is the greatest performance in Madison Opera’s season,” says Smith (below, in a photo by James Gill). “It offers a truly magical blend of beautiful voices, music from many centuries, and thousands of members of our community relaxing together under the same night sky. I am grateful to all of our supporters who share our belief in the community-building power of music and help us produce this concert every summer.”
Opera in the Park 2019 features arias and ensembles from Verdi’s La Traviata, which opens the 2019-20 season in November; Spears’ Fellow Travelers, which will be performed in February; and Offenbach’s Orpheus in the Underworld, which will be performed in April.
The program also includes selections from Verdi’s Rigoletto and La Forza del Destino (The Force of Destiny); Donizetti’s The Elixir of Love and Don Pasquale; Korngold’s Die Tote Stadt (The Dead City); Romberg’s The Student Prince; Funny Girl; Rodgers and Hammerstein’s Carousel; and more. As always, this spectacular evening will include one number conducted by the audience with light sticks (below).
Garner Park is located at 333 South Rosa Road. Parking is available in the CUNA Mutual Group and University Research Park lots. Attendees are encouraged to bring picnics, blankets and chairs. Alcohol is permitted but not sold in the park.
On the day of the concert, Garner Park will open at 7 a.m. Audience members may not leave items in the park prior to this time. Lots of porta potties will be provided. Transportation via golf carts is available for those who have limited mobility.
The rain date for Opera in the Park is Sunday, July 21, at 8 p.m.
For more details about attending Opera in the Park and for more extensive biographies of the singers, go to: https://www.madisonopera.org/2018-2019-season/oitp/
While Opera in the Park is free to attend, it would not be possible without the generous support of many foundations, corporations, and individuals who believe in the importance of music in the community.
Madison Opera is grateful to the sponsors of Opera in the Park 2019.The Presenting Sponsor is the BerbeeWalsh Foundation. Other sponsors are the John and Carolyn Peterson Charitable Foundation; Full Compass Systems; the Raymond B. Preston Family Foundation; University Research Park; Colony Brands; the Evjue Foundation; Johnson Financial Group; MGE Foundation; National Guardian Life; the Wisconsin Arts Board; Dane Arts; and the Madison Arts Commission.
WKOW, Madison Magazine, Wisconsin Public Radio, Magic 98, and La Movida are media sponsors for this community event.
RELATED EVENTS
The Prelude Dinner at Opera in the Park 2019 is at 6 p.m. This annual fundraiser to benefit Opera in the Park helps support Madison Opera’s free gift to the community.
The event includes dinner catered by Upstairs Downstairs, VIP seating at the concert, and a reception with the artists following the performance. Tickets are $150 per person or $1,150 for a table of eight.
More information about Opera in the Park and about the 2019-20 season, including subscriptions, is available at Madison’s Opera’s home website www.madisonopera.org
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Classical music: After opening on Friday night, the Willy Street Chamber Players will perform a FREE and PUBLIC concert at Oakwood Village West on Saturday night at 7
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By Jacob Stockinger
You might recall that this Friday night, July 12, at 6 p.m., the critically acclaimed Willy Street Chamber Players will open their fifth summer season at Immanuel Lutheran Church at 1021 Spaight Street on the near east side. (Tickets are $15.)
Core members of the Willys (below, from front left) are: violist Rachel Hauser, violinist Eleanor Bartsch, cellist Lindsay Crabb, cellist Mark Bridges and violinist Paran Amirinazari.
Rachel Hauser will not play. But the others will be joined by two guest violists and University of Wisconsin-Madison alumni: prize-winning Danny Kim (below top) of the Boston Symphony Orchestra; and Nicholas Jeffery (below bottom) of Chicago’s Ursa Ensemble. Here are links to more information about each of them:
https://www.bso.org/strings/danny-kim-viola.aspx
For more information and biographies of the local performers, go to the website: http://www.willystreetchamberplayers.org/2019-summer-series.html
Put your cursor first on ABOUT and then on PLAYERS.
But The Ear has now received word that the Willys will also perform a FREE concert that is open to the public on Saturday night at 7 p.m. in the auditorium of the Oakwood Village West (now called University Woods) retirement center, 6205 Mineral Point Road. The concert is sponsored by Kato Perlman (below), a well-known and generous supporter of classical music in Madison.
The program is the same as the previous night’s except for the contemporary work “Study for String Instrument No. 1” (2007) by Simon Steen-Andersen: the String Quintet No. 1 in A minor (1826), Op.18, by Felix Mendelssohn (1826), and the String Quintet No. 2 in C minor (1787), K. 406/516b by Wolfgang Amadeus Mozart. (You can hear the first movement of the Mozart quintet, played by the Dover Quartet, in the YouTube video at the bottom.)
Now in their fifth season, the Willy Street Chamber Players (WSCP) has become an established part of the vibrant Williamson Street neighborhood on Madison’s east side.
Recently recognized in Madison Magazine’s prestigious “Best of Madison” reader poll in the category of “Best Classical Music Group,” WSCP has received numerous accolades for its accessible and exciting performances, intelligent and fun programming, and community partnerships.
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Classical music: The critically acclaimed and popular Willy Street Chamber Players start their fifth summer series with a FREE community concert this Friday
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By Jacob Stockinger
The Ear has received the following announcement for a remarkable and must-hear summer series of chamber music concerts that from its very beginning seems to have found a successful formula that resonated with the public It relies on informality, affordable tickets, first-rate musicianship, short concerts, eclectic programs that mix classics with sure-fire new music, support for their local community.
Now in their fifth year, the Willy Street Chamber Players (WSCP, below) have become an established part of the Williamson Street neighborhood.
Recently awarded the silver medal in Madison Magazine’s prestigious “Best of Madison” reader poll in the category of “Best Classical Music Group,” WSCP has received numerous accolades for its accessible and exciting performances, intelligent and fun programming, and dedication to community partnerships.
The group has also been named “Musician of the Year”for 2016 by this blog.
The Summer Series concerts are on Friday evenings at 6 p.m. in the sanctuary of the beautiful Immanuel Lutheran Church (below) at 1021 Spaight St. The church is right on Lake Monona in the Williamson Street neighborhood. Enjoy 60-90 minutes of inspiring and unforgettable live music, then go explore the neighborhood with the remaining daylight hours.
Following the performance, enjoy a reception provided by one of our Willy Street restaurant partners. (Past contributors have been the Underground Butcher, Let It Ride Cold Brew Coffee, Madison Sourdough, the Willy Street Co-Op, Festival Foods, Roman Candle Pizza and more.)
While you enjoy your snacks, chat with the friendly musicians and ask them about the performance, the pieces and the group. We love interacting with our awesome audience.
A season pass is $40. Admission to individual concerts is $15. For tickets and more infomation, got to: http://www.willystreetchamberplayers.org/2019-summer-series.html
COMMUNITY CONNECT – This is a FREE and family-friendly concert with all ages welcome for music, interactive learning, conversation and connections.
It takes place this Friday, July 5, at 6 p.m. at the Goodman Community Center (149 Waubesa Street on the east side), as is posted on the home website — NOT at the Wil-Mar Neighborhood Center, which is listed in the printed brochure but is undergoing construction.
The program – “Growing Sound: A Sonic Exploration” – features music by Wolfgang Amadeus Mozart, John Corigliano, Antonin Dvorak, Friedrich August Kummer and Alberto Ginastera.
SUMMER SERIES 1
Friday, July 12, at 6 p.m. – Mozart and Mendelssohn
Prize-winning UW-Madison graduate Danny Kim, viola (below)
PROGRAM:
Mendelssohn: String Quintet No. 1 in A major, Op. 18 (1826)
Simon Steen-Andersen: Study for String Instrument No. 1 (2007)
Mozart: String Quintet No. 2 in C minor, K. 406/516b (1787)
SUMMER SERIES 2
Friday, July 19, at 6 p.m. – Bassoon and Strings
UW-Madison Professor Marc Vallon, bassoon (below)
PROGRAM:
Beethoven: Allegretto for Piano Trio in B-flat major, WoO. 39 (1812)
Jennifer Higdon: “Dark Wood” (2001)
Franz Danzi: Bassoon Quartet in D minor, Op. 40, No. 2 (ca. 1820)
Alberto Ginastera: String Quartet No.1, Op. 20 (1948)
SUMMER SERIES 3
Friday, July 26, at 6 p.m. – Christopher Taylor, piano (below)
PROGRAM:
Ernest Bloch: Three Nocturnes (1924)
Jessie Montgomery: “Voodoo Dolls” (2008)
Dvorak: Piano Quintet No. 2 in A major, Op. 81 (1887) with UW-Madison pianist Christopher Taylor. (You can hear the first movement of Dvorak’s beautiful and melodic Piano Quintet in the YouTube video at the bottom.)
For more information, including background, biographies of the musicians, critics’ reviews, photos and how to support the Willy Street Chamber Players, go to:
http://www.willystreetchamberplayers.org
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Classical music: The Bach Dancing and Dynamite Society closes its 28th season this weekend by honoring three guest artists. Plus, here are all the winners of the 16th International Tchaikovsky Competition
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ALERT: The Ear has been following two competitors in the 16th International Tchaikovsky Competition in Russia who have local ties. (The only American to win Gold was cellist Zlatomir Fung.) The final results are in: trumpet player Ansel Norris took fifth place and received an artist’s diploma; pianist Kenneth Broberg shared the third prize with two other winners. For a complete list of winners in all the categories — piano, violin, cello, voice, brass and woodwinds — go to this page: https://tch16.com/en/news/
You can also watch and listen to, via live streaming, the two Gala Concerts for the winners today at 11 a.m. and on Saturday at 1 a.m. Valery Gergiev will conduct both. Go to https://tch16.medici.tv
By Jacob Stockinger
This Friday, Saturday and Sunday, the Bach Dancing and Dynamite Society will close out its 28th annual summer chamber music season with concerts in Madison, Stoughton and Spring Green.
Judging by the first two weekends of concerts, The Ear expects it to be a memorable conclusion of the season with the punning theme of “Name Dropping.”
Here is the announcement he received.
“Our third week of concerts celebrates three great musicians, all of whom are audience favorites: cellist couple Anthony (“Tony”) Ross and Beth Rapier; and firebrand violinist Carmit Zori.
“And the Tony Award for Rapier Wit goes to…” is a program centered around cello duets. Rapier and Ross (below), principal and co-principal cellists with the Minnesota Orchestra, start the program with George Frideric Handel’s gorgeous Sonata in G minor for two cellos and piano. (You can hear the Handel sonata, payed by Amit Peled in the YouTube video at the bottom.)
They both display crazy virtuosity in Luigi Boccherini’s Quintet in B-flat Major for flute, violin, viola and two cellos.
The first half ends with Gian Carlo Menotti’s Suite for two cellos and piano, a work that they have performed to acclaim around the world.
The second half of the program is given over to one of Brahms’ greatest works, the Sextet in G Major, Op. 36, for two violins, two violas and two cellos.
Ross and Rapier are joined by violinists Carmit Zori and Leanne League (assistant concertmaster of the Wisconsin Chamber Orchestra) and violists Toby Appel (below, a faculty member at the Juilliard School who plays in the Chamber Music Society of Lincoln Center) and Katrin Talbot (a Madisonian who performs with the Madison Symphony Orchestra and Wisconsin Chamber Orchestra) in this spectacular piece.
“And the Tony Award for Rapier Wit goes to…” will be performed at the Stoughton Opera House on Friday, June 28, at 7:30 p.m.; and in Spring Green at the Hillside Theater at Taliesin on Sunday, June 30, at 2:30 p.m.
Firebrand violinist Carmit Zori (below), founder and artistic director of the Brooklyn Chamber Music Society in New York City, will sizzle her way through the second program, entitled “The Legend of Zori.”
The program will open with Johannes Brahms’ Sonata in G Major for violin and piano. Viaje, by living Chinese composer Zhou Tian, is a fun and exciting new piece featuring flute and string quartet.
Zori will bring the program home with the torridly passionate Piano Quintet in F minor by Cesar Franck (below), a work written while Franck was in the throes of a love affair with one of his young students.
“The Legend of Zori” will be performed at The Playhouse at the Overture Center for the Arts on Saturday, June 29, at 7:30 p.m.; and in Spring Green at the Hillside Theater at Taliesin, on Sunday, June 30, at 6:30 p.m.
Venue Locations: the Stoughton Opera House is at 381 East Main Street; the Overture Center in Madison is at 201 State Street; Frank Lloyd Wright’s Taliesin Hillside Theater in on County Highway 23 in Spring Green.
Single admission tickets start are $43 and $49. Student tickets are always $10. All single tickets must now be purchased from Overture Center for the Arts, www.overturecenter.org or (608) 258-4141 (additional fees apply) or at the box office. Tickets are available at the door at all locations.
You can also enjoy a pre-ordered picnic at the Hillside Theater made with love from Pasture and Plenty, using ingredients from local farmers and producers. They are available for pick up at the Hillside Theater after the 2:30 p.m. concert or before the 6:30 p.m. concert, for $18.
Spread a blanket on the beautiful Hillside Theater grounds or eat in the Taliesin Architecture School Dining Room, which will be open exclusively to BDDS concert-goers.
Choose from Green Goddess Chicken Salad, Market Veggie Quiche with Greens, or Hearty Greens and Grains with Seasonal Veggie Bowl (gluten-free/vegan). Seasonal sweet treat and beverage included. See the BDDS order form or call BDDS at 608 255-9866.
Tags: #AmitPeled, #AnselNorris, #AnthonyRoss, #AsianComposer, #BachDancingandDynamiteSociety, #BaroqueMusic, #BethRapier, #BlogPost, #BlogPosting, #BoxOffice, #BrooklynChamberMusicSociety, #CarmitZori, #CelloMusic, #CelloSonata, #CesarFranck, #ChamberMusic, #ChamberMusicSocietyofLIncolnCenter, #Chinesecomposer, #ContemporaryMusic, #CriticalAcclaim, #DiningRoom, #FacebookPost, #FacebookPosting, #FacultyMember, #FluteMusic, #FoodandDrink, #FrankLloydWright, #GeorgeFridericHandel, #GianCarloMenotti, #Gluten-Free, #GraduateStudent, #HillsideTheater, #InternationalTchaikovskyCompetition, #JohannesBrahms, #JohannSebastianBach, #JuilliardSchool, #KatrinTalbot, #KennethBroberg, #LeanneLeague, #LiveStreaming, #LivingComposer, #LoveAffair, #LuigiBoccherini, #MadisonSymphonyOrchestra, #MadisonWisconsin, #MediciTV, #MinnesotaOrchestra, #MoscowRussia, #NewMusic, #NewYorkCity, #OvertureCenter, #PastureandPlenty, #PianoAccompaniment, #PianoQuintet, #PrincipalCellist, #SaintPetersburg, #SpringGreen, #StoughtonOperaHouse, #StoughtonWisconsin, #StringMusic, #StringQuartet, #SweetTreat, #Taliesincompound, #TheEar, #ThePlayhouse, #TheU.S., #TobyAppel, #TonyAward, #TrumpetMusic, #UnitedStates, #UniversityofWisconsin-Madison, #ValeryGergiev, #ViolaMusic, #ViolinMusic, #ViolinSonata, #VocalMusic, #WisconsinChamberOrchestra, #WoodwindInstruments, #WoodwindMusic, #YouTubevideo, #ZhouTian, #ZlatomirFung, acclaim, accompaniment, address, America, American, Amit Peled, annoucement, Ansel Norris, Anthony Ross, artist, Arts, Asia, assistant, Bach, Bach Dancing and Dynamite Society, Baroque, Baroque music, Beth Rapier, beverage, blanket, blog, bowl, box office, Brooklyn Chamber Music Society, Carmit Zori, categories, catgeory, celebrate, cellist, Cello, Chamber music, Chamber Music Society of Lincoln Center, chicken, China, Chinese, Classical music, co-principal, composer, Concert, concertmaster, conclusion, conduct, conductor, contemporary music, couple, critical, dining room, diploma, door, duo, Early music, Facebook, faculty member, farmers, fifth, firebrand, flute, food, founder, Frank Lloyd Wright, Friday, fun, gala, George Frideric Handel, Gian-Carlo Menotti, grain, great, greens, grounds, Hillside Theater, ingredients, International Tchaikovsky Competition, Jacob Stockinger, Japan, Japanese, Johann Sebastian Bach, Johannes Brahms, Juilliard School, Katrin Talbot, Kenneth Broberg, Leanne League, legend, listen, live streaming, living, Living composer, local, location, Love, Luigi Boccherini, Madison, Madison Symphony Orchestra, medici.tv, Moscow, Music, Musician, name, New Music, New York City, Orchestra, Overture Center, Overture Center for the Arts, Pasture and Plenty, Pianist, Piano, Piano Quintet, picnic, piece, principal, prize, producers, program, pun, quiche, reception, Russia, Saint Petersburg, salad, Saturday, Season, seasonal, sizzle, Sonata, spectacular, Spring Green, St. Petersburg, Stoughton, Stoughton Opera House, string music, String quartet, strings, Student, Suite, Sunday, sweet, sweet treat, Taliesin, The Ear, The Playhouse, theme, third, ticket, ties, Toby Appel, Tony Award, treat, Trumpet, U.S., United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW-Madison, Valery Gergiev, vegan, vegetables, vegetarian, veggie, venue, Viola, Violin, violinist, violist, virtuosity, vocal music, voice, watch, weekend, winner, Wisconsin, Wisconsin Chamber Orchestra, wit, woodwinds, world, young, YouTube, Zhou Tian, Zlatomir Fung
Classical music: Looking for serious fun? The thoroughly successful opening concerts by the Bach Dancing and Dynamite Society bode well for the upcoming second weekend
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By Jacob Stockinger
After 28 summers, going to a concert by the Bach Dancing and Dynamite Society still feels like attending a family reunion – the best kind of family reunion where everyone is familiar and friendly, where everything is fun, and where you always leave glad that you went.
That’s not by chance.
The first thing that co-founders and co-artistic directors Stephanie Jutt and Jeffrey Sykes did last Friday and Saturday nights was to thank the loyal audience. And the audience, full of longtime fans, returned the favor by being attentive to and appreciative of the first-rate music-making as well as responsive to the horseplay and antics – such as the surreal scene of virtuoso Axel Strauss playing “The Skater’s Waltz” on his violin while rollerblading around the stage (below).
BDDS players really mean it when they say that their audiences are in for something different, something they won’t find elsewhere and won’t forget.
Last weekend that meant the return of two longtime guest performers: San Francisco cellist Jean-Michael Fonteneau and Montreal violinist Axel Strauss (below, with pianist Jeffrey Sykes). Neither disappointed as they performed very varied music by Franz Joseph Haydn, C.P.E. Bach, Johannes Brahms, Gabriel Faure, Lili Boulanger, Maurice Ravel and Ned Rorem. And as always, the amazing pianist Jeffrey Sykes proved a chameleon who blended masterfully into the style of each period and each composer.
But for The Ear, the unexpected standout last weekend was guest accordion player Stas Venglevski from Milwaukee. Born in Russia and trained at the Moscow Conservatory, he is a virtuoso player, a sensitive arranger and a convincing composer – all done with good humor and a charismatic stage presence.
The Ear never thought of the accordion – the Russian bayan, to be specific – as an instrument for chamber music. But he does now, after hearing Venglevski play serious Russian, French and Latin American music that ran the gamut from a graceful waltz and a sprightly polka to torchy tangos. And then there were his flying fingers punching out “The Flight of the Bumblebee,” a real crowd-pleaser.
The large audience responded on both nights with wild applause and a standing ovation every time that Venglevski (below) played, and Jutt promised the audience that he will be back.
“As you can see, we have fun here,” Jutt deadpanned.
She is not exaggerating.
Which bodes well for the second weekend of three that will happen this coming weekend.
The second weekend — two programs in three venues — celebrates Jutt and Sykes, plus two of BDDS’ favorite guest artists: violinist Stephanie Sant’Ambrogio and Madison pianist Thomas Kasdorf.
Kasdorf (below) and Sykes are both featured in a program called “Rock the Sykes-o-delic Kas-bah.” Kasdorf is featured in Brahms’ Horn Trio with guest horn player Karl Kramer Johansen, and in the appealing and accessible Café Concertino by the contemporary Australian composer Carl Vine.
Sykes will perform another chamber transcription of a Classical-era symphonic work, which over the years has become a welcome specialty of BDDS. In this case it is Wolfgang Amadeus Mozart’s snappy and appealing Piano Concerto No. 9 in E-flat Major, K. 271, the “Jeunehomme” concerto. (You can hear the irresistible last movement of the piano concerto, used in the film “Amadeus,” in the YouTube video at the bottom.) Sykes will also perform in Robert Schumann’s “Fairy Tales” for clarinet and viola.
A Madison native, cellist Alison Rowe (below) — an artist from the Dynamite Factory, which is BDDS’ program for emerging talent — will be featured in the Sonata for Cello and Piano in D Major by Johann Sebastian Bach.
“Rock the Sykes-o-delic Kas-bah” will be performed at the Stoughton Opera House on Friday, June 21, at 7:30 p.m. Braisin’ Hussies Food Cart will be parked outside the Opera House prior to the performance. The program will also be performed in Spring Green at the Hillside Theater, Sunday, June 23, at 2:30 p.m.
Jutt (below top) and Sant’Ambrogio (below bottom, in a photo by Stephanie Ann Boyd) worm their musical way into the most unexpected places in the other program, “Steph Infection.” The Nocturne for flute, violin, horn and piano of Franz Doppler opens the program, which continues with Jutt’s own arrangement of Antonin Dvorak’s popular “American” String Quartet, with a flute substituting for one of the two violins.
Dmitri Shostakovich’s Five Pieces for flute, clarinet and piano add spice to the program, and the evening concludes with Ernst von Dohnanyi’s epic Sextet for clarinet, horn, violin, viola, cello and piano. A work that ranges from stormy and turbulent to tender and funny, it features an all-star cast including audience favorite clarinetist Alan Kay, horn player Karl Kramer Johansen, violist Carol Cook (principal at the Lyric Opera of Chicago), and Madison’s own cellist of the UW-Madison’s Pro Arte Quartet, Parry Karp (below).
“Steph Infection” will be performed at The Playhouse, Overture Center for the Arts, Saturday, June 22, at 7:30 p.m.; and in Spring Green at the Hillside Theater, Sunday, June 23, at 6:30 p.m.
And of course there could also be some unannounced surprises – more door prizes, perhaps a mystery guest, or more shenanigans and antics that correspond to the “Name Dropping” pun theme of the programs.
For tickets ($43-$49) and more information, go to: https://bachdancing.org
Tags: "Amadeus", #AlanKay, #AlisonRowe, #AmadeusFilm, #AntoninDvorak, #ArtisticDirector, #AustralianComposer, #AxelStrauss, #BachDancingandDynamiteSociety, #BaroqueMusic, #BlogPost, #BlogPosting, #BlogReview, #CarlVine, #CarolCook, #CastList, #CelloSonata, #ChamberMusic, #Classicalera, #ContemporaryComposer, #CPEBach, #DmitriShostakovich, #ErnstvonDohnanyi, #FamilyReunion, #FilmSoundtrack, #FlightoftheBumblebee, #FluteMusic, #FoodCart, #FrankLloydWright, #FranzDoppler, #FranzJosephHaydn, #FrenchMusic, #Fridaynight, #GabrielFaure, #HillsideTheater, #HornTrio, #Jean-MichelFonteneau, #JeffreySykes, #JeunehommeConcerto, #JohannesBrahms, #JohannSebastianBach, #KarlKramerJohansen, #LatinAmerica, #LatinAmerican, #LatinAmericanmusic, #LiliBoulanger, #LivingComposer, #LyricOperaofChicago, #MadisonSymphonyOrchestra, #MauriceRavel, #MilwaukeeWisconsin, #MontrealCanada, #MoscowConservatory, #MoscowRussia, #MovieSoundtrack, #Music-Making, #MusicReview, #NedRorem, #NewTango, #NuevoTango, #OvertureCenter, #ParryKarp, #PianoConcerto, #ProArteQuartet, #RobertSchumann, #RussianMusic, #SanFrancisco, #SaturdayNight, #SpringGreen, #StagePresence, #StandingOvation, #StasVenglevski, #StephanieJutt, #StephanieSant'Ambrogio, #StoughtonOperaHouse, #StoughtonWisconsin, #StringQuartet, #Sundayafternoon, #SymphonicMusic, #Taliesincompound, #TheEar, #ThePlayhouse, #TheSkater'sWaltz, #ThomasKasdorf, #UniversityofWisconsin-Madison, #ViolaMusic, #WolfgangAmadeusMozart, #YouTubevideo, accordion, afternoon, Alan Kay, Alison Rowe, all-star, American, Antonín Dvořák, applause, appreciative, arrangement, arranger, Artistic director, Arts, attentive, audience, Australia, Axel Stauss, Bach, Bach Dancing and Dynamite Society, Baroque, BDDS, blend, blog, born, cafe, California, Canada, Carl Vine, Carol Cook, cart, cast, cellist, Cello, Chamber music, chameleon, charismatic, clarinet, clarinetist, Classical, Classical music, composer, Concert, concertino, contemporary, CPE Bach, critic, Dmitri Shostakovich, Dvorak, dynamite, Early music, era, Ernst von Dohnanyi, everyone, everything, factory, familiar, Family, favor, fi ger, film, first-rate, Flight of the Bumblebee, flute, flutist, food, forward, Frank Lloyd Wright, Franz Doppler, Franz Joseph Haydn, French, Friday, friendly, fun, Gabriel Fauré, graceful, guest, Hillside Theater, Horn, horseplay, House, Humor, infection, irresistible, Jacob Stockinger, Jean-Michel Fonteneau, Jeffrey Sykes, Jeunehomme, Johann Sebastian Bach, Johannes Brahms, Karl Kramer Johansen, Latin America, Latin American music, like, Lili Boulanger, link, Living composer, longtime, loyal, Lyric Opera of Chicago, Madison, Madison Symphony Orchestra, masterful, masterfully, Maurice Ravel, Milwaukee, Montreal, Moscow, Moscow Conservatory, movie, Mozart, Music, name, native, New Rorem, new tango, night, nocturne, opening, opera, Orchestra, ovation, Overture Center, Parry Karp, performer, period, Pianist, Piano, Piano concerto, player, please, polka, popular, presence, principal, Pro Arte Quartet, program, promise, psychedelic, pun, reunion, review, Robert Schumann, rollerblading, Russia, Russian, San Francisco, Saturday, sensitive, serious, sextet, share, Sonata, soundtrack, spectacular, spice, sprightly, Spring Green, Spring Green Wisconsin, stage, standout, Stas Venglevski, Stephanie Jutt, Stephanie Sant'Ambrogio, stormy, Stoughton, Stoughton Opera House, String quartet, style, successful, summer, Sunday, surreal, symphonic, tag, talent, Taliesin, tango, tender, The Ear, The Playhouse, The Skater's Waltz, Thomas Kasdorf, torch, torchy, trained, transcription, trio, turbulent, unexpected, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW-Madison, Viola, Violin, violinist, violist, virtuoso, Waltz, weekend, Wisconsin, Wolfgang Amadeus Mozart, work, YouTube
Classical music: The Bach Dancing and Dynamite Society again brings its surefire summery approach to serious classical chamber music when it starts its 28th annual series this weekend
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By Jacob Stockinger
It’s not just the calendar that makes the Bach Dancing and Dynamite Society the official start of the increasingly busy summer classical musical season in Madison.
The real reason is that the summer chamber music series, about to start its 28th annual summer this Friday night, June 14, is downright summery in its approach.
Say “summer,” and you think of lightness, of fun, of playfulness. And those are the very same qualities – along with serious, first-rate performances of great music by outstanding musicians – that BDDS brings to its six programs spread out in 12 concerts over three weekends and three venues during the month of June.
By now both the performers (below, in a photo by Dick Ainsworth for BDDS) and the audiences know that the formula works, however finely tuned or slightly changed it is from one summer to the next.
WHAT’S THE SAME
This year much remains.
There are still door prizes, spoken introductions and stories, mystery guests and a colorful art installation by UW-Madison designer Carolyn Kallenborn.
The titles of the six programs for 12 concerts over three weekends still have groan-inducing puns — “Name Dropping” in the theme for this summer — that are based on the musicians’ names like “Founteneau of Youth” after the San Francisco cellist Jean-Michel Fonteneau (below top) and “Quadruple Axel” after the Montreal-based violin virtuoso Axel Strauss (below bottom).
There are still the usual venues: the Playhouse in the Overture Center (below top); the Stoughton Opera House (below middle); and the Hillside Theater at Taliesin, the Frank Lloyd Wright compound in Spring Green.
There are still the many distinguished and accomplished musicians among the many imported guest artists and the many local musicians, including the co-founders and co-artistic directors flutist Stephanie Jutt and pianist Jeffrey Sykes (below). The Ear can’t recall ever hearing a bad BDDS performance, even of music he didn’t like.
And there is a mix of older well-known and classic repertoire along with newer and neglected composers and works.
WHAT’S NEW
But some things are different too.
The first concert this Friday will have a post-concert reception with free champagne and dessert to celebrate the 28th season.
This summer, unlike recent ones, there is no vocal music. All music is instrumental.
At both Stoughton and Spring Green, you can get food. Go to the home website for details.
Especially new and noteworthy is that the Russian virtuoso accordion player Stas Venglevski (below), from Milwaukee, will also perform on programs. Venglevski performs on the bayan, a Russian-style accordion noted for its deep bass sound and range and purity of tone.
Venglevski will be featured in works that range from polkas and heart-on-the-sleeve tangos by Argentinian composer Astor Piazzolla, Cuban composer Ernesto Lecuona and Russian composer Igor Stravinsky; down-and-dirty original works by Russian master Tatyana Sergeyeva and arrangements of favorite pieces by Johann Sebastian Bach and others.
This Wednesday night, June 12, from 7 to 9 p.m., Venglevski and Jutt will perform “Bayan-o-rama” at the Arts and Literature Lab, 2021 Winnebago Street. Tickets are $10 at the door. Refreshments will be served.
Here is a summary of the first weekend:
WEEK ONE
The elegance, charm, and finesse of French cellist Jean-Michel Fonteneau is displayed in a program called “Fonteneau of Youth.”
It includes music written by great composers in their youth, including the ravishing Elegy for cello and piano of French composer Gabriel Fauré; the rhythmically exciting Trio for flute, cello and piano of living American composer Ned Rorem; and the astonishing D’un soir triste (One Sad Evening) and D’un matin de printemps (One Spring Morning), both for piano trio, of 21-year old Lili Boulanger (below), who was the Prix de Rome-winning composer sister of famed teacher Nadia Boulanger and who died very young. (You can hear both pieces by Lili Boulanger in the YouTube video at the bottom.)
The great Franz Joseph Haydn—always the most youthful of composers, even into his late years—is represented by the masterful Piano Trio no. 28 in E major, in honor of BDDS’ 28th season.
“Fonteneau of Youth” will be performed at The Playhouse in the Overture Center for the Arts on this Friday, June 14, at 7:30 p.m. A free champagne and dessert reception will be held following the performance to celebrate the 28th season opener. It will also be performed in Spring Green at the Hillside Theater on Sunday, June 16, at 2:30 p.m.
Audience favorite Axel Strauss—not just a virtuoso violinist, but a virtuoso musician and artist of the highest distinction—will brave gravity-defying musical heights in “Quadruple Axel.” Carl Philipp Emanuel Bach’s Trio Sonata in D minor for violin, flute, cello and piano starts the program on an elegant note. Johannes Brahms’ fiery Piano Trio No. 3 in C minor, Op. 101, raises the temperature significantly. And all sorts of hijinks are on display in Maurice Ravel’s extraordinary and ravishing Sonata for Violin and Piano.
“Quadruple Axel” will be performed at The Playhouse in the Overture Center for the Arts on Saturday, June 15, at 7:30 p.m. and in Spring Green at the Hillside Theater, Sunday, June 16, at 6:30 p.m.
For more information about the full BDDS season and how to purchase tickets ($43 and $49), go to: https://bachdancing.org
Tags: #AcademicFestivalOverture, #AmericanComposer, #ArgentineanComposer, #ArtisticDirector, #ArtsandLiteratureLaboratory, #AstorPiazzolla, #AudienceFavorite, #AxelStrauss, #BachDancingandDynamiteSociety, #BaroqueMusic, #BlogPost, #BlogPosting, #CarlPhilippEmanuelBach, #CarolynKallenborn, #ChamberMusic, #ChamberMusicians, #Classicalera, #ContemporaryComposers, #ContemporaryMusic, #CPEBach, #Cubancomposer, #DoorPrize, #ErnestoLecuona, #FacebookPost, #FacebookPosting, #FigureSkating, #FrankLloydWright, #FranzJosephHaydn, #Frenchcomposer, #FrenchMusic, #GabrielFaure, #HillsideTheater, #HomeWebsite, #IgorStravinsky, #InstrumentalMusic, #Jean-MichelFonteneau, #JeffreySykes, #JohannesBrahms, #JohannSebastianBach, #LiliBoulanger, #LivingComposer, #MadisonSymphonyOrchestra, #MauriceRavel, #McGillUniversity, #MeadWitterSchoolofMusic, #MilwaukeeWisconsin, #ModernComposers, #ModernMusic, #MontrealCanada, #MysteryGuest, #NadiaBoulanger, #Name-Dropping, #NameDropping, #NedRorem, #NeglectedComposers, #NeglectedRepertoire, #NewMusic, #OvertureCenter, #PianoTrio, #PrixdeRome, #Prize-Winning, #RussianComposer, #SanFrancisco, #SanFranciscoCalifornia, #SanFranciscoTrio, #SpringGreen, #StasVenglevski, #StephanieJutt, #StoughtonOperaHouse, #StoughtonWisconsin, #Taliesincompound, #TatyanaSergeyeva, #ThePlayhouse, #TrioSonata, #UniversityofCalifornia-Berkeley, #UniversityofWisconsin-Madison, #ViolinistVirtuoso, #VirtuosoViolinist, #VocalMusic, #YouTubevideo, accordion, American, annual, Argentina, Argentinean, Argentinian, Art, Artistic director, Arts, Arts and Literature Laboratory, audience, axel, Axel Strauss, Ástor Piazzolla, Bach, Bach Dancing and Dynamite Society, bad, Baroque, Baroque music, bass, bayan, BDDS, blog, busy, calendar, California, Canada, Carl Philipp Emanuel Bach, Carolyn Kallenborn, cellist, Cello, Chamber music, champagne, change, charm, classic, Classical era, Classical music, classicalmusic, composer, compound, Concert, contemporary, CPE Bach, Cuba, Cuban, dance, dancing, design, dessert, desserts, different, door prize, Early music, elegance, elegant, Elegy, Ernesto Lecuoña, evening, Facebook, Faure, favorite, festival, figure skating, finesse, first-rate, flute, flutist, food, formula, forward, founder, Frank Lloyd Wright, Franz Joseph Haydn, free, French, fun, Gabriel Fauré, great, groan, guest, heart, Hillside Theater, House, Igor Stravinsky, induce, installation, instrumental, introduction, introductions, Jacob Stockinger, Jean-Michel Fonteneau, Jeffrey Sykes, Johann Sebastian Bach, Johannes Brahms, June, late, lightness, like, Lili Boulanger, link, literature, living, Madison, Madison Symphony Orchestra, Maurice Ravel, McGill University, Mead Witter School of Music, Milwaukee, mix, modern, month, Montreal, morning, Music, Musician, mystery, Nadia Boulanger, name, Ned Rorem, neglected, new, New Music, official, opera, Overture Center, Overture Center for the Arts, performance, performer, Pianist, Piano, Piano Trio, playfulness, polka, Prix de Rome, prize, program, purity, quadruple, qualities, range, recall, reception, refreshment, repertoire, Russian, San Francisco, San Francisco Trio, Season, serious, share, sister, sleeve, Sonata, Sound, spoken, Spring, Spring Green, Spring Green Wisconsin, start, Stas Venglevski, Stephanie Jutt, stories, story, Stoughton, Stoughton Opera House, summer, summery, tag, Taliesin, tango, Tatyana Sergeyeva, Teacher, The Playhouse, theme, ticket, tone, trio, trio sonata, tuned, United States, University of California-Berkeley, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW-Madison, venue, Violin, violinist, virtuoso, vocal music, Website, weekend, what, winning, Wisconsin, Wiscosnin, word, works, year, Youth, YouTube
Classical music: Super-virtuoso pianist Marc-André Hamelin makes his Madison debut with the Madison Symphony Orchestra this weekend in concertos by Richard Strauss and Maurice Ravel
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By Jacob Stockinger
As a pianist, he is known as someone who can play more notes faster and more clearly than anyone one – in short, a “super-virtuoso.”
He is the Canadian pianist Marc-André Hamelin (below), who will make his Madison debut this weekend with the Madison Symphony Orchestra when he performs two concertos: “Burlesque” by Richard Strauss and the Piano Concerto in G Major by Maurice Ravel.
The program opens with Wolfgang Amadeus Mozart’s Symphony No. 38, “Prague,” and closes with Claude Debussy’s La Mer (The Sea).
Performances take place in Overture Hall, 201 State St., on Friday, April 12, at 7:30 p.m.; Saturday, April 13, at 8 p.m.; and Sunday, April 14, at 2:30 p.m.
An Open Rehearsal will be held on Thursday, April 11 — free and open to the public. Limited space is available (RSVP required by calling 608 257-3734). Patrons must arrive by 6:45 p.m. For more information about the concerts and rehearsal, go to: https://madisonsymphony.org/event/an-auspicious-debut-marc-andre-hamelin/
Maestro John DeMain (below, in a photo by Greg Anderson), who will conduct the concerts, says: “Marc-André Hamelin is one of the major pianists of our time. This program features two of the greatest German composers and two great French Impressionists. Always inspired by Mozart, I am delighted to open with his Prague symphony.
“Then comes Strauss’ Burlesque with Marc-André performing virtuosic and delightful musical fare. After intermission comes another favorite of mine, Ravel’s Piano Concerto with its sultry, cabaret-like slow movement that climaxes with a raucous but fun last movement. (In the YouTube video at the bottom, you can hear Martha Argerich play that second movement with conductor Claudio Abbado and the Berlin Philharmonic.)
“The concert closes with Claude Debussy’s La Mer, his amazing tone poem that conjures up images of the sea both raging and calm, placing ultimate demands on the orchestra and creating an aural thrill for the audience.”
ABOUT MARC-ANDRÉ HAMELIN
The Oregonian summarizes the featured soloist concisely: “Is there anything Marc-André Hamelin can’t do at the piano?” Pianist Marc-André Hamelin is known worldwide for his unrivaled blend of consummate musicianship and brilliant technique, as well as for his exploration of the rarities of the 19th, 20th, and 21st centuries — in concert and on disc.
Although primarily a performer, Hamelin has composed music throughout his career. He was a distinguished jury member of the 15th Van Cliburn Competition in 2017, where each of the 30 competitors in the Preliminary Round were required to perform Hamelin’s “L’Homme armé.” It marked the first time the composer of the commissioned work was also a member of the jury.
A prolific maker of recordings, Hamelin (below) was honored with the 2014 ECHO Klassik Instrumentalist of Year (Piano) and Disc of the Year for his three-disc set of “Busoni: Late Piano Music.” An album of his own compositions, “Hamelin: Études,” received a 2010 Grammy nomination and a first prize from the German Record Critics’ Association. Hamelin is the recipient of a lifetime achievement award from the German Record Critics’ Association.
CONCERT AND TICKET DETAILS
The lobby opens 90 minutes prior to each concert. One hour before each performance, Michael Allsen will lead a 30-minute Prelude Discussion in Overture Hall to enhance concertgoers’ understanding and listening experience. It is free to ticket-holders.
The MSO recommends that concert attendees arrive early for each performance to make sure they have time to pass through Overture Center’s security stations, and so they can experience the Prelude Discussion.
Program notes for the concerts are available online: http://bit.ly/april2019programnotes
- Single Tickets are $18-$93 each and are on sale now at: https://madisonsymphony.org/hamelin through the Overture Center Box Office at 201 State Street, or by calling the Box Office at (608) 258-4141. Fees apply to online/phone sales.
- Groups of 10 or more can save 25% by calling the MSO office at (608) 257-3734. For more information, visit, https://www.madisonsymphony.org/groups.
- Student rush tickets can be purchased in person on the day of the concert at the Overture Center Box Office at 201 State Street. Students must show a valid student ID and can receive up to two $15 or $20 tickets. More information is at: https://www.madisonsymphony.org/studentrush
- Seniors age 62 and up receive 20% savings on advance and day-of-concert ticket purchases in select areas of the hall.
- Flex-ticket booklets of 10 vouchers for 2018-19 symphony subscription concerts are available. Learn more at: https://madisonsymphony.org/flex
- Out at the Symphony tickets include a seat in the Circle level of Overture Hall (regular price ($70-93), plus the after-party, for $45. Reception-only tickets are available for $25 each. Learn more at: https://madisonsymphony.org/out
Discounted seats are subject to availability, and discounts may not be combined.
Major funding for these concerts was provided by Madison Gas & Electric Foundation, Inc., Fred and Mary Mohs, Skofronick Family Charitable Trust and WPS Health Insurance. Additional funding was provided by Forte, James and Joan Johnston, Gary and Lynn Mecklenburg, Rodney Schreiner and Mark Blank, Stafford Rosenbaum LLP, and the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts.
Tags: #BerlinPhilharmonic, #BlogPost, #BlogPosting, #BoxOffice, #ClaudeDebussy, #ClaudioAbbado, #CommissionedMusic, #ECHOAward, #FacebookPost, #FacebookPosting, #FerruccioBusoni, #FirstPrize, #GermanRecordCritics'Association, #GrammyAward, #HealthInsurance, #JohnDeMain, #LaMer, #MadisonGasandElectric, #MadisonSymphonyOrchestra, #Marc-AndréHamelin, #MarthaArgerich, #MauriceRavel, #MeadWitterSchoolofMusic, #MG&E, #NationalEndowmentfortheArts, #NewMusic, #OpenRehearsal, #OvertureCenter, #OvertureHall, #PianoConcerto, #ProgramNotes, #RichardStrauss, #SeniorCitizen, #SlowMovement, #StaffordRosenbaum, #StateOfWisconsin, #SubscriptionConcert, #TheImpressionists, #TonePoem, #UniversityofWisconsin-Madison, #VanCliburn, #VanCliburnInternationalPianoCompetition, #WisconsinArtsBoard, #WolfgangAmadeusMozart, #World-wide, #YouTubevideo, achievement, Album, Arts, audience, aural, award, Berlin Philharmonic, blog, box office, briliant, Burlesque, Busoni, cabaret, calm, Canada, Canadian, charity, Classical music, Claude Debussy, Claudio Abbado, climax, commissioned, Compact Disc, competitor, composer, Composition, Concert, concerto, conductor, consummate, Debussy, debut, demand, disc, discount, discussion, Echo award, etude, experience, Facebook, fare, Ferruccio Busoni, first prize, forward, free, French, fun, funds, German Record Critics' Association, Grammy, health insurance, ID, Impressionist, information, Jacob Stockinger, John DeMain, judge, jury, La Mer, last, last movement, law firm, lawyer, lifetime, like, link, listening, live, Madison, Madison Gas and Electric, Madison Symphony Orchestra, Maestro, major, Marc-André Hamelin, Martha Argerich, Maurice Ravel, Mead Witter School of Music, movement, Mozart, Music, musicianship, National Endowment for the Arts, NEA, New Music, nomination, online, open, open rehearsal, Orchestra, Overture Center, Overture Hall, patron, performer, Pianist, Piano, poem, Prague, Prelude, program notes, rage, raging, raucous, Ravel, recording, rehearsal, Richard Strauss, RSVP, sea, seat, security, senior, senior citizen, share, Slow movement, soloist, spread, Stafford Rosenbaum, State of Wisconsin, Strauss, Student, subscription, sultry, super, symphony, tag, technique, thrill, time, tone, trust, United States, University of Wisconsin, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW-Madison, Van Cliburn, Van Cliburn International Piano Competition, virtuosic, virtuoso, weekend, Wisconsin Arts Board, Wolfgang Amadeus Mozart, word, worldwide, WPS, YouTube
Classical music: Mozart’s “Don Giovanni” meets “The Sopranos” when an all-female mob gets even in Fresco Opera Theatre’s new show this Thursday, Friday and Saturday nights
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By Jacob Stockinger
The Ear has received the following information about what promised to be another unusual take, perfect for the age of the MeToo movement, on the standard opera repertoire from Fresco Opera Theatre.
The show takes place on this coming Thursday, Friday and Saturday nights in Promenade Hall of the Overture Center. Dinner table seats are $50 and other seats are $35.
We are doing a production called the “The Sopranos: Don Giovanni’s Demise,” which is our re-imagining of Wolfgang Amadeus Mozart’s “Don Giovanni.”
We feature an all female-mob, who put a hit on “The Don.” And who can blame them? “The Sopranos” is the story of a score settled, and a scoundrel silenced. Don Giovanni is a rat, who has pushed the family too far. And the family has put out a hit on him.
“This is a fun production, which retains the music of “Giovanni,” but with a slightly different take using 20th-century Mafia imagery. (You can hear the dark and ominous Overture to the “Don Giovanni” in the YouTube video at the bottom.)
“We have a strong cast, featuring Ryan White as Don Giovanni, Erin Sura as Donna Elvira, Katie Anderson as Donna Anna, Ashley McHugh as Zerlina and Diana Eiler as Leporello. We are excited to have Vincent Fuh as our piano accompanist, and Melanie Cain will be directing.
“We will have limited seating on stage, which will be tables on which meals will be served, adding to the ambiance. Fresco is very excited to present our interpretation of this classic tale, including the timeless music.”
Adds director Melanie Cain:
“I’ve always been intrigued with the way Mozart portrayed female characters in his operas. They are daring, courageous and bold. He also was not afraid to give the women who were from the non-privileged classes, such as his spunky maids, the task of fixing all their bosses messes and oftentimes saving the day.
“Don Giovanni” resonates so well in today’s social landscape. The idea of women uniting to take down the males who take advantage, suffocate and demoralize the female gender runs through the core of this opera.
“What better way to portray a bunch of strong women than to have them run the male dominant world of the mob? As I was thinking about the look of this show, I came across the art of Tamara de Lempicka, a painter of the Art Deco era, best known for her portraits of powerful women. She was a brave, strong-willed openly bisexual artist who wasn’t afraid to be herself at a time that wasn’t accepted.
“Not only will you hear some vivacious female singers, you will see many of Lempicka’s works displayed throughout the production, which really resonates not only with this show, but in the way I like to create opera: “I live life in the margins of society and the rules of normal society don’t apply to those who live on the fringe.””
For tickets and a plot summary, here is the link to Overture Center:
And for more information about Fresco Opera Theatre, here is link to its home page:
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Classical music: YOU MUST SEE AND HEAR THIS: Tap dancing to Bach’s “Goldberg” Variations
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By Jacob Stockinger
The Ear really likes the “Goldberg” Variations by Johann Sebastian Bach (below).
In fast, he probably owns more recordings of that work than of any other.
And The Ear also likes tap dancing – although for his life he could not do even the most basic moves.
But it would never occur to The Ear to combine tap dancing and the “Goldberg” Variations.
But it did occur to tap dancer Caleb Teicher and pianist Conrad Tao (below) who teamed up to do just that — at least for the opening aria and first variation of the epic work.
It’s not profound, but it sure is fun.
And thanks to the Deceptive Cadence blog on National Public Radio, you can see and hear the four-minute video, done at the Steinway Factory and presented by the New York Philharmonic, for yourself.
Here it is.
Enjoy it.
You can find some other tap dancing and other dancing to the Goldbergs on YouTube . But please let The Ear know of any similar combination between other works of classical music and tap dancing that you have seen or heard or thought of and can suggest.
The Ear wants to hear.
Tags: #AudienceMembers, #BasicMoves, #BlogPost, #BlogPosting, #CompactDisc, #ConradTao, #DeceptiveCadence, #FacebookPost, #Goldberg"Variations, #JohannSebastianBach, #NationalPublicRadio, #NewYorkPhilharmonic, #PianoPlayer, #SeeandHear, #SteinwayFactory, #SteinwayPiano, #TapDance, #TapDancer, #TapDancing, #TheEar, #ThemeAndVariations, #YouTubevideo, aria, Arts, audience, Bach, Baroque, basic, Classical music, classicalmusic, Compact Disc, composer, dance, dancer, dancing, Early music, epic, Facebook, factory, fun, hear, Jacob Stockinger, moves, New York Philarmonic, NPR, opening, performer, Piano, pinaist, recording, see, see and hear, Steinway, theme and variations, United States, University of Wisconsin–Madison, variation, work, YouTube
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